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Catching a Russian Spy is the story of the FBI's investigation of Aldrich Ames, CIA agent who turned Russian spy, and the agent who helped bring him to justice. Aldrich H. "Rick" Ames was a 31-year veteran of the CIA. He was also a Russian spy. By the time Ames was arrested in 1994, he had betrayed the identities of dozens and caused the deaths of ten agents. The notorious KGB (and later the Russian intelligence service, SVR) paid him millions of dollars. Agent Leslie G. “Les” Wiser, Jr. ran the FBI's Nightmover investigation tasked with uncovering a mole in the CIA. The team worked night and day to collect evidence—sneaking into Ames' home, hiding a homing beacon in his Jaguar, and installing a video camera above his desk. But the spy kept one step ahead, even after agents followed him to Bogota, Colombia. In a crazy twist, the FBI would score its biggest clue from inside Ames' garbage can. At the time of his arrest on February 21, 1994, he had compromised more highly-classified CIA assets than any other agent in history. Go behind the scences of some of the FBI's most interesting cases in award-winning journalist Bryan Denson's FBI Files series, featuring the investigations of the Unabomber, al-Qaeda member Mohamed Mohamud, and Michael Young's diamong theft ring. Each book includes photographs, a glossary, a note from the author, and other detailed backmatter on the subject of the investigation.
First Published in 1996. William and Philip Hayes, father and son, between them occupied the Heather Chair of Music at the University of Oxford for over half a century (1741-97). Although they lived and worked largely outside the mainstream of London's cosmopolitan musical life, their outlook was surprisingly broad. The present study reveals them to have been two of the most important provincial musicians of their age, who as composers contributed to all the main genres of the time except opera.
In 1825, an enterprising Canterbury newsagent by the name of Henry Ward raised a subscription to commission a lasting tribute to his beloved musical society. The result was a fine lithograph showing 100 gentlemen in assured poses, carefully placed in surroundings eloquently freighted with classical allusion, cultural literacy, deep-rooted patriotism, and strictly masculine politics. That image is the subject of this book. With insights gleaned from a unique collection of music, papers, and artefacts in the archives of the city and the cathedral, this study considers not only the accomplished performance of bourgeois status which is clearly visible in the print, but other characteristics of the Club which are either less pictorially privileged or entirely omitted. Deploying iconographical, cultural, and musicological analysis, the book discusses this curiously contradictory slice of British social history in which the respectable apparently coexisted happily with the libertine. What emerges is an unusually clear view of the production, performance and consumption of music in a provincial city at a fascinating time: a period when cultural activity was a strategic assertion of socio-political identity.
The definitive spy story, based on exclusive interviews with CIA mole Aldrich Ames, his KGB handlers, and with the families of the spies he betrayed. "The story of Aldrich Ames will remain an unsettling reminder of the moral abyss at the heart of the Cold War".--"The Washington Post".
The remarkable story of the last American spy of the Cold War: Aldrich “Rick” Ames, the most destructive traitor in the history of the Central Intelligence Agency Tim Weiner, David Johnston, and Neil A. Lewis, reporters for The New York Times, tell how the barons of the CIA could not believe that its headquarters harbored a traitor. For years, the Agency was baffled by a wily Russian spymaster who played a high-stakes chess game against the Americans, deceiving the CIA into thinking that there were other moles—or no moles at all. It took nearly eight years for the CIA to share the full facts of the scenario with the Federal Bureau of Investigation. Once they knew those facts, the men and women of the FBI tracked Aldrich Ames day and night for nine months before they arrested him. They tell their story here in astonishing detail for the first time. The interviews are entirely on-the-record. There are no pseudonyms, anonymous quotes, or invented scenes. The men betrayed by Ames were real people, and the stories of their lives are the true history of the espionage game in the waning years of the Cold War.
In 1894, Abby Aldrich, the outgoing, impulsive daughter of Rhode Island’s Senator Nelson Aldrich, met Brown University student John D. Rockefeller, Jr., the shy and reserved heir to the Standard Oil fortune. This unlikely pair fell in love, but only seven years later did John feel confident enough to propose. Once married, Abby used her empathy, willingness to experiment, and defiant optimism to broaden John’s way of thinking and to expand his vision of what the Rockefeller fortune could do, shaping the family into a progressive force in philanthropy, the arts, and politics. Abby cherished and protected her six children — Babs, John III, Nelson, Laurance, Winthrop, and David — and inspired in them a desire to serve society. She helped open the nation’s eyes to modern art and in 1928, initiated the foundation of New York’s Museum of Modern Art. From behind the scenes Abby helped direct the restoration of Colonial Williamsburg and the building of Rockefeller Center. “Abby Aldrich Rockefeller was a legendary figure, a woman of great wealth and power who used them for great good — in often cunning ways. Astonishingly, no one has written her story before. Now Bernice Kert has done so in a sweeping, meticulous, original biography that illuminates a rare life, an historic family, and modern America.” — Catharine R. Stimpson, University Professor, Rutgers University “Bernice Kert can raise biography to a level of insight and surprise that matches the best fiction. Witness this study of a woman we think we know all about.” — Elizabeth Janeway, author of Man’s World, Woman’s Place “Bernice Kert’s thoroughly researched biography of Abby Aldrich Rockefeller is a welcome and wonderful read. Everyone interested in art and social history will want to read about this most progressive and interesting Rockefeller.” — Blanche Wiesen Cook, author of Eleanor Roosevelt: Volume I, 1884-1933 “[Reading] this biography, the life of Abby Aldrich Rockefeller, is like reading an exciting mystery story. One can hardly wait to turn the page to find out what this extraordinary and fascinating woman did, not only for herself but for everything and everyone she touched, from her husband, to nature, to the opening of a new view into the art world. The vitality of Abby Rockefeller, as depicted here by Bernice Kert, is a lesson to all women.” — Brooke Astor “What might have been a kind of family mausoleum turns out to be a fascinating read, brimming with fresh material from unpublished archives and interviews with eyewitnesses. Bernice Kert’s thorough and engaging portrait brings to life an enormously influential American woman who had an historic impact on both her extraordinary family and the arts — as a pioneering collector and patron, and as the innovating founder of two major museums.” — J. Carter Brown, Director Emeritus, National Gallery of Art “Kert, despite all her exhaustive research, happily lets her subject retain all of her formidable vitality and independence... Kert deals not only with the couple’s marriage — which was, in spite of some strains, a lifelong love affair — and the six Rockefeller children, but also with Abby’s generous contributions to art, education, and politics, as well with as her role in creating Rockefeller Center and Colonial Williamsburg. A splendidly intelligent, very readable portrait of a woman who was as wise in the rearing of her family as in the spending of her great wealth.” — Kirkus Reviews “In this elegantly written, carefully researched and psychologically astute biography, Abby Rockefeller emerges as a loveable and intelligent woman who wielded her great privilege to a variety of socially beneficial ends.” — Publishers Weekly “Bernice Kert [has] an eye for offbeat biography... Kert’s penetrating close-up captures not only [Abby’s] remarkable personality but the suffocating nuances of post-Victorian matrimony; women readers in particular will relish Abby’s refusal to be pigeonholed.” — Ted Berkman, Los Angeles Times “A picture of a complex and engaging woman, one who was at once very much a part of her time and extraordinarily ahead of it... Although the Modern museum was at the heart of Abby Aldrich Rockefeller’s work... her interests were far ranging. They included the advancement of civil rights, historic preservation and education. The portrait of her in this book is that of a model aristocrat, a wealthy, well-bred woman who understood power and the creative, contemporary uses of the concept of noblesse oblige. Kert shows Abby Rockefeller to have been, in her way, very much a feminist.” — Robert Duffy, St. Louis Post-Dispatch
In this collection of interviews, the filmmaker tells fascinating stories of making motion pictures with such film legends as Burt Lancaster, Bette Davis, Joan Crawford, Burt Reynolds, and many others