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This work examines both predominately black newspapers in general and four in particular--the Chicago Defender, the Pittsburgh Courier, the Black Dispatch (Oklahoma City), and the Jackson (Mississippi) Advocate--and their coverage of national events. The beginnings of the black press are detailed, focusing on how they reported the anti-slavery movement, the Civil War and the Reconstruction era. Their coverage of the migration of blacks to the industrial north in the early twentieth century and World War I are next examined, followed by the black press response to World War II and the civil rights movement. The survival techniques used by the editors, how some editors reacted when faced with threats of physical harm, and how the individual editorial policies affected the different newspapers are fully explored. Instructors considering this book for use in a course may request an examination copy here.
During World War I, the publishers of America's crusading black newspapers faced a difficult dilemma. Would it be better to advance the interests of African Americans by affirming their patriotism and offering support of President Wilson's war for democracy in Europe, or should they demand that the government take concrete steps to stop the lynching, segregation, and disfranchisement of blacks at home as a condition of their participation in the war? This study of their efforts to resolve that dilemma offers important insights into the nature of black protest, race relations, and the role of the press in a republican system. William Jordan shows that before, during, and after the war, the black press engaged in a delicate and dangerous dance with the federal government and white America--at times making demands or holding firm, sometimes pledging loyalty, occasionally giving in. But although others have argued that the black press compromised too much, Jordan demonstrates that, given the circumstances, its strategic combination of protest and accommodation was remarkably effective. While resisting persistent threats of censorship, the black press consistently worked at educating America about the need for racial justice.
Winner, 2007 Tankard Award In March of 1827 the nation's first black newspaper appeared in New York City—to counter attacks on blacks by the city's other papers. From this signal event, The African American Newspaper traces the evolution of the black newspaper—and its ultimate decline--for more than 160 years until the end of the twentieth century. The book chronicles the growth of the black press into a powerful and effective national voice for African Americans during the period from 1910 to 1950--a period that proved critical to the formation and gathering strength of the civil rights movement that emerged so forcefully in the following decades. In particular, author Patrick S. Washburn explores how the Pittsburgh Courier and the Chicago Defender led the way as the two most influential black newspapers in U.S. history, effectively setting the stage for the civil rights movement's successes. Washburn also examines the numerous reasons for the enormous decline of black newspapers in influence and circulation in the decades immediately following World War II. His book documents as never before how the press's singular accomplishments provide a unique record of all areas of black history and a significant and shaping affect on the black experience in America.
From pamphlets denouncing slavery to boycotts of Hollywood, African Americans have fought for adequate representations of themselves in the mass media industries of the United States. This book provides readers with an interdisciplinary overview of the past, present, and future of African Americans in U.S. media and the ongoing project of gaining racial equality in media: a process which spans generations. Catherine Squires introduces the reader to the varied ways in which Black Americans have navigated cultural, political, and economic obstacles both to make their own media and to critique mainstream media. Synthesizing the work of social scientists, historians, cultural critics, as well as comments from audience members and media producers, African Americans and the Media gives readers a lively entry point to classic and contemporary studies of Black Americans and mass media. Across the chapters, readers follow African Americans’ struggles to harness the power of print, broadcasting, film, and digital media, through five main themes which are woven through the book: representation, circulation, innovation, audience and responsibility. Taking in examples as diverse as Blaxploitation films, the work of 20th Century black activist journalists such as Ida B. Wells and A. Philip Randolph, and popular television such as The Cosby Show, this book will be essential reading for all students and scholars of media and communications and African American studies.
On March 16, 1827,Freedom's Journal, the first African-American newspaper, began publication in New York. Freedom's Journal was a forum edited and controlled by African Americans in which they could articulate their concerns. National in scope and distributed in several countries, the paper connected African Americans beyond the boundaries of city or region and engaged international issues from their perspective. It ceased publication after only two years, but shaped the activism of both African-American and white leaders for generations to come. A comprehensive examination of this groundbreaking periodical, Freedom's Journal: The First African-American Newspaper is a much-needed contribution to the literature. Despite its significance, it has not been investigated comprehensively. This study examines all aspects of the publication as well as extracts historical information from the content.
First there was the spoken word, the long-distance runner, and later the wall posters of ancient Rome and China. Here is an investigation of the human need to gather and spread news, proving that the hunger for news and sensationalism wasn't born with modern technology.
An account of the black press from the first black newspaper to the integration of black journalists into the mainstream of American journalism.
Excerpt from The Afro-American Press, and Its Editors We should count time by heart throbs; he most lives Who thinks most, feels the noblest, acts the best. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
The Black Newspaper and the Chosen Nation shows how antebellum African Americans used the newspaper as a means for translating their belief in black "chosenness" into plans and programs for black liberation. During the decades leading up the Civil War, the idea that God had marked black Americans as his chosen people on earth became a central article of faith in northern black communities, with black newspaper editors articulating it in their journals. Benjamin Fagan shows how the early black press helped shape the relationship between black chosenness and the struggles for black freedom and equality in America, in the process transforming the very notion of a chosen American nation. Exploring how cultures of print helped antebellum black Americans apply their faith to struggles grand and small, The Black Newspaper and the Chosen Nation uses the vast and neglected archive of the early black press to shed new light on many of the central figures and questions of African American studies.