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Through Gramsci and Fanon, Salem centers anticolonial politics by exploring the connections between Egypt's moment of decolonization and the 2011 revolution.
An examination of the myriad lifetimes lived by ancient Egyptian artifacts Egypt has a particular longue durée, a continuity of preservation in deep time, not seen in other parts of the world. Over the centuries, ancient buildings have been adopted for purposes that differed from the original. Temple sites have been transformed into places of worship for new deities or turned into houses and tombs. Tombs, in turn, have been adapted to function as human dwellings already in the Late Antique Period. The Afterlives of Egyptian History expands on the traditional academic approach of studying the original function and sociopolitical circumstances of ancient Egyptian objects, texts, and sites to examine their secondary lives by exploring their reuse, modification, and reinterpretation. Written in honor of the Egyptologist, Edward Bleiberg, this volume brings together a group of luminous scholars from a wide range of fields, including Egyptian archaeology, philology, conservation, and art, to explore the historical circumstances, as well as political and economic situations, of people who have come into contact with ancient Egypt, both in antiquity and in more recent times. Contributor Affiliations: Yekaterina Barbash, Brooklyn Museum, Brooklyn, NY USA Lisa Bruno, Brooklyn Museum, Brooklyn, NY USA Simon Connor, F.R.S.–FNRS, Brussels, Belgium and University of Liege, Liege, Belgium Kathlyn (Kara) Cooney, UCLA, Los Angeles, CA USA Richard Fazzini, Brooklyn Museum, Brooklyn, NY USA Peter Lacovara, Ancient Egyptian Archaeology and Heritage Fund, Albany, NY USA Ronald J. Leprohon, University of Toronto, Canada Mary McKercher, Brooklyn Museum, Brooklyn, NY USA Edmund Meltzer, Pacifica Graduate Institute, Carpinteria, California USA Joachim Friedrich Quack, Heidelberg University, Tiffin, Ohio USA Paul Edmund Stanwick, independent scholar, New York, NY USA Emily Teeter, University of Chicago, Chicago, IL USA Kathy Zurek-Doule, Brooklyn Museum, Brooklyn, NY USA
This volume gathers articles by archeologists, art historians, and philologists concerned with the afterlives of ancient rock-cut monuments throughout the Near East. Contributions analyze how such monuments were actively reinterpreted and manipulated long after they were first carved.
Egypt's sun queen magnificently revealed in a new book by renowned Egyptologist, Aidan Dodson During the last half of the fourteenth century BC, Egypt was perhaps at the height of its prosperity. It was against this background that the “Amarna Revolution” occurred. Throughout, its instigator, King Akhenaten, had at his side his Great Wife, Nefertiti. When a painted bust of the queen found at Amarna in 1912 was first revealed to the public in the 1920s, it soon became one of the great artistic icons of the world. Nefertiti's name and face are perhaps the best known of any royal woman of ancient Egypt and one of the best recognized figures of antiquity, but her image has come in many ways to overshadow the woman herself. Nefertiti’s current world dominion as a cultural and artistic icon presents an interesting contrast with the way in which she was actively written out of history soon after her own death. This book explores what we can reconstruct of the life of the queen, tracing the way in which she and her image emerged in the wake of the first tentative decipherment of Egyptian hieroglyphs during the 1820s–1840s, and then took on the world over the next century and beyond. All indications are that her final fate was a tragic one, but although every effort was made to wipe out Nefertiti's memory after her death, modern archaeology has rescued the queen-pharaoh from obscurity and set her on the road to today’s international status.
Written in the tradition of historians like Mary Beard and Stacy Schiff who find modern lessons in ancient history, this provocative narrative explores the lives of five remarkable pharaohs who ruled Egypt with absolute power, shining a new light on the country's 3,000-year empire and its meaning today. In a new era when democracies around the world are threatened or crumbling, best-selling author Kara Cooney turns to five ancient Egyptian pharaohs--Khufu, Senwosret III, Akenhaten, Ramses II, and Taharqa--to understand why many so often give up power to the few, and what it can mean for our future. As the first centralized political power on earth, the pharaohs and their process of divine kingship can tell us a lot about the world's politics, past and present. Every animal-headed god, every monumental temple, every pyramid, every tomb, offers extraordinary insight into a culture that combined deeply held religious beliefs with uniquely human schemes to justify a system in which one ruled over many. From Khufu, the man who built the Great Pyramid at Giza as testament to his authoritarian reign, and Taharqa, the last true pharaoh who worked to make Egypt great again, we discover a clear lens into understanding how power was earned, controlled, and manipulated in ancient times. And in mining the past, Cooney uncovers the reason why societies have so willingly chosen a dictator over democracy, time and time again.
King Sethy I (also transcribed as Seti, Sethi and Sethos) ruled for around a decade in the early thirteenth century BC. His lifetime coincided with a crucial point in Egyptian history, following the ill-starred religious revolution of Akhenaten, and heralding the last phase of Egypt’s imperial splendor. As the second scion of a wholly new royal family, his reign did much to set the agenda for the coming decades, both at home and abroad. Sethy was also a great builder, apparently with exquisite artistic taste, to judge from the unique quality of the decoration of his celebrated monuments at Abydos and Thebes. This richly illustrated book tells the story of Sethy's career and monuments, not only in ancient times, but in modern history, and the impact of his legacy on today’s understanding and appreciation of ancient Egypt.
Describes Egypt during the rules of Seti I and his son Ramesses II, with particular emphasis on the religious role of the pharaohs.
A fascinating exploration of ideas of life after death ranging from ancient times to the present and from religion and philosophy to literature and science.
Fascination with ancient Egypt is a recurring theme in Western culture, and here Brian Curran uncovers its deep roots in the Italian Renaissance, which embraced not only classical art and literature but also a variety of other cultures that modern readers don't tend to associate with early modern Italy. Patrons, artists, and spectators of the period were particularly drawn, Curran shows, to Egyptian antiquity and its artifacts, many of which found their way to Italy in Roman times and exerted an influence every bit as powerful as that of their more familiar Greek and Roman counterparts. Curran vividly recreates this first wave of European Egyptomania with insightful interpretations of the period's artistic and literary works. In doing so, he paints a colorful picture of a time in which early moderns made the first efforts to decipher Egyptian hieroglyphs, and popes and princes erected pyramids and other Egyptianate marvels to commemorate their own authority. Demonstrating that the emergence of ancient Egypt as a distinct category of historical knowledge was one of Renaissance humanism's great accomplishments, Curran's peerless study will be required reading for Renaissance scholars and anyone interested in the treasures and legacy of ancient Egypt.
In April 1955, twenty-nine countries from Africa, Asia, and the Middle East came together for a diplomatic conference in Bandung, Indonesia, intending to define the direction of the postcolonial world. Representing approximately two-thirds of the world’s population, the Bandung conference occurred during a key moment of transition in the mid-twentieth century—amid the global wave of decolonization that took place after the Second World War and the nascent establishment of a new cold war world order in its wake. Participants such as Jawaharlal Nehru of India, Gamal Abdel Nasser of Egypt, Zhou Enlai of China, and Ahmed Sukarno of Indonesia seized this occasion to attempt the creation of a political alternative to the dual threats of Western neocolonialism and the cold war interventionism of the United States and the Soviet Union. The essays in this volume explore the diverse repercussions of this event, tracing the diplomatic, intellectual, and sociocultural histories that have emanated from it. Making a World after Empire consequently addresses the complex intersection of postcolonial history and cold war history and speaks to contemporary discussions of Afro-Asianism, empire, and decolonization, thus reestablishing the conference’s importance in twentieth-century global history. Contributors: Michael Adas, Laura Bier, James R. Brennan, G. Thomas Burgess, Antoinette Burton, Dipesh Chakrabarty, Julian Go, Christopher J. Lee, Jamie Monson, Jeremy Prestholdt, Denis M. Tull