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Sorin Cerin [sˈɔːɹɪn sˈɛɹɪn], [sˈɔːɹɪn sˈɛɹɪn], [sˈɔːɹɪ_n sˈɛɹɪ_n] (born Sorin Hodorogea) is a Romanian Philosopher and Logician, creator of the Philosophical Works of Coaxialism, Essayist and Author of the monumental work entitled Wisdom Collection, considered one of the most prominent thinkers of the gnomic genre in the world, also a remarkable Existentialist Poet of the 21st century and Novelist of Balkan and Greek origin (born November 25, 1963, Baia Mare, Romania). Sorin Cerin is an existentialist poet whose existentialist philosophical poems are quoted by specialists alongside philosophers, poets and existentialist authors such as Nietzsche, Heidegger, Sartre or Kierkegaard but also the author of a new philosophical system called Coaxialism. Sorin Cerin is especially sought after by the general public, among existentialist poets and philosophers, both for his existentialist philosophical poems that focus mainly on Love, Existence, Illusion, the Absurd or Death, and for philosophical aphorisms, structured in several volumes, and previously published in various publishing houses, to be later reunited under the aegis of a single monumental volume, entitled Wisdom Collection.This title first appeared in 2009, which together with the future editions of Sorin Cerin's Wisdom Collections from the following years, brought him fame and international recognition, for which, Sorin Cerin, is considered to be one of the most representative existentialist philosophers and poets, but, also author of wisdom, author of philosophical aphorisms or thinker of the sapiential genre, worldwide.Many philosophical aphorisms from Wisdom Collection,, are selected in various publications or prestigious anthologies of the world.
This book is an attempt to read the totality of Camus’s oeuvre as a voyage, in which Camus approaches the fundamental questions of human existence: What is the meaning of life? Can ultimate values be grounded without metaphysical presuppositions? Can the pain of the other penetrate the thick shield of human narcissism and self-interest? Solipsism and solidarity are among the destinations Camus reaches in the course of this journey. This book is a new reading of one of the towering humanists of the twentieth century, and sheds new light on his spiritual world.
This book is our century's most comprehensive and wise treatment of nihilism in all of its guises, comparing favorably with Rosen, Cavell, and indeed with Spengler. Crosby argues that our culture is genuinely haunted by nihilism expressing itself in the fideism of fundamentalism as well as in the debilitating alienation from all orientation. This results from a one-sided development of Western culture. Unlike most writers on this topic, Crosby acknowledges many sources colluding to frame the culture of nihilism, including "the death of God," the objectification of nature, the meaninglessness of suffering in a mechanical universe, the ephemerality of time in a world where value does not accumulate, the arbitrariness of historicized reason, the reduction of value to will, and the alienation of the Cartesian ego. These sources are reviewed in the first two parts of the book with the result that the phenomenon of nihilism becomes understandable. In its third and fourth parts, Crosby provides a critical analysis of the religious and philosophical forces leading to nihilism by discussing authors from the early modern period through Dostoyevsky, Sartre, Russell, and Derrida. He shows that these forces are skewed and impoverished and should not be allowed to determine our situation. The comprehensive attention to detail and the multi-perspectival interpretation demonstrates as well as asserts the richness of the culture that puts nihilism in its place. Part Five, finally, rephrases the criticism of the sources of nihilism in positive ways. Part Four in particular is a tour de force of philosophical argument. Its richness of nuance, plurality of views examined, and adroitness of critical interpretation provide cumulatively a powerful, non-nihilistic reading of the philosophic tradition. The force of the argument derives from its comprehensive, cumulative character. Crosby distinguishes and relates five areas of nihilism: political, moral, epistemological, cosmic, and existential. Throughout the book, he illustrates and examines these as they are expressed in literature and art, in daily life and practical affairs, and in philosophy. The book is richly erudite in its marshalling of consciousness from so many domains.
This is the first monographic study devoted to S l awomir Mro z ek, the most prominent contemporary Polish dramatist. It centers on Mrozek's development as a playwright, shown through the analysis of his complete dramas. Also discussed is Mro z ek's experience as a journalist and theatre critic, satirist and short story writer, author of cartoons and movie scenarios. The monograph spans Mrozek's beginnings as the Eastern European representative of the Theatre of the Absurd and his expatriate existence during which he transcends the absurdist model. Mrozek's return to Poland in 1996 reestablishes him as a major literary figures on the contemporary Polish scene. His continuous presence in Western and Eastern European theatres testifies to the broad appeal of his plays. The presentation of Mrozek's entire artistic profile is supplemented by information on the reception of his writings in Poland and abroad, including the most important performances of his plays. The volume also provides a chronology of Mrozek's life and works, a complete listing of primary texts in Polish, English and German, a list of theatrical premieres, and a bibliography of secondary sources.
In Albert Camus and the Political Philosophy of the Absurd: Ambivalence, Resistance, and Creativity, Matthew H. Bowker takes an interdisciplinary approach to Albert Camus' political philosophy by reading absurdity itself as a metaphor for the psychosocial dynamics of ambivalence, resistance, integration, and creativity. Decoupling absurdity from its ontological aspirations and focusing instead on its psychological and phenomenal contours, Bowker discovers an absurdist foundation for ethical and political practice.
How the brutalities of working life are transformed into exhaustion, shame, and self-doubt: a writer's account of her experience working in an Amazon fulfillment center. No longer able to live on the proceeds of her freelance writing and translating income, German novelist Heike Geissler takes a seasonal job at Amazon Order Fulfillment in Leipzig. But the job, intended as a stopgap measure, quickly becomes a descent into humiliation, and Geissler soon begins to internalize the dynamics and nature of the post-capitalist labor market and precarious work. Driven to work at Amazon by financial necessity rather than journalistic ambition, Heike Geissler has nonetheless written the first and only literary account of corporate flex-time employment that offers “freedom” to workers who have become an expendable resource. Shifting between the first and the second person, Seasonal Associate is a nuanced expose of the psychic damage that is an essential working condition with mega-corporations. Geissler has written a twenty-first-century account of how the brutalities of working life are transformed into exhaustion, shame, and self-doubt.
Using the character as a central element, this volume provides insights into the Theatre of the Absurd, highlighting its specific key characteristics. Adopting both semiotic-structuralist and mathematical approaches, its analysis of the absurdist character introduces new models of investigation, including a possible algebraic model operating on the scenic, dramatic and paradigmatic level of a play, not only exploring the relations, configurations, confrontations, functions and situations but also providing necessary information for a possible geometric model. The book also takes into consideration the relations established among the most important units of a dramatic work, character, cue, décor and régie, re-configuring the basic pattern. It will be useful for any reader interested in analyzing, staging or writing a play starting from a single character.
The original papers which appear in this volume were initially presented in a series of sessions of the Ad Hoc Group on Alienation Theory and Research at the 1974 World Congress of Sociology in Toronto, Canada. This group was organized by the editors as a result of their longstanding research and teaching interest in the field. The purpose of the Toronto sessions was to provide an international forum where scholars and researchers could come to gether for a personal exchange of ideas and research findings. To our know ledge this was the first forum of its kind concerned specifically with aliena tion theory and research. More than fifty theoretical and empirical papers from thirteen countries and several overlapping disciplines were organized into panels and workshops during the span of four days. The response to these sessions indicates that interest in the study of alienation by philosophers and social scientists continues unabated. The Toronto sessions were organized largely around a fundamental concern for further theoretical development and conceptual clarification in the alienation field. The papers selected for this volume reflect this thematic concern. Although many excellent empirical papers were presented, it was generally felt that meaningful empirical research would benefit from a continued elaboration and refinement of alienation theory. The present collection is consequently geared to problems of meaning, theory, and method. Considerable emphasis is also placed on a critical evaluation of the alienation theme as it has evolved from social philosophy to empirical social research.
Relying nearly exclusively on Hegel's ontological conception of the authentic self, the author seeks to explicate the causes of alienation and offer a method for overcoming it. Hegel's idea that human history is the quest through rational freedom towards spirit is advanced as the fundamental truth for overcoming alienation. Annotation copyrighted by Book News, Inc., Portland, OR
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