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A Kafkaesque and darkly humorous “suburban gothic” that tracks the unraveling of man’s body, mind, and life. James Orr—husband, father, reliable employee and all-around model citizen—awakes one morning to find half his face paralyzed. Waiting for the affliction to pass, he stops going to work and wanders his idyllic estate, with its woodland, uniform streets and perfectly manicured lawns. But there are cracks in the veneer. And as his orderly existence begins to unravel, it appears that James may not be the man he thought he was. A deeply unsettling story of creeping horror that consistently confounds expectations, The Alarming Palsy of James Orr introduces a writer of extraordinary and disturbing talents.
A Kafkaesque and darkly humorous “suburban gothic” that tracks the unraveling of man’s body, mind, and life. James Orr—husband, father, reliable employee and all-around model citizen—awakes one morning to find half his face paralyzed. Waiting for the affliction to pass, he stops going to work and wanders his idyllic estate, with its woodland, uniform streets and perfectly manicured lawns. But there are cracks in the veneer. And as his orderly existence begins to unravel, it appears that James may not be the man he thought he was. A deeply unsettling story of creeping horror that consistently confounds expectations, The Alarming Palsy of James Orr introduces a writer of extraordinary and disturbing talents.
"First published in Great Britain by Granta Books, 2017."
A noir thriller, a lyric romance and a dystopian saga in one fearless debut novelIreland is flooded, derelict. It never stops raining. The Kid in Yellow has stolen the babba from the Earlie King. Why? Something to do with the King's daughter, and a talking statue, something godawful. And from every wall the King's Eye watches. And yet the city is full of hearts-defiant-sprayed in yellow, the mark of the Kid. It cannot end well. Can it? Follow the Kid, hear the tale. Roll up! Roll up!
NEW YORK TIMES BEST-SELLING AUTHOR – NOMINATED FOR THE 2019 HUGO AWARD FOR BEST SERIES – WINNER OF THE 2016 LOCUS AWARD – NOMINATED FOR THE HUGO, NEBULA AND ARTHUR C. CLARKE AWARDS. DEATH AND NEW BEGINNINGS Shuos Jedao is awake. … and nothing is as he remembers. In his mind he’s a teenager, a cadet—a nobody. But he finds himself in the body of an old man, a general controlling the elite forces of the hexarchate, and the most feared—and reviled—man in the galaxy. Jedao carries orders from Hexarch Nirai Kujen to re-conquer the fractured pieces of the hexarchate on his behalf. But he has no memory of ever being a soldier, let alone a general, and the Kel soldiers under his command hate him for a massacre he can’t remember committing. Kujen’s friendliness can’t hide the fact that he’s a tyrant. And what’s worse, Jedao and Kujen are being hunted by an enemy who knows more about Jedao and his crimes than he does himself...
Murdo, a teenager obsessed with music, dreams of a life beyond his Scottish island home. His dad Tom has recently lost his wife and stumbles towards the future, terrified of losing control of what remains of his family life Both are in search of something as they set out on an expedition into the American South. As they travel they encounter a new world and we discover whether the hopes of youth can conquer the fears of age. Dirt Road is a major novel exploring the brevity of life, the agonising demands of love and the lure of the open road. It is also a beautiful book about the power of music and all that it can offer.
Introducing a dazzling new literary voice--a wholly original novel as groundbreaking as the works of Eimear McBride and Max Porter. Something has happened to Peach. Staggering around the town streets in the aftermath of an assault, Peach feels a trickle of blood down her legs, a lingering smell of her anonymous attacker on her skin. It hurts to walk, but she manages to make her way to her home, where she stumbles into another oddly nightmarish reality: Her parents can't seem to comprehend that anything has happened to their daughter. The next morning, Peach tries to return to the routines of her ordinary life, going to classes, spending time with her boyfriend, Green, trying to find comfort in the thought of her upcoming departure for college. And yet, as Peach struggles through the next few days, she is stalked by the memories of her unacknowledged trauma. Sleeping is hard when she is haunted by the glimpses of that stranger's gaping mouth. Working is hard when her assailant's rancid smell still fills her nostrils. Eating is impossible when her stomach is swollen tight as a drum. Though she tries to close her eyes to what has happened, Peach at last begins to understand the drastic, gruesome action she must take. In this astonishing debut, Emma Glass articulates the unspeakable with breathtaking verve. Intensely physical, with rhythmic, visceral prose, Peach marks the arrival of a visionary new voice.
In his nearly thirty years at CBS News, Emmy Award–winner Bernard Goldberg earned a reputation as one of the preeminent reporters in the television news business. When he looked at his own industry, however, he saw that the media far too often ignored their primary mission: objective, disinterested reporting. Again and again he saw that they slanted the news to the left. For years Goldberg appealed to reporters, producers, and network executives for more balanced reporting, but no one listened. The liberal bias continued. In this classic number one New York Times bestseller, Goldberg blew the whistle on the news business, showing exactly how the media slant their coverage while insisting they’re just reporting the facts.
In an age when we are finally taking mental health as seriously as physical health, this issue of Granta explores the conscious self: how it perceives, judges and lives in the world. John Barth rocks himself to sleep Rana Dasgupta investigates a live-streamed suicide Joe Dunthorne travels to Cyprus for the Writers' World Cup football tournament Charles Glass talks with an ISIS executioner, photographed by Don McCullin Colin Grant remembers schizophrenia in London's East End in the '80s Penelope Lively recalls how her books have furnished her mind Jack Shenker on life in post-revolutionary Cairo NEW FICTION: Robert Coover, Joanna Hershon and Tom Lee POETRY: Danez Smith, Ocean Vuong and Dara Wier PHOTOGRAPHY: Jason Larkin, Reynaldo Rivera and Francesca Todde, introduced by Chris Kraus and Nuar Alsadir. And war photography by Don McCullin. PLUS Siri Hustvedt, Margo Jefferson, Han Kang, Barry Lopez, Max Porter, Marcel Proust, Mary Ruefle and Andrew Solomon share their states of mind.
For readers of Roddy Doyle, Nick Hornby, and Mark Haddon, The Adulterants is a piercingly funny—and cringingly poignant—take on how hard it is to grow up and how hard it is when you don’t. Ray Morris is a tech journalist with a forgettable face, a tiresome manner, a small but dedicated group of friends, and a wife, Garthene, who is pregnant. He is a man who has never been punched above the neck. He has never committed adultery with his actual body. He has never been caught up in a riot, nor arrested, nor tagged by the state, nor become an international hate-figure. Not until the summer of 2011, when discontent is rising on the streets and within his marriage. Ray has noticed none of this. Not yet. The Adulterants would be a coming-of-age story if its protagonist could only forget that he is thirty-three years old. Throughout a series of escalating catastrophes, our deadpan antihero keeps up a merciless mental commentary on the foibles and failings of those around him, and the vicissitudes of modern urban life: internet trolls, buy-to-let landlords, open marriages, and the threat posed by more sensitive men. But the wonder of The Adulterants is how we feel ourselves rooting for Ray even as we acknowledge that he deserves everything he gets.