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Movement is Life-Dance our birthright. In 1986 Leslie Zehr returned to Egypt, the ancient motherland, to be fed and seeded from the Source. There she encountered the mysterious Serpent Goddess who taught her the ancient Sacred Dance. In this book, the author takes us on that archetypal journey through the Tarot to the Universal Dancer, the Gold-accessing, through the Dance, the power held in "the field." It has been 9 years since the first publication of "The Alchemy of Dance." In that time the author has had the opportunity to teach hundreds of women how to Dance the primordial Dance of the Serpent Goddess-reconnecting the sexual/spiritual aspects within themselves. The Second Revised Edition Includes: -A new chapter on Sacred Space -Larger images -More photographs -Glossary of terms Let "The Alchemy of Dance: Sacred Dance as a Path to the Universal Dancer" open the door to the mystical Dance of the Serpent Goddess.
The Western approach to dance is largely focused on control and mastery of technique, both of which are certainly necessary skills for improving performance. But mindful attention, despite its critical role in high performance, has gotten short shrift—until now. Attention and Focus in Dance, a how-to book rooted in the 20 years of attentional focus findings of researcher Gabriele Wulf, will help dancers unlock their power and stamina reserves, enabling efficient movement, heightening their sensory perception and releasing their dance potential. Author Clare Guss-West—a professional dancer, choreographer, teacher and holistic practitioner—presents a systematic, science-based approach to the mental work of dance. Her approach helps dancers hone the skills of attention, focus and self-cueing to replenish energy and enhance their physical and artistic performance. A Unique, Research-Based Approach Here is what Attention and Focus in Dance offers readers: A unique approach, connecting the foundations of Eastern movement with Western movement forms Research-based teaching practices in diverse contexts, including professional dance companies, private studios, and programmes for dancers with special needs or movement challenges Testimonies and tips from international professional dancers and dance educators who use the book’s approach in their training and teaching A dance-centric focus that can be easily integrated into existing training and teaching practice, in rehearsal, or in rehabilitation contexts to provide immediate and long-term benefits Guss-West explores attentional focus techniques for dancers, teachers and dance health care practitioners, making practical connections between research, movement theory and day-to-day dance practice. “Many dancers are using excessive energy deployment and significant counterproductive effort, and that can lead to a global movement dysfunction, lack of stamina and an increased risk of injury,” says Guss-West. “Attentional focus training is the most relevant study that sport science and Eastern-movement practice can bring to dance.” Book Organisation The text is organised into two parts. Part I guides dancers in looking at the attentional challenges and information overload that many professional dancers suffer from. It outlines the need for a systematic attention and focus strategy, and it explains how scientific research on attentional focus relates to dance practice. This part also examines the ways in which Eastern-movement principles intersect with and complement scientific findings, and it examines how the Eastern and scientific concepts can breathe new life into basic dance elements such as posture, turnout and port de bras. Attention and focus techniques are included for replenishing energy and protecting against energy depletion and exhaustion. Part II presents attention and focus strategies for teaching, self-coaching and cueing. It addresses attentional focus cues for beginners and for more advanced dancers and professionals, and it places attentional focus in the broader context of holistic teaching strategies. Maximising Dance Potential “Whether cueing others or yourself, cueing for high performance is an art,” Guss-West says. “Readers will discover how to format cues and feedback to facilitate effective neuromuscular response and enhance dancer recall of information and accessibility while dancing.” Attention and Focus in Dance offers an abundance of research-backed concepts and inspirational ideas that can help dancers in their learning and performance. This book aids readers in filtering information and directing their focus for optimal physical effect. Ultimately, it guides dancers and teachers in being the best version of themselves and maximising their potential in dance.
Each book in The Creoles Series revolves around one of four girls who become close friends while attending a convent school in New Orleans. The third book, The Alchemy focuses on Simone d'Or, a vivacious young woman hardened by high society life, and Colin Seymour, a talented young man from humble beginnings. As the famed singer and composer Lord Beaufort nurtures Colin's singing voice, Colin rises to stardom in the opera world. At first, Simone judges Colin as a man beneath her standing, but after hearing Colin at the opera, she finds herself captivated by his talent and passion. Meanwhile, Simone's brother places the family name in jeopardy by his gambling debt, and she must face the possibility of marrying Vernay, a rigid young man of equal status who is feared for his skill in dueling others to the death.
Spontaneous talks given by the author in Chang Tzu auditorium, Pune, India.
The nature of desire self help non fiction inner guide to meditation to inner being witness consciousness to universal consciousness to nothingness emptiness gate less gate to non being body incorporeal where time , space , forms , duality of mind completely annihilate into formless relation less unfocused awareness that is just an I am ness infinite light infinite relaxation into the core and source of the mystery of the universal body and of life and death and of all duality of mind eternity itself no begin no end eternity in infinite infinity of light no size it vanish into an open relativity not absolute at all that is just an opening unbounded , the nature of desire is a revolutionary interpretation of desire the empty desire from object or subject is the really ground of life the desire can only be purify not destroy what remain is the will of life empty for no purpose at all certain full of zest and rich with intrinsic subtle ecstasy but purposeless , the empty desire is what the ancient little men unconscious called God , is the really ground of life you open your eyes in the morning and your eyes meet the greenery of nature the blue of the sky the redness of the roses and the miracle of life begin to unfold enchanting beautiful for no purpose at all just alive and the will of life pulsating bubbling within you like champagne wow and then the ha experience describe by the psychologist ha yes thousand time ha this yes , the empty desire finally at the moment you live your body will be a request for an ultimate annihilation dissolution of your light consciousness into eternity for a real resurrection , because if your desire is loaded with subject of emotional attachment with possessiveness with the desire i want stay a little longer in this shore the resurrection will not happen what will happen then is a reincarnation you will go for a journey of reincarnation into the cosmic unconscious , but if the desire is empty of object or subject is just the will of life empty pulsating empty you will merge into soundless sound of AUM within your inner being and consciousness and the AUM vibration hear from within will be the gate less gate for annihilate into eternity and for eternity to come flowing intrinsic to eternity , because consciousness awareness is tremendous freedom and it respect totally even a slide desire of remaining a little longer or emotional attachment or possession of material thing attachment will recall a reincarnation but if the desire is really empty of object or subject an eternal resurrection is certain this a request for a resurrection to happen ...welcome Angelo Aulisa
The dramatic effects of downsizing, mergers, and reengineering have created a climate of fear in the workplace, fears that generally go unacknowledged. The Alchemy of Fear teaches us how to accept our emotions in order to become empowered and to take back our power over these fears. Our emotions are rich with information which could make our organizations run effectively, while freeing creativity, energy, and joy into our workplaces. The Alchemy of Fear is a handbook for action. Drawn from the author's extensive experience, it examines workplace fear, what emotional competence looks like at work, how we handle fears at work, and the love and energy that result when we do these things. Nothing improves a group's effectiveness or their spirit more quickly than changing the relationship members have with fear. Kay Gilley brings nearly 30 years experience working in general and human resource management to her current work as a leadership and organizational development consultant, specializing in guiding the development of leaders and what she calls "intentional organizations."
Hi light self help non fiction , inner guide to meditation to witness consciousness to universal consciousness to nothingness emptiness gate less gate to non being body incorporeal where time , space forms , duality of mind completely annihilate into formless unfocused awareness that is just an i am ness infinite light a great relaxation into the core and source of the mystery of the universal body and of life and death and of all duality of mind eternity itself , no begin no end the meaning of eternity , into Hi light is highlight consciousness as fundamental law intrinsic to the universal body , that is like an inner tread running through all forms and living being of the universal body that is a pulsation of love a pulsation of intelligence a pulsation of light wave a pulsation of dharma quality such as bliss sacred holy divine silence peace , playfulness , celebration , freedom the inner nature of consciousness , a pulsation of creativity that as never stop pulsating a single split second since the big bang on wards , consciousness is label less adjectives less contents less just an empty consciousness infinite expand everywhere and nowhere in particular intrinsic to the universal body , consciousness neutral to gender to race color age , everyone can be in mystical union intrinsic one with consciousness the link bridge that connected you in essence with universal consciousness the path , meditation , love silence , dancing , singing ,painting , sculpting , running any activity that take you in essence into no mind into your inner being bridge link that connected the known to the unknown infinity of consciousness , awareness , is meditation , the proposal into Hi light is a new dawn of civilization meditation consciousness , awareness , urgent needed into the world today , this world the lotus paradise this body the very consciousness awareness , for a new era of harmony balance , love peace , freedom , celebration , playfulness sacred holy divine , humanity as never experience to live a meditative life in mystical union with is own inner being , witness consciousness , universal consciousness , awareness , is a completely different plane of living divine holy sacred , is the right time to experience what that means ......hence the proposal in high light of a new dawn of consciousness awareness ...welcome to hi light Angelo Aulisa
Lu Samadhi, The Blue Lotus, Philosophia Perennis and The Mood and the Lotus are a series of four books about inner science, about the remembrance rediscovery of the self through meditation. They are about the realization of your soul and how this realization can change your life completely. When you live your life in your mind, you live in a horizontal plane. When you live your life through your soul, there is a quantum leap from the horizontal to the vertical plane. This timeless vertical plane is the dimension of the soul, where past, present and future cease to exist.Through these four books, you will learn one of the most sophisticated methodologies for understanding the 7 strata of organic unity - the Astral Bodies. The first one is the Physical Body, which moves forward through time. The Etheric body, which is your emotional layer, moves through space. The Astral body, which is your unconscious, can travel backwards in time all the way to your birth. The Mental body has a horizontal dimension and can pierce past the future one at a time. The spiritual body has a vertical dimension and can pierce backwards up to empty consciousness. The cosmic body, also in the vertical dimension, is the body where you are essentially diffused, annihilated and become one with the cosmos. The seventh and last body, The Nirvanic body, is an incorporeal state where you are essentially intrinsic to the empty consciousness, immortal, eternal.These four books will allow you to discover the essential immortality of your soul. The methodology of inner science contained in them will help you in the evolution of your organic unity.
Robert Gottlieb’s immense sampling of the dance literature–by far the largest such project ever attempted–is both inclusive, to the extent that inclusivity is possible when dealing with so vast a field, and personal: the result of decades of reading. It limits itself of material within the experience of today’s general readers, avoiding, for instance, academic historical writing and treatises on technique, its earliest subjects are those nineteenth-century works and choreographers that still resonate with dance lovers today: Giselle, The Sleeping Beauty, Swan Lake; Bournonville and Petipa. And, as Gottlieb writes in his introduction, “The twentieth century focuses to a large extent on the achievements and personalities that dominated it–from Pavlova and Nijinsky and Diaghilev to Isadora Duncan and Martha Graham, from Ashton and Balanchine and Robbins to Merce Cunningham and Paul Taylor and Twyla Tharp, from Fonteyn and Farrell and Gelsey Kirkland (“the Judy Garland of Ballet”) to Nureyev and Baryshnikov and Astaire–as well as the critical and reportorial voices, past and present, that carry the most conviction.” In structuring his anthology, Gottlieb explains, he has “tried to help the reader along by arranging its two hundred-plus entries into a coherent groups.” Apart from the sections on major personalities and important critics, there are sections devoted to interviews (Tamara Toumanova, Antoinette Sibley, Mark Morris); profiles (Lincoln Kirstein, Bob Fosse, Olga Spessivtseva); teachers; accounts of the birth of important works from Petrouchka to Apollo to Push Comes to Shove; and the movies (from Arlene Croce and Alastair Macauley on Fred Astaire to director Michael Powell on the making of The Red Shoes). Here are the voices of Cecil Beaton and Irene Castle, Ninette de Valois and Bronislava Nijinska, Maya Plisetskaya and Allegra Kent, Serge Lifar and José Limón, Alicia Markova and Natalia Makarova, Ruth St. Denis and Michel Fokine, Susan Sontag and Jean Renoir. Plus a group of obscure, even eccentric extras, including an account of Pavlova going shopping in London and recipes from Tanaquil LeClerq’s cookbook.” With its huge range of content accompanied by the anthologist’s incisive running commentary, Reading Dance will be a source of pleasure and instruction for anyone who loves dance.
"Both a refraction of the bombings of Hiroshima and Nagasaki and a protest against Western values, butoh is a form of Japanese dance theater that emerged in the aftermath of World War II. Sondra Fraleigh chronicles the growth of this provocative art form from its midcentury founding under a sign of darkness to its assimilation in the twenty-first century as a poignant performance medium with philosophical and political implications. Employing intellectual and aesthetic perspectives to reveal the origins, major figures, and international development of the dance, Fraleigh documents the range and variety of butoh artists around the world with first-hand knowledge of butoh performances from 1973 to 2008. Her definitions of butoh's morphology, alchemy, and philosophy set a theoretical framework for poetic and engaging articulations of twenty butoh performances in Japan, Europe, India, and the West. With a blend of scholarly research and direct experience, she also signifies the unfinished nature of butoh and emphasizes its capacity to effect spiritual transformation and bridge cultural differences."--Publisher.