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Winner, 2007 Tankard Award In March of 1827 the nation's first black newspaper appeared in New York City—to counter attacks on blacks by the city's other papers. From this signal event, The African American Newspaper traces the evolution of the black newspaper—and its ultimate decline--for more than 160 years until the end of the twentieth century. The book chronicles the growth of the black press into a powerful and effective national voice for African Americans during the period from 1910 to 1950--a period that proved critical to the formation and gathering strength of the civil rights movement that emerged so forcefully in the following decades. In particular, author Patrick S. Washburn explores how the Pittsburgh Courier and the Chicago Defender led the way as the two most influential black newspapers in U.S. history, effectively setting the stage for the civil rights movement's successes. Washburn also examines the numerous reasons for the enormous decline of black newspapers in influence and circulation in the decades immediately following World War II. His book documents as never before how the press's singular accomplishments provide a unique record of all areas of black history and a significant and shaping affect on the black experience in America.
This work examines both predominately black newspapers in general and four in particular--the Chicago Defender, the Pittsburgh Courier, the Black Dispatch (Oklahoma City), and the Jackson (Mississippi) Advocate--and their coverage of national events. The beginnings of the black press are detailed, focusing on how they reported the anti-slavery movement, the Civil War and the Reconstruction era. Their coverage of the migration of blacks to the industrial north in the early twentieth century and World War I are next examined, followed by the black press response to World War II and the civil rights movement. The survival techniques used by the editors, how some editors reacted when faced with threats of physical harm, and how the individual editorial policies affected the different newspapers are fully explored. Instructors considering this book for use in a course may request an examination copy here.
During World War I, the publishers of America's crusading black newspapers faced a difficult dilemma. Would it be better to advance the interests of African Americans by affirming their patriotism and offering support of President Wilson's war for democracy in Europe, or should they demand that the government take concrete steps to stop the lynching, segregation, and disfranchisement of blacks at home as a condition of their participation in the war? This study of their efforts to resolve that dilemma offers important insights into the nature of black protest, race relations, and the role of the press in a republican system. William Jordan shows that before, during, and after the war, the black press engaged in a delicate and dangerous dance with the federal government and white America--at times making demands or holding firm, sometimes pledging loyalty, occasionally giving in. But although others have argued that the black press compromised too much, Jordan demonstrates that, given the circumstances, its strategic combination of protest and accommodation was remarkably effective. While resisting persistent threats of censorship, the black press consistently worked at educating America about the need for racial justice.
An account of the black press from the first black newspaper to the integration of black journalists into the mainstream of American journalism.
Critics often chastised the twentieth-century black press for focusing on sex and scandal rather than African American achievements. In Pleasure in the News, Kim Gallon takes an opposing stance—arguing that African American newspapers fostered black sexual expression, agency, and identity. Gallon discusses how journalists and editors created black sexual publics that offered everyday African Americans opportunities to discuss sexual topics that exposed class and gender tensions. While black churches and black schools often encouraged sexual restraint, the black press printed stories that complicated notions about respectability. Sensational coverage also expanded African American women’s sexual consciousness and demonstrated the tenuous position of female impersonators, black gay men, and black lesbians in early twentieth African American urban communities. Informative and empowering, Pleasure in the News redefines the significance of the black press in African American history and advancement while shedding light on the important cultural and social role that sexuality played in the power of the black press.
Many important Americans, including W. E. B. Du Bois, Langston Hughes, and Frederick Douglass, had ties to newspapers that advocated for equal rights, discussed issues central to the lives of African Americans, and reported on stories the mainstream press refused to cover. The legacy of the African American press is one that carries on today. This essential volume reveals the black press's role in the abolition of slavery, the establishment of civil rights, desegregation, and today's fight against racism and prejudice.
Black journalists have vigorously exercised their First Amendment right since the founding of Freedom's Journal in 1827. World War II was no different in this regard, and Paul Alkebulan argues that it was the most important moment in the long history of that important institution. American historians have often postulated that WWII was a pivotal moment for the modern civil rights movement. This argument is partially based on the pressing need to convincingly appeal to the patriotism and self-interest of black citizens in the fight against fascism and its racial doctrines. This appeal would have to recognize long standing and well-known grievances of African Americans and offer some immediate resolution to these problems, such as increased access to better housing and improved job prospects. 230 African American newspapers were prime actors in this struggle. Black editors and journalists gave a coherent and organized voice to the legitimate aspirations and grievances of African Americans for decades prior to WWII. In addition, they presented an alternative and more inclusive vision of democracy. The African American Press in World War II: Toward Victory at Home and Abroadshows how they accomplished this goal, and is different from other works in this field because it interprets WWII at home and abroad through the eyes of a diverse black press. Alkebulan shows the wide ranging interest of the press prior to the war and during the conflict. Labor union struggles, equal funding for black education, the criminal justice system, and the Italian invasion of Ethiopia were some of subjects covered before and during the war. Historians tend to write as if the African American press was ideologically homogenous, but, according to Alkebulan, this is not the case. For example, prior to the war, African American journalists were both sympathetic and opposed to Japanese ambitions in the Pacific. A. Philip Randolph's socialist journal The Messenger accurately warned against Imperial Japan's activities in Asia during WWI. There are other instances that run counter to the common wisdom. During World War II the Negro Newspaper Publishers Associationnot only pursued equal rights at home but also lectured blacks (military and civilian) about the need to avoid any behavior that would have a negative impact on the public image of the civil rights movement. The African American Press in World War II explores press coverage of international affairs in more depth than similar works. The African American press tended to conflate the civil rights movement with the anti-colonial struggle taking place in Africa, Asia, and the Caribbean. Alkebulan demonstrates how George Padmoreand W.E.B. Du Bois were instrumental in this trend. While it heightened interest in anti-colonialism, it also failed to delineate crucial differences between fighting for national independence and demanding equal citizenship rights in one's native land.
With information on over 500 organizations, their founders and membership, this unique encyclopedia is an invaluable resource on the history of African-American activism. Entries on both historical and contemporary organizations include: * African Aid Society * African-Americans forHumanism * Black Academy of Arts and Letters * BlackWomen's Liberation Committee * Minority Women in Science* National Association of Black Geologists andGeophysicists * National Dental Association * NationalMedical Association * Negro Railway Labor ExecutivesCommittee * Pennsylvania Freedmen's Relief Association *Women's Missionary Society, African Methodist EpiscopalChurch * and many more.