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Superb, classic thriller from the CWA Gold Dagger award-winning author of Other Paths to Glory, rated 'alongside Le Carre and Deighton' GUARDIAN A brilliant young electronics expert is killed by a car bomb seemingly meant for the head of the Foreign Office's Middle-Eastern Section. Intelligence officer Hugh Roskill is sent by David Audley on an investigation that takes him from London clubland to the Hampshire countryside, and deep into the complexities of Middle Eastern politics, to find the answer to two questions: who was the real target of the bomb? And what is Alamut? Against the backdrop of the Arab-Israeli conflict in the period before the Camp David Accords, Dr Audley and Colonel Butler are confronted with an assassin capable of turning the Middle Eastern conflict into Armageddon.
"The Assassins of Alamut" is a riveting tale painted on the vast canvas of life in Palestine and Persia during the 12th century, over vast snow covered mountains, through the frozen wastes of the winter plateau, and into the fabulous cites of Hamadan, Isfahan, and the Kingdom of Jerusalem.
The Historical Dictionary of British Spy Fiction is a detailed overview of the rich history and achievements of the British espionage story in literature, cinema and television. It provides detailed yet accessible information on numerous individual authors, novels, films, filmmakers, television dramas and significant themes within the broader field of the British spy story. It contains a wealth of facts, insights and perspectives, and represents the best single source for the study and appreciation of British spy fiction. British spy fiction is widely regarded as the most significant and accomplished in the world and this book is the first attempt to bring together an informed survey of the achievements in the British spy story in literature, cinema and television. The Historical Dictionary of British Spy Fiction contains a chronology, an introduction, appendixes, and an extensive bibliography. The dictionary section has over 200 cross-referenced entries on individual authors, stories, films, filmmakers, television shows and the various sub-genres of the British spy story. This book is an excellent access point for students, researchers, and anyone wanting to know more about British spy fiction.
The entertainment world lost many notable talents in 2019, including television icon Doris Day, iconic novelist Toni Morrison, groundbreaking director John Singleton, Broadway starlet Carol Channing and lovable Star Wars actor Peter Mayhew. Obituaries of actors, filmmakers, musicians, producers, dancers, composers, writers, animals and others associated with the performing arts who died in 2019 are included in this edition. Date, place and cause of death are provided for each, along with a career recap and a photograph. Filmographies are given for film and television performers.
Looking-Glass Wars: Spies on British Screens since 1960 is a detailed historical and critical overview of espionage in British film and television in the important period since 1960. From that date, the British spy screen was transformed under the influence of the tremendous success of James Bond in the cinema (the spy thriller), and of the new-style spy writing of John le Carré and Len Deighton (the espionage story). In the 1960s, there developed a popular cycle of spy thrillers in the cinema and on television. The new study looks in detail at the cycle which in previous work has been largely neglected in favour of the James Bond films. The study also brings new attention to espionage on British television and popular secret agent series such as Spy Trap, Quiller and The Sandbaggers. It also gives attention to the more ‘realistic’ representation of spying in the film and television adaptations of le Carré and Deighton, and other dramas with a more serious intent. In addition, there is wholly original attention given to ‘nostalgic’ spy fictions on screen, adaptations of classic stories of espionage which were popular in the late 1970s and through the 1980s, and to ‘historical’ spy fiction, dramas which treated ‘real’ cases of espionage and their characters, most notably the notorious Cambridge Spies. Detailed attention is also given to the ‘secret state’ thriller, a cycle of paranoid screen dramas in the 1980s which portrayed the intelligence services in a conspiratorial light, best understood as a reaction to excessive official secrecy and anxieties about an unregulated security service. The study is brought up-to-date with an examination of screen espionage in Britain since the end of the Cold War. The approach is empirical and historical. The study examines the production and reception, literary and historical contexts of the films and dramas. It is the first detailed overview of the British spy screen in its crucial period since the 1960s and provides fresh attention to spy films, series and serials never previously considered.
From a master historian, the definitive account of history's first terrorists An offshoot of the Ismaili Shi'ite sect of Islam, the Assassins were the first group to make systematic use of murder as a political weapon. Established in Iran and Syria in the eleventh and twelfth centuries, they aimed to overthrow the existing Sunni order in Islam and replace it with their own. They terrorized their foes with a series of dramatic murders of Islamic leaders, as well as of some of the Crusaders, who brought their name and fame back to Europe. Professor Lewis traces the history of this radical group, studying its teachings and its influence on Muslim thought. Particularly insightful in light of the rise of the terrorist attacks in the U.S. and in Israel, this account of the Assassins -- whose name is now synonymous with politically motivated murderers -- places recent events in historical perspective and sheds new light on the fanatic mind.
By the CWA Gold Dagger award-winning author of Other Paths to Glory A New Kind of War takes us back to the Greece and Germany of 1945 - as the old kind of war comes to its official end. Why has David Audley broken the British-Greek truce? And furthermore, why did his brigadier order his actions? Is it just coincidence that Audley is surprised near Delphi by Captain Fattorini of the Royal Engineers? As a result of that unfortunate encounter, Fattorini finds himself in occupied Germany as the newest member of TRR-2: a special Intelligence unit engaged in a dangerous and brutal game. It is not until he at last meets Audley's mysterious brigadier that Fattorini learns the full truth about his own assignment in the ill-omened Teutoburg Forest.