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The Akunin Project is the first book to study the fiction and popular history of Grigorii Chkhartishvili, one of the most successful writers in post-Soviet Russia. In the first two decades of the twenty-first century, Chkhartishvili published over sixty books under the pen names Anatolii Brusnikin, Anna Borisova, Akunin-Chkhartishvili, and, most commonly, Boris Akunin. His series featuring the tsarist secret policeman Erast Fandorin has sold over 15 million books in Russia alone, making Akunin one of the bestselling authors of the post-Soviet era. Combining intertextuality, allusions, pastiche, and other markers of postmodern playfulness, many of Akunin’s works have been translated into English and have also been adapted for film and television. Akunin’s public profile has been further enhanced by his active involvement in mass political protests against Vladimir Putin. Despite Akunin’s international reputation as a celebrated writer, there is very little critical work on his literary output and his mysterious persona. Bringing together scholars of literature, history, and culture, The Akunin Project fills this gap by exploring the author’s bestselling adventure novels and recent histories of the Russian state. The book includes translations of five short works previously unavailable in English as well as an interview with the author.
You don't know his name, but Boris Akunin is one of the most popular and prolific Russian writers of the twenty-first century.
Canine conspiracies, spurned lovers, murderous greed, jealousy, politics, power and knitting: Pelagia and the White Bulldog marks the beginning of an addictively entertaining new crime series from the internationally bestselling author, Boris Akunin. In the dying days of the nineteenth century, the small Russian town of Zavolzhsk is shaken out of its sleepy rural existence by the arrival from St Petersburg of a Synodical Inspector with a hidden agenda and a dangerously persuasive manner. Meanwhile, in the nearby country estate of Drozdovka, one of the prized white Bulldogs - prized because of its one brown ear, and its propensity to drool - belonging to the cantankerous lady of the house has been poisoned. The old widow has taken to her bed, sick with fear that her two remaining dogs may face a similar fate, and the many potential beneficiaries of her will wait fretfully to see whether or not she will recover. Sister Pelagia: bespectacled, freckled, woefully clumsy and astonishingly resourceful is summoned by the Bishop of Zavolzhsk to investigate the bulldog's death. But her investigation soon takes a far more sinister turn when two headless bodies are pulled out of the river on the edge of the estate.
In this original and timely assessment of cultural expressions of paranoia in contemporary Russia, Eliot Borenstein samples popular fiction, movies, television shows, public political pronouncements, internet discussions, blogs, and religious tracts to build a sense of the deep historical and cultural roots of konspirologiia that run through Russian life. Plots against Russia reveals through dramatic and exciting storytelling that conspiracy and melodrama are entirely equal-opportunity in modern Russia, manifesting themselves among both pro-Putin elites and his political opposition. As Borenstein shows, this paranoid fantasy until recently characterized only the marginal and the irrelevant. Now, through its embodiment in pop culture, the expressions of a conspiratorial worldview are seen everywhere. Plots against Russia is an important contribution to the fields of Russian literary and cultural studies from one of its preeminent voices.
Dashing hero Erast Fandorin returns for another intriguing Russian crime caper, from the bestselling author of THE WINTER QUEEN. General Khrapov, newly appointed Governor-General of Siberia and soon-to-be Minister of the Interior, is murdered in his official saloon carriage on his way from St Petersburg to Moscow. The killer, disguised as Fandorin, leaves a knife thrust up to the hilt in his victim's chest and escapes through the window of the carriage. Can Fandorin escape suspicion? A battle of wills and ideals, revolutionaries and traditionalists and good versus evil.
In 1877, Erast Fandorin finds himself at the Bulgarian front in a war between Russia and the Ottoman Empire, where he assists a Russian woman who is risking her life for her fiancé, who has been falsely accused of espionage.
In 1917, Bolshevik revolutionaries overthrew the tsar of Russia and established a new, communist government, one that viewed the Imperial Russia of old as a righteously vanquished enemy. And yet, as Pavel Khazanov shows, after the collapse of Stalinism, a reconfiguration of Imperial Russia slowly began to emerge, recalling the culture of tsarist Russia not as a disgrace but as a glory, a past to not only remember but to recover, and to deploy against what to many seemed like a discredited socialist project. Khazanov's careful untangling of this discourse in the late Soviet period reveals a process that involved figures of all political stripes, from staunch conservatives to avowed intelligentsia liberals. Further, Khazanov shows that this process occurred not outside of or in opposition to Soviet guidance and censorship, but in mainstream Soviet culture that commanded wide audiences, especially among the Soviet middle class. Excavating the cultural logic of this newly foundational, mythic memory of a "lost Russia," Khazanov reveals why, despite the apparently liberal achievement of the collapse of the Soviet Union in 1991, Boris Yeltsin (and later, Vladamir Putin) successfully steered Russia into oligarchy and increasing autocracy. The anti-Soviet memory of the pre-Soviet past, ironically constructed during the late socialist period, became and remains a politically salient narrative, a point of consensus that surprisingly attracts both contemporary regime loyalists and their would-be liberal opposition.
To Kill a Serpent in the Shell dramatizes the final year of Tsarevna So fia's regency, interrogating Russia's history while subtly confronting the Russia of today. The play, both a riddle and a fantasy, depicts the political rivalry between the regent and her lover, Vasili Golitsyn, on the one hand, and the young Tsar Peter on the other. The regency's incipient humanism, espoused in Golitsyn's consideration for the well-being of the Russian people, con flicts with the autocratic leanings of the young Tsar Peter. Boris Akunin shows us a pivotal time in Russian history, immediately preceding the reign of Peter the Great, and invites us to imagine what future rulers of Russia might have been like if the events of 1689 had had a di fferent outcome.
The next caper in the Sister Pelagia mystery from the bestselling author of THE WINTER QUEEN. Returning from the Synod in St Petersburg - and an official rebuke of her crime-fighting ways - Sister Pelagia finds herself aboard a steamer dodging pickpockets, zealots and a sinister man with a detachable eye. But a brutal murder in the next cabin spells the end of her sleuthing retirement, and the start of an investigation that will take her to the Holy Land and far beyond. Pelagia's journey is peppered with tales of miracles and roosters, and caves that act as portals to other worlds. But an assassin is closing in, pursuing the sister to the land of the Gospels where her criminal enquiry becomes a spiritual enquiry as she sets down her knitting needles to question the very foundations of her faith...
Thirty years after the fall of the Soviet Union, the 1917 Revolution still looms large: not only because Russians remain divided over whether the revolution arrived forcibly or inevitably and whether it was a colossally tragic or colossally generative event, but also because its social, cultural, scientific, and even moral residues remain everywhere in Putin’s Russia. Revolutionary Aftereffects looks at the ways in which 1917 has been and continues to be commemorated in Russia. Although post-Soviet Russia has emphasized its complete break with the past, this study of the memorialization and legacy of 1917 explores a fundamental continuity underlying an apparent discourse of discontinuity in post-socialist Russia. Contributors provide insight into the continuing reverberations of the revolution from a variety of disciplinary perspectives, including history and literary studies as well as heritage studies, anthropology, geography, and sociology. Collectively, these essays demonstrate the changing nature of the revolution’s memorialization in the Soviet Union and post-Soviet Russia and the ambivalence and contradictions within those narratives.