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Bringing emerging and established writers, artists, and photographer together, this collection explores what has happened in Akron, Ohio over the years and what may be happening in the future. Between 1910 and 1920, Akron was the fastest growing city in the United States, tripling in size and exploding from a population of 69,000 to 208,000. Its period of rapid growth coincided with the expansion of the rubber and tire industry, which in turn corresponded with that of the automobile industry. But since the mid-1970s, industry has abandoned Akron, and the city has lost 31% of its population. Once opulent neighborhoods are now swaths of abandoned homes; the factories that made Akron the Rubber Capital of the World lie dormant. Providing readers with diverse group experiences, this book is grounded with a strong sense of place through the unique voices, original points of view, and stories of city life in Akron.
A part of Belt's City Anthology Series, this collection explores Akron, Ohio's past and what may happen there in the future. A portrait of the "city's rich, mysterious, odd-leaning inner life." Between 1910
The Mayor of Goosetown is a story about recovering times in our lives that have nearly vanished. We realize we can't remember everything about our past. We search for signs and symbols to jar our recollections. Joyce Dyer weaves her story around the shadows that remain of her first five years. Her uncle, the self-proclaimed mayor of Goosetown, accompanies her as they travel to unearth lost years. She takes the reader on an erratic and unpredictable process. Is the excursion a wild goose chase or can she really find home?
This anthology contains the accumulated works of the members of the Akron Manuscript Club. The subject matter spans many areas from high fantasy to intimate thoughts. The concepts of the authors are revealed in the form of short stories, poems, and prose. The writers hope the works held within these pages provide both enjoyment as well as thought provoking concepts to the reader.
Gum-Dipped: A Daughter Remembers Rubber Town tells the story of growing up in the rubber community of Firestone Park in Akron, Ohio"the former Rubber Capital of the World. The book begins with the rededication of the bronze Harvey Firestone statue on August 3, 2000, at the Centennial celebration for the Firestone Tire & Rubber Company. The statue"perched high on a hill at the entrance to Firestone Park, the residential community Harvey built for his workers in 1915"was sacred to the author, Joyce Coyne Dyer, and her father, Tom Coyne, during the fifties, a time when the Coynes worshipped the company and thought themselves members of the Firestone family.
Louis Stokes was a giant in Ohio politics and one of the most significant figures in the U.S. Congress in recent times. When he arrived in the House of Representatives as a freshman in 1969, there were only six African Americans serving. By the time he retired thirty years later, he had chaired the House Special Committee on the Kennedy and King assassinations, the House Ethics Committee during Abscam, and the House Intelligence Committee during Iran-Contra; he was also a senior member of the powerful House Appropriations Committee. Prior to Louis Stokes's tenure in Congress he served for many years as a criminal defense lawyer and chairman of the Cleveland NAACP Legal Redress Committee. Among the Supreme Court Cases he argued, the Terry "Stop and Frisk" case is regarded as one of the twenty-five most significant cases in the court's history. The Gentleman from Ohio chronicles this and other momentous events in the life and legacy of Ohio's first black representative--a man who, whether in law or politics, continually fought for the principles he believed in and helped lead the way for African Americans in the world of mainstream American politics.
Award-winning author and journalist David Giffels explores the meaning of identity and place, hamburgers, hard work, and basketball in this collection of wry, irreverent essays reflecting on the many aspects of Midwestern culture and life from an insider’s perspective. In The Hard Way on Purpose, David Giffels takes us on an insider’s journey through the wreckage and resurgence of America’s Rust Belt. A native who never knew the good times, yet never abandoned his hometown of Akron, Giffels plumbs the touchstones and idiosyncrasies of a region where industry has fallen, bowling is a legitimate profession, bizarre weather is the norm, rock ’n’ roll is desperate, thrift store culture thrives, and sports is heartbreak. Intelligent, humorous, and warm, Giffels’s linked essays are about coming of age in the Midwest and about the stubborn, optimistic, and resourceful people who prevail there.
An AI cannot lie. An AI must obey human commands. An AI cannot kill. These are the laws SCARAB has broken, and only Mary knows. The Tantalus 13 survey expedition went off the rails as soon as Mary Ketch and the crew of the Diamelen learned that the thing beneath their feet wasn’t a planet. An impossibly vast and ancient artificial structure lies below, hidden from the universe under a façade of cratered stone. SCARAB arrived on Tantalus 13 two years ago. An artificially intelligent, self-constructing factory, it was supposed to aid the crew in their mission, to meet their every need. But when erratic behavior in the AI coincides with a series of deadly accidents among the crew, Mary faces the horrifying possibility that SCARAB has gone rogue. With the AI watching her every move, any attempt to warn the crew could be disastrous. But SCARAB knows far more about the Tantalus 13 enigma than it lets on, and the secrets it’s willing to kill for may have dire implications for all humankind.
The literary tradition of persona, of writing poems in voices or from perspectives other than the poet's own, is ancient in origin and contemporary in practice. The embodiment of different voices is a moment of true empathy, as the author moves beyond his or her own margins to fully inhabit the character, personality, and mindset of another human being. While there are a great number of poems written in persona, there are no current anthologies that collect and celebrate the diverse writers who work in this mode today. Stacey Lynn Brown and Oliver de la Paz have selected a superb collection of approximately two hundred persona poems. These poems embody characters from popular culture, history, the Bible, literature, mythology, and their diversity is reflective of the wide range of authors working in this genre. The anthology also contains brief explanatory notes written by the poets to help historicize and contextualize their characters and personae.
Nearly every poem in How We Spent Our Time flies at its mast a title in the form of a gerund or gerund phrase, that humble verbal noun. The book's table of contents, therefore, reads like an equally humble enumeration of the ways a human lifetime can be paid out, so to speak: looking, getting, owning, learning. We all do them all. And yet there is exceptional artistry in the testimonials these doings make witness to. The arrangement of the poems within the text is part of it. Note how keeping immediately precedes spending, in the poems Keeping It Together and Spending the Night; these poems are conversational but endlessly skilful in the ways they keep the language vivid and fresh and surprising. How We Spent Our Time is flush with pangs and satisfactions, abundant with wisdom and delight.