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The "All Night Vigil" composed by Robert Sirico is an original English language musical setting of the fixed parts of Vespers and Matins written for mixed SATB choir as used in any Orthodox Church jurisdiction where the Vigil is sung in English. This book provides the choir director and singers with a large 8.5 x 11 inch, easy to read score with each voice part on its own staff. All sections are clearly marked, and most movements could easily stand alone as substitute hymns or even concert selections. The 'All Night Vigil' succeeds the 'Simple Divine Liturgy', and many other original sacred music compositions by Robert Sirico and is available on the official YouTube Channel of the 'Orthodox Christian Music Project' easily found by searching "OCMP33".
This study is the first to consider all three of Rachmaninoff's careers in detail. After surveying his place in Russian musical history and his creative activity, the author examines, with musical examples, each working chronological order against the background of the composer's life. Among the the many subjects upon which new light is shed are the operas, the songs, and the religious music. Rachmaninoff's remarkable career as a pianist, his style of playing and repertoire are analysed along with his historically important contribution to the gramophone and his work for the reproducing piano. The book includes a survey of his activity as a conductor. There are extensive references to Russian sources and the first appearance of a complete Rachmaninoff disconography is included. This book is the only comprehensive study in any language of the three aspects of Rachmaninoff's musical career and is a stimulating read for music lovers everywhere.
This reference includes thousands of reviews by the world's leading critics, making it the ideal guide for lovers of opera, symphonic music, and other classical genre.
The "All Night Vigil" held in parish churches on a Saturday evening, is one of the best-known features of the Russian Orthodox Church. This English translation is intended both to help the worshipper to follow the service at the Vigil for Sunday held on Saturday night and to assist the choir in chanting the service. It contains the unvarying texts and rubrics regarding the insertion of the variable parts. The parts of the priest, deacon, reader and choir are clearly indicated.
This new volume incorporates all entries from the previous editions by Arthur Wenk, expanding to cover writings drawn from periodicals, theses, dissertations, books, and Festschriften from 1940 to 2000. Over 9,000 references to analyses of works by over 1,000 composers of the nineteenth and twentieth centuries are included.
A giant in the pantheon of 19th century composers, Tchaikovsky continues to enthrall audiences today. From the Nutcracker--arguably the most popular ballet currently on the boards--Swan Lake, and Sleeping Beauty, to Eugene Onegin and Pique Dame, to the Symphony Pathetique and the always rousing, canon-blasting 1812 Overture--this prolific and beloved composer's works are perennial favorites. Now, John Wiley, a renowned Tchaikovsky scholar, provides a fresh biography aimed in classic Master Musicians style at the student and music lover. Wiley deftly draws on documents from imperial, Soviet, and post-Soviet era sources, providing a more balanced look at recent controversies surrounding the marriage, death, and sexuality of the composer. The author dovetails the biographical material with separate chapters that treat the music thoroughly and fully, work-by-work, with more substantial explorations of Tchaikovsky's most familiar compositions. These analyses present new, even iconoclastic perspectives on the music and the composer's intent and expression. Several informative appendices, in the Master Musicians format, include an exhaustive list of works and bibliography.