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The sacred hymns of New Mexico compiled by the expert on church literature in a handsome bilingual volume.
A comprehensive overview of New Mexican folk arts from the 16th century to the present time.
This study by an author with intergenerational ties to the Penitentes--the deeply religious group called Hermanos de la Luz (Brothers of the Light)--ties the santero folk art of New Mexico, the Penitente Brotherhood, and the Penitente religious hymns together. (Christian)
First published in 1980 and now available only from the University of New Mexico Press, this classic compilation of New Mexico folk music is based on thirty-five years of field research by a giant of modern music. Composer John Donald Robb, a passionate aficionado of the traditions of his adopted state, traveled New Mexico recording and transcribing music from the time he arrived in the Southwest in 1941.
Make your next vacation a pilgrimage… Signs & Shrines: Spiritual Journeys Across New Mexico takes readers along the ancient pilgrimage trails that crisscross this enchanted state, a place where a rich multiplicity of cultures continue to thrive. From the winding High Road between Santa Fe and Taos to Warriors’ Spirit Way across the Black Range; through ghost towns and on to Silver City; to the Old Spanish Trail that originates in Abiquiu, you’ll find the pathways that spiritual seekers have followed for centuries. The mysteries of sacred sites, natural wonders, power spots, feast days, and festivals are here explained by one of the state’s most prolific and knowledgeable authors. In addition to providing cultural context that answers visitors’ questions about history and practices found only in New Mexico, the author provides clear directions, maps, and guidance on the best places to stay, dine, shop, and recreate on your route. Signs & Shrines is an innovative guide that will enrich the experience not only of spiritual seekers but of every visitor drawn to tour the Land of Enchantment.
Michael Wallis's straightforward text and Craig Varjabedian's unadorned photos capture the deep piety of the Penitente Brotherhood and their complex relationship with their history and the modern world.
Latino folklore comprises a kaleidoscope of cultural traditions. This compelling three-volume work showcases its richness, complexity, and beauty. Latino folklore is a fun and fascinating subject to many Americans, regardless of ethnicity. Interest in—and celebration of—Latin traditions such as Día de los Muertos in the United States is becoming more common outside of Latino populations. Celebrating Latino Folklore: An Encyclopedia of Cultural Traditions provides a broad and comprehensive collection of descriptive information regarding all the genres of Latino folklore in the United States, covering the traditions of Americans who trace their ancestry to Mexico, Spain, or Latin America. The encyclopedia surveys all manner of topics and subject matter related to Latino folklore, covering the oral traditions and cultural heritage of Latin Americans from riddles and dance to food and clothing. It covers the folklore of 21 Latin American countries as these traditions have been transmitted to the United States, documenting how cultures interweave to enrich each other and create a unique tapestry within the melting pot of the United States.
Miguel de Quintana was among those arriving in New Mexico with Diego de Vargas in 1694. He was active in his village of Santa Cruz de la Cañada, where he was a notary and secretary to the alcalde mayor, functioning as a quasi-attorney. Being unusually literate, he also wrote personal poetry for himself and religious plays for his community. His conflicted life with local authorities began in 1734 when he was accused of being a heretic. What unfolded was a personal drama of intrigue before the colonial Inquisition. In this fascinating volume Lomelí and Colahan reveal Quintana's writings from deep within Inquisition archives and provide a translation of and critical look at Quintana's poetry and religious plays.
The Power of Song explores the music and dance of Franciscan and Jesuit mission communities throughout the entire northern frontier of New Spain. Its purpose is to examine the roles music played: in teaching, evangelization, celebration, and the formation of group identities. There is no other work which looks comprehensively at the music of this region and time period, or which utilizes music as a way to study the cultural interactions between Indians and missionaries.