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Everyone has secrets. You only have to scratch the surface to draw blood. The Palm Beach elite go to great lengths to protect their own-and their own no longer includes Elena Estes. Once upon a time a child of wealth and privilege, Elena turned her back on that life. Betrayed and disillusioned by those closest to her, she chose the life of an undercover cop, the hunt for justice her own personal passion. Then a tragic, haunting mistake ended her career. Now Elena exists on the fringes of her old life, training horses for a living. But a shocking event is about to draw her back into the painful vortex she's fought so hard to leave behind. First she finds the body-a young woman used, murdered, and dumped in a canal. Not just a victim, but a friend. As Elena delves into her dead friend's secret life, she discovers ties not only to the Russian mob but also to a group of powerful and wealthy Palm Beach bad boys known for giving each other alibis to cover a multitude of sins. A group that includes a man Elena once knew very well-her former fiancé, Bennett Walker, a man she knows has already escaped justice at least once in his life. Finding her friend's killer will put Elena at odds with her old life, with her new lover, and with herself. But she is determined to reveal the truth-a truth that will shock Palm Beach society to its core, and could very well get her killed.
Crime, Shame and Reintegration is a contribution to general criminological theory. Its approach is as relevant to professional burglary as to episodic delinquency or white collar crime. Braithwaite argues that some societies have higher crime rates than others because of their different processes of shaming wrongdoing. Shaming can be counterproductive, making crime problems worse. But when shaming is done within a cultural context of respect for the offender, it can be an extraordinarily powerful, efficient and just form of social control. Braithwaite identifies the social conditions for such successful shaming. If his theory is right, radically different criminal justice policies are needed - a shift away from punitive social control toward greater emphasis on moralizing social control. This book will be of interest not only to criminologists and sociologists, but to those in law, public administration and politics who are concerned with social policy and social issues.
'A dark, disturbing and all-consuming mystery' SUN 'I couldn't put it down' SOPHIE HANNAH 'Clever and twisty' OBSERVER The Flower Girls are about to hit the headlines all over again... It's been nineteen years since ten-year-old Laurel was given a life sentence and six-year-old Rosie was given a new identity. The sisters were the very picture of innocence: two little girls who loved to listen to their mother's bedtime stories and play make-believe in the garden. But then an act of unparalleled horror tears their family apart, leaving Laurel behind bars. Neither sister has laid eyes on the other since then, during which time their lives have followed very different paths. But now – with Laurel coming up for parole – they look set to be reunited in court, and the world will be watching... 'Chilling, atmospheric and incredibly compelling' WILL DEAN 'Enjoyably twisty ... with a killer ending' i
What’s the key to the art of growing older well? Is it an art that anyone can cultivate? How should we confront dying and death in a secular age? What about sex when we’re older? What about loneliness? (And, for that matter, what about facelifts?) At the height of his powers in this remarkable (and often witty) book, Robert Dessaix addresses these increasingly urgent questions in inimitable prose and comes up with some surprising answers. From Java to Hobart via Berlin, Dessaix invites us to eavesdrop on his intimate, no-nonsense conversations about ageing with friends and chance acquaintances. Reflecting on time, religion, painting, dancing and even grandchildren, Dessaix takes us on an enlivening journey across the landscape of growing older. Riffing on writers and thinkers from Plato to Eva Hoffman, he homes in on the crucial importance of a rich inner life. The Time of Our Lives is a wise and timely exploration of not just the challenges but also the many possibilities of old age.
Career criminal John Killick was involved in the most audacious prison break in Australian history when he escaped from Sydneyrsquo;s Silverwater prison after his partner in crime Lucy Dudko commandeered a scenic helicopter flight at gunpoint.Australiarsquo;s lsquo;Bonnie and Clydersquo; spent 45 days on the run before being caughthellip; Killick was sentenced to 23 years jail; Dudko to ten. After his release, the pair meet up again but are they the same people? Is the magic still there?This is John Killickrsquo;s story ndash; raw, confronting and redemptive.This is his story of self-discovery, of a wasted life of years in prison, and one which he hopes will stop other young offenders from making similar mistakes.
Garnering international prizes and acclaim before its publication, Ilustrado has been called "brilliantly conceived and stylishly executed . . .It is also ceaselessly entertaining, frequently raunchy, and effervescent with humor" (2008 Man Asian Literary Prize panel of judges). It begins with a body. On a clear day in winter, the battered corpse of Crispin Salvador is pulled from the Hudson River—taken from the world is the controversial lion of Philippine literature. Gone, too, is the only manuscript of his final book, a work meant to rescue him from obscurity by exposing the crimes of the Filipino ruling families. Miguel, his student and only remaining friend, sets out for Manila to investigate. To understand the death, Miguel scours the life, piecing together Salvador's story through his poetry, interviews, novels, polemics, and memoirs. The result is a rich and dramatic family saga of four generations, tracing 150 years of Philippine history forged under the Spanish, the Americans, and the Filipinos themselves. Finally, we are surprised to learn that this story belongs to young Miguel as much as to his lost mentor, and we are treated to an unhindered view of a society caught between reckless decay and hopeful progress. Exuberant and wise, wildly funny and deeply moving, Ilustrado explores the hidden truths that haunt every family. It is a daring and inventive debut by a new writer of astonishing talent.