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The book covers ancient history of the world between 3000 and 1500 BC.
A never-before published tale by the author of the best-selling Hittite Warrior, carries the reader back to Ancient Egypt and biblical Jerusalem. It is 701 B.C-rule of the Kushite dynasty in ancient Egypt. Young Prince Taharka, a very minor royal son, succeeds unexpectedly to the throne of Kush and Egypt-a divine rulership. It's not long, however, before a treacherous plot pushes him into sudden exile and into the hands of Amos, an emissary of King Hezekiah seeking help against the Assyrians. Posing as a medical assistant, Taharka journeys with Amos to Judea where he encounters two kings in conflict. His true identity suddenly uncovered, he must choose with whom he will fight-the mighty Assyrian, Sennacherib, promising alliance or Hezekiah, the Jew who trusts in Yahweh. A novel inspired by research on the historical King Taharka and his period.
More than two decades ago, John Galliano and Alexander McQueen arrived on the fashions scene when the business was in an artistic and economic rut. Both wanted to revolutionize fashion in a way no one had in decades. They shook the establishment out of its bourgeois, minimalist stupor with daring, sexy designs. They turned out landmark collections in mesmerizing, theatrical shows that retailers and critics still gush about and designers continue to reference. Their approach to fashion was wildly different—Galliano began as an illustrator, McQueen as a Savile Row tailor. Galliano led the way with his sensual bias-cut gowns and his voluptuous hourglass tailoring, which he presented in romantic storybook-like settings. McQueen, though nearly ten years younger than Galliano, was a brilliant technician and a visionary artist who brought a new reality to fashion, as well as an otherworldly beauty. For his first official collection at the tender age of twenty-three, McQueen did what few in fashion ever achieve: he invented a new silhouette, the Bumster. They had similar backgrounds: sensitive, shy gay men raised in tough London neighborhoods, their love of fashion nurtured by their doting mothers. Both struggled to get their businesses off the ground, despite early critical success. But by 1997, each had landed a job as creative director for couture houses owned by French tycoon Bernard Arnault, chairman of LVMH. Galliano’s and McQueen’s work for Dior and Givenchy and beyond not only influenced fashion; their distinct styles were also reflected across the media landscape. With their help, luxury fashion evolved from a clutch of small, family-owned businesses into a $280 billion-a-year global corporate industry. Executives pushed the designers to meet increasingly rapid deadlines. For both Galliano and McQueen, the pace was unsustainable. In 2010, McQueen took his own life three weeks before his womens' wear show. The same week that Galliano was fired, Forbes named Arnault the fourth richest man in the world. Two months later, Kate Middleton wore a McQueen wedding gown, instantly making the house the world’s most famous fashion brand, and the Metropolitan Museum of Art opened a wildly successful McQueen retrospective, cosponsored by the corporate owners of the McQueen brand. The corporations had won and the artists had lost. In her groundbreaking work Gods and Kings, acclaimed journalist Dana Thomas tells the true story of McQueen and Galliano. In so doing, she reveals the revolution in high fashion in the last two decades—and the price it demanded of the very ones who saved it.
"Gods, Sages and Kings presents a remarkable accumulation of evidence pointing to the existence of a common spiritual culture in the ancient world from which present civilization may be more of a decline than an advance. The book is based upon new interpretation of the ancient Vedic teachings of India, and brings out many new insights from this unique source often neglected and misinterpreted in the West. In addition, it dicussses recent archaeological discoveries in India whose implications are now only beginning to emerge."--Publisher.
This is that story as told through the eyes of a boy raised in the faith of God, yet-through drug and alcohol use, along with a wayward rock and roll dream-falls away from the man he wanted to be. When a tragic loss strikes, he loses himself and his sanity. Eventually, the legal system condemns him as a man not fit to be among others. As he hits bottom, he wants it back: his sanity, his life, his dreams, and his faith in a God to which he still clings. Of Gods, Angels, and Kings is a story of a man who emerges from substance abuse issues and an incurable mental illness. At long last, he perceives God's hand in his life and that-as long as he continues to challenge himself to improve daily and grow in the Spirit-his life will bear the fruits.
The islands of Britain have been a crossroads of gods, heroes, and kings-those of flesh as well as those of myth-for thousands of years. Successive waves of invasion brought distinctive legends, rites, and beliefs. The ancient Celts displaced earlier indigenous peoples, only to find themselves displaced in turn by the Romans, who then abandoned the islands to Germanic tribes, a people themselves nearly overcome in time by an influx of Scandinavians. With each wave of invaders came a battle for the mythic mind of the Isles as the newcomer's belief system met with the existing systems of gods, legends, and myths. In Gods, Heroes, and Kings, medievalist Christopher Fee and veteran myth scholar David Leeming unearth the layers of the British Isles' unique folkloric tradition to discover how this body of seemingly disparate tales developed. The authors find a virtual battlefield of myths in which pagan and Judeo-Christian beliefs fought for dominance, and classical, Anglo-Saxon, Germanic, and Celtic narrative threads became tangled together. The resulting body of legends became a strange but coherent hybrid, so that by the time Chaucer wrote "The Wife of Bath's Tale" in the fourteenth century, a Christian theme of redemption fought for prominence with a tripartite Celtic goddess and the Arthurian legends of Sir Gawain-itself a hybrid mythology. Without a guide, the corpus of British mythology can seem impenetrable. Taking advantage of the latest research, Fee and Leeming employ a unique comparative approach to map the origins and development of one of the richest folkloric traditions. Copiously illustrated with excerpts in translation from the original sources,Gods, Heroes, and Kings provides a fascinating and accessible new perspective on the history of British mythology.
Written in the tradition of historians like Mary Beard and Stacy Schiff who find modern lessons in ancient history, this provocative narrative explores the lives of five remarkable pharaohs who ruled Egypt with absolute power, shining a new light on the country's 3,000-year empire and its meaning today. In a new era when democracies around the world are threatened or crumbling, best-selling author Kara Cooney turns to five ancient Egyptian pharaohs--Khufu, Senwosret III, Akenhaten, Ramses II, and Taharqa--to understand why many so often give up power to the few, and what it can mean for our future. As the first centralized political power on earth, the pharaohs and their process of divine kingship can tell us a lot about the world's politics, past and present. Every animal-headed god, every monumental temple, every pyramid, every tomb, offers extraordinary insight into a culture that combined deeply held religious beliefs with uniquely human schemes to justify a system in which one ruled over many. From Khufu, the man who built the Great Pyramid at Giza as testament to his authoritarian reign, and Taharqa, the last true pharaoh who worked to make Egypt great again, we discover a clear lens into understanding how power was earned, controlled, and manipulated in ancient times. And in mining the past, Cooney uncovers the reason why societies have so willingly chosen a dictator over democracy, time and time again.
Will the Real King Please Stand Up? From the very beginning, the Bible tells a story of redemption. God made the first man to rule as king over all He created, only to see Adam’s reign end before it had barely begun. God knew all this and that’s why He sent the One True King, Jesus, to dwell with us and reclaim what Adam had lost, saving mankind from the penalty of sin. Bestselling author Gloria Furman makes this concept come alive for kids in this colorful and creative book comparing Adam, the archetype, with Christ, “the last Adam.” Children will learn that while Adam’s sin sentenced all of us to death, Jesus’s crucifixion and glorious resurrection restored the promise of eternal life for all those who believe in Him. Kids will be reassured that because Jesus is still on the throne, they can trust him whenever they feel sad or scared. There’s nothing that Christ their King can’t do for them!
The author of How Animals Grieve “contends that religion . . . is a consequence of primate evolution” in this “brilliant book” (Booklist, starred review). Religion has been a central part of human experience since at least the dawn of recorded history. The gods change, as do the rituals, but the underlying desire remains—a desire to belong to something larger, greater, most lasting than our mortal, finite selves. But where did that desire come from? Can we explain its emergence through evolution? Yes, says biological anthropologist Barbara J. King—and doing so not only helps us to understand the religious imagination, but also reveals fascinating links to the lives and minds of our primate cousins. Evolving God draws on King’s own fieldwork among primates in Africa and paleoanthropology of our extinct ancestors to offer a new way of thinking about the origins of religion, one that situates it in a deep need for emotional connection with others, a need we share with apes and monkeys. Though her thesis is provocative, and she’s not above thoughtful speculation, King’s argument is strongly rooted in close observation and analysis. She traces an evolutionary path that connects us to other primates, who, like us, display empathy, make meanings through interaction, create social rules, and display imagination—the basic building blocks of the religious imagination. With fresh insights, she responds to recent suggestions that chimpanzees are spiritual—or even religious—beings, and that our ancient humanlike cousins carefully disposed of their dead well before the time of Neandertals. “Her interpretations result in a provocative hypothesis about the evolution of spirituality.” —The Dallas Morning News