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For almost a century and a half, Bulfinch's Mythology has been the text by which the great tales of the gods and goddesses, Greek and Roman antiquity, Scandinavian, Celtic, and Oriental fables and myths, and the age of chivalry have been known. The forerunner of such interpreters as Edith Hamilton and Robert Graves, Thomas Bulfinch wanted to make these stories available to the general reader. A series of private notes to himself grew into one of the single most useful and concise guides to literature and mythology. The stories are divided into three sections: The Age of Fable or Stories of Gods and Heroes (first published in 1855); The Age of Chivalry (1858), which contains King Arthur and His Knights, The Mabinogeon, and The Knights of English History; and The Legends of Charlemagne or The Romance of the Middle Ages (1863). For the Greek myths, Bulfinch drew on Ovid and Virgil, and for the sagas of the north, from Mallet's Northern Antiquities. provides lively versions of the myths of Zeus and Hera, Venus and Adonis, Daphne and Apollo, and their cohorts on Mount Olympus; the love story of Pygmalion and Galatea; the legends of the Trojan War and the epic wanderings of Ulysses and Aeneas; the joys of Valhalla and the furies of Thor; and the tales of Beowulf and Robin Hood.
Travel back in time with this collection of fables and legends set in medieval France. Famed folklorist Thomas Bulfinch brings together a carefully curated compendium of stories that are sure to delight. A bevy of damsels in distress and courageous knights populate these pages in tales that veer from action-adventure to romance and back again.
Bulfinch's Mythology is a compilation of general audience works by Latinist Thomas Bulfinch. It delves into the roots and stories within classical mythologies all around the world.
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Retells Greek, Roman, and Norse myths, identifies their heroes and deities, and discusses the philosophical background of each culture.
A collection of animal fables told by the Greek slave Aesop.
The #1 New York Times–bestselling author’s visually stunning story about a magical band of living toys who learn to overcome their fears. Toymaker Isaac Bodkins created the Oddkins, a group of living toys, for very special children who face difficulties in life and need true friends. There’s Amos, the brave stuffed bear; Skippy, the rabbit who dreams of being a superstar; Butterscotch, the gentle, floppy-eared pup; Burl the elephant; the wise and scholarly Gibbons; and Patch the cat. The Oddkins are given to children to inspire, support, and love them, especially during times of adversity. Only now, the toys themselves are the ones who need help. Before he dies, Mr. Bodkins delivers a dire warning to Amos the bear: Watch out for an evil toymaker and his dangerous creations! Locked up in the dark sub-basement, another group of toys is climbing out of boxes and crates and coming to life as well. These bad toys—like Rex and Lizzie, the puppets with no strings; Gear, the vicious robot; and Stinger, the horrid buzzing bumblebee with his knife-sharp stinger—were made to hurt children, not help them. Leering, laughing, and deadly, they are let loose into the world by a terrifying force. Frightening as it may be, the Oddkins must go on a journey to find Colleen Shannon, Mr. Bodkins’s chosen successor as a life-giving toymaker and the only person who can save them. The stormy night is perilous and the Oddkins face a danger that threatens not only their magic . . . but the magic in us all.