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From New York Times bestselling author Amy Ewing comes the second book in an epic fantasy duology that School Library Journal called “rich and complex.” Perfect for fans of Snow Like Ashes, These Broken Stars, and Magonia! Sera has finally recognized the true power of her Cerulean blood. But in order to return home, she’ll need help from Agnes, Leo, and their grandmother—the only person with knowledge about the mysterious island of Braxos, where the Cerulean tether is anchored. Though the journey will be treacherous, Sera will risk anything to see her City again. Meanwhile, the High Priestess’s power has reached new heights in the City Above the Sky. And when Leela begins having visions of Sera, alive, she knows she’s the key to saving the City. But to bring Sera home, Leela must channel the strength, courage, and curiosity that once got her friend exiled. With the help of friends, family, and Cerulean magic, Leela and Sera could soon return to their normal lives. But when that time comes, will Leela be able to serve her City as blindly as she once did? And will Sera be able to leave everything and everyone she’s grown to love on the planet behind?
From New York Times bestselling author Amy Ewing (The Jewel) comes the exciting first book in a new fantasy duology. Rich, vivid world-building and ethereal magic combine in an epic tale that’s perfect for fans of Snow Like Ashes, These Broken Stars, or Magonia. Sera Lighthaven has always felt as if she didn’t quite belong among her people, the Cerulean, who live in the City Above the Sky. She is curious about everything—especially the planet that her City is magically tethered to—and can’t stop questioning things. Sera has always longed for the day when the tether will finally break and the Cerulean can move to a new planet. But when Sera is chosen as the sacrifice to break the tether, she feels betrayed by everything in which she’d been taught to trust. In order to save her City, Sera must end her own life. But something goes wrong, and Sera survives, ending up on the planet below in a country called Kaolin. Sera has heard tales about the dangerous humans who live here, and she quickly learns that these dangers were not just stories. Meanwhile, back in the City, all is not what it seems, and the life of every Cerulean may be in danger if Sera is not able to find a way home.
Selected by Choice magazine as an Outstanding Academic Title "Speak of me as I am," Othello, the Moor of Venice, bids in the play that bears his name. Yet many have found it impossible to speak of his ethnicity with any certainty. What did it mean to be a Moor in the early modern period? In the late sixteenth and early seventeenth centuries, when England was expanding its reach across the globe, the Moor became a central character on the English stage. In The Battle of Alcazar, Titus Andronicus, Lust's Dominion, and Othello, the figure of the Moor took definition from multiple geographies, histories, religions, and skin colors. Rather than casting these variables as obstacles to our—and England's—understanding of the Moor's racial and cultural identity, Emily C. Bartels argues that they are what make the Moor so interesting and important in the face of growing globalization, both in the early modern period and in our own. In Speaking of the Moor, Bartels sets the early modern Moor plays beside contemporaneous texts that embed Moorish figures within England's historical record—Richard Hakluyt's Principal Navigations, Queen Elizabeth's letters proposing the deportation of England's "blackamoors," and John Pory's translation of The History and Description of Africa. Her book uncovers the surprising complexity of England's negotiation and accommodation of difference at the end of the Elizabethan era.
Near the end of the nineteenth century, Standard Oil millionaire Henry Morrison Flagler ventured to St. Augustine, Florida, America's Oldest City, and transformed it into an exotic travel destination for the social elite. He raised magnificent, fanciful Spanish Renaissance hotel palaces on what had been orange grove and salt marsh. Then he connected his creation with the outside world by building a modern railroad system. Flagler's hotels stand as monuments to innovation in architecture and engineering. They were the first large buildings in the United States constructed of poured concrete, and they pioneered use of novel amenities like electric lights, steam heat, and elevators. They are still a vital part of modern St. Augustine. The Ponce de Leon, Flaglers preeminent hotel, now houses Flagler College; the Alcazar now holds the City Hall and the Lightner Museum. Only the Casa Monica (previously called the Cordova) is presently a hotel.