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In life there many paths one can take but the most meaningful path, is the one you pave for yourself. However, it is also the most difficult path to take. But life is already hard, so why not live it on your own terms? This book is about an Alpha child, who is too foolish to allow life to take control of him. He refuses to be controlled by his circumstances. And therefore, he defies all logic by always pressing forward when there is no hope. In this book you will learn that there is no such thing as a “challenge free life”. Life is hard and it will never be easy, so you have to toughen up. But most importantly, you have to live. And to live is to do the liveliest thing and that is to be yourself at all times. So, release yourself to the world and leave nothing behind because you only have one chance at this life. This is a tale of an Alpha child and it is based on a true story. ABOUT THE AUTHOR Benjamin Nengwani is an author, speaker, market disruptor and a versatile coach.
From the brilliant mind of Michaela Coel, creator and star of I May Destroy You and Chewing Gum and a Royal Society of Literature fellow, comes a passionate and inspired declaration against fitting in. When invited to deliver the MacTaggart Lecture at the Edinburgh International Television Festival, Michaela Coel touched a lot of people with her striking revelations about race, class and gender, but the person most significantly impacted was Coel herself. Building on her celebrated speech, Misfits immerses readers in her vision through powerful allegory and deeply personal anecdotes—from her coming of age in London public housing to her discovery of theater and her love for storytelling. And she tells of her reckoning with trauma and metamorphosis into a champion for herself, inclusivity, and radical honesty. With inspiring insight and wit, Coel lays bare her journey so far and invites us to reflect on our own. By embracing our differences, she says, we can transform our lives. An artist to her core, Coel holds up the path of the creative as an emblem of our need to regard one another with care and respect—and transparency. Misfits is a triumphant call for honesty, empathy and inclusion. Championing “misfits” everywhere, this timely, necessary book is a rousing coming-to-power manifesto dedicated to anyone who has ever worried about fitting in.
In this book, Octavio R. González revisits the theme of alienation in the twentieth-century novel, identifying an alternative aesthetic centered on the experience of double exile, or marginalization from both majority and home culture. This misfit modernist aesthetic decenters the mainstream narrative of modernism—which explores alienation from a universal and existential perspective—by showing how a group of authors leveraged modernist narrative to explore minoritarian experiences of cultural nonbelonging. Tying the biography of a particular author to a close reading of one of that author’s major works, González considers in turn Nella Larsen’s Quicksand, Wallace Thurman’s The Blacker the Berry, Jean Rhys’s Quartet, and Christopher Isherwood’s A Single Man. Each of these novels explores conditions of maladjustment within one of three burgeoning cultural movements that sought representation in the greater public sphere: the New Negro movement during the Harlem Renaissance, the 1920s Paris expatriate scene, and the queer expatriate scene in Los Angeles before Stonewall. Using a methodological approach that resists institutional taxonomies of knowledge, González shows that this double exile speaks profoundly through largely autobiographical narratives and that the novels’ protagonists challenge the compromises made by these minoritarian groups out of an urge to assimilate into dominant social norms and values. Original and innovative, Misfit Modernism is a vital contribution to conversations about modernism in the contexts of sexual identity, nationality, and race. Moving beyond the debates over the intellectual legacies of intersectionality and queer theory, González shows us new ways to think about exclusion.
A book that argues that lessons in creativity, innovation, salesmanship, and entrepreneurship can come from surprising places: pirates, bootleggers, counterfeiters, hustlers, and others living and working on the margins of business and society. Who are the greatest innovators in the world? You're probably thinking Steve Jobs, Thomas Edison, Henry Ford. The usual suspects. This book isn't about them. It's about people you've never heard of. It's about people who are just as innovative, entrepreneurial, and visionary as the Jobses, Edisons, and Fords of the world. They’re in the crowded streets of Shenzhen, the prisons of Somalia, the flooded coastal towns of Thailand. They are pirates, computer hackers, pranksters, and former gang leaders. Across the globe, diverse innovators operating in the black, grey, and informal economies are developing solutions to a myriad of challenges. Far from being "deviant entrepreneurs" that pose threats to our social and economic stability, these innovators display remarkable ingenuity, pioneering original methods and practices that we can learn from and apply to move formal markets. This book investigates the stories of underground innovation that make up the Misfit Economy. It examines the teeming genius of the underground. It asks: Who are these unknown visionaries? How do they work? How do they organize themselves? How do they catalyze innovation? And ultimately, how can you take these lessons into your own world?
This book challenges the long-held assumption that African American literature aptly reflects black American social consciousness. Offering a novel sociological approach, Washington delineates the social and political forces that shaped the leading black literary works. Washington shows that deep divisions between political thinkers and writers prevailed throughout the 20th century. Visit our website for sample chapters!
Gaines is a self-described "bourbon-guzzling, pill-popping, penis-addicted, workaholic, tattooed Jew" with a Ph.D. and a pistol permit. "A Misfit's Manifesto" is about living with the contradictions. This is how she did it, and found God in all the unlikely places--like Ramones songs.
Power, Politics, and the African Condition is the third volume of The Collected Essays of Ali A. Mazrui, which will provide readers with a broad spectrum of Ali. A. Mazrui's scholarly writings. The third volume is centered on issues of power and politics at the nexus of Africa's domestic affairs and its international concepts about the disequilibrium of power in the international system and the problems that Africa has confronted globally because of it. Mazrui focuses the reader's attention on the impact that the colonial legacy and African tradition had on state formation, leadership, Africa's political economy, violence and conflict resolution while presenting some of his most interesting and even controversial ideas for building "Pax Africana." Spanning nearly forty years, Mazrui's essays are classic and contemporary statements on the diagnosis and treatment of what he called "The African Condition."
The study of nineteenth-century American literature has long been tied up with the study of American democracy. Just as some regions in the United States are elevated to stand in for the whole nation—New England is a good example—D. Berton Emerson argues the same is true for American literature of the nineteenth century; a few canonical texts overrepresent the more motley history of American letters. Emerson examines an eclectic group of literary texts that have rarely, if ever, been considered representative of "the nation" because of their unseemly characters or plots, divergence from dominant literary trends of the era, or local particularity. These are his "literary misfits," authors and texts that show different forms of egalitarianism in action that existed outside and even against the dominant liberal narratives of American democracy. Emerson's unique contribution is revealing these texts and the people they represent as rich with political knowledge. This knowledge, he argues, finds its most potent expression in the local. Such texts show us a different kind of democratic politics: one that is egalitarian, disorderly, and radical rather than homogeneous.
Africa: The Politics of Independence and Unity combines into one edition for the first time Africa: The Politics of Independence and Africa: The Politics of Unity. With a new introduction by the author, this edition provides some of the earliest and most valuable analysis of African politics during the period when the colonial system began to disintegrate. ø The influential Africa: The Politics of Independence was written as Africa was just realizing independence and still reveling in the optimism it brought. Immanuel Wallerstein was one of the few scholars who had traveled throughout Africa during the collapse of colonial rule. As a result, his interpretive essay captures the dynamism of that period of transformation and adroitly analyzes Africa?s modern political developments during the nascent process of decolonization. Africa: The Politics of Unity, published six years later, examines the African unity movement that arose between 1957 and 1965 and its revolutionary core. It is often considered the first thorough analysis of the postindependence history of Africa.