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There exists a very rich, but largely untapped well of African American philosophical thought, in which many Black thinkers were debating the role philosophy played in racial advancement among themselves. One such work that demonstrates this vibrant tradition is William H. Ferris’s The African Abroad or, His Evolution in Western Civilization: Tracing His Development under Caucasian Milieu. In 1913, Ferris composed and published one of the most authoritative encyclopedias of Black (African-American) thought and Black civilization. The African Abroad was well known and widely engaged with in Black debates about philosophy, politics and history through the mid-1900’s, yet has largely disappeared from contemporary scholarship. The text itself offers readers the first evidence of a Black idealist philosophy of history that seeks to explain the evolution of the Negro race the world over. The African Abroad establishes a system of thought starting from God, the revelation of knowledge God offers humanity through history, and finally the Negro problem. Ferris offers the world a Black philosophical perspective currently unavailable in any collection of Black authors. He is a racial idealist who offers systematic thinking about the world faced by the Negro in the first decade of the 20th century. This edition includes Ferris's Philosophical Treatises from Sections I-III from The African Abroad. Tommy J. Curry includes two comprehensive introductory essays highlighting the significance of Ferris’s text in the study of African American philosophy, and the possible contributions Ferris’s thoughts on ethnological thought, the philosophy of history and the role of race play in the larger field of American philosophy.
At this historic moment of global revolutions for social justice inspired by the Black Lives Matter movement, the philosophy of Black Consciousness has reemerged and gripped the imagination of a new generation, and of the merciless exposure by COVD-19 of the devastating, long-existent fault lines in our societies. Frantz Fanon, James Baldwin, and Steve Biko have been rediscovered and reclaimed. In this powerful book Black liberation theologian and activist Allan Boesak explores the deep connections between Black Consciousness, Black theology, and the struggles against racism, domination, and imperial brutality across the world today. In a careful, meticulous, and sometimes surprising rereading of Steve Biko’s classic, I Write What I Like, Boesak re_ects on the astounding relevance of Black Consciousness for the current academic debates on decolonization and coloniality, Africanity and imperialism, as well as for the struggles for freedom, justice, and human dignity in the streets. With passion, forthrightness, and inspiring eloquence Boesak brings his considerable political experience and deep theological insight to bear in his argument for a global ethic of solidarity and resistance in the ongoing struggles against empire. Beginning with Biko’s “Where do we go from here?,” progressing to Baldwin’s “the _re next time,” and ending with Martin Luther King Jr.’s “_ere is no stopping short of victory,” this is a sobering, hopeful, and inspiring book
This book examines how names in Africa have been fashioned to create dominance and subjugation, inclusion and exclusion, others and self. Drawing on global and African examples, but with particular reference to Zimbabwe, the author demonstrates how names are used in class, race, ethnic, national, gender, sexuality, religious and business struggles in society as weapons by ingroups and outgroups. Using Othering theory as a framework, the chapters explore themes such as globalised names and their demonstration of the other; onomastic erasure in colonial naming and the subsequent decoloniality in African name changes; othering of women in onomastics and crude and sophisticated phaulisms in the areas of race, ethnicity, nationality, disability and sexuality. Highlighting social power dynamics through onomastics, this book will be of interest to researchers of onomastics, social anthropology, sociolinguistics and African culture and history.
Marcus Mosiah Garvey was once the most famous black man on earth. A brilliant orator who electrified his audiences, he inspired thousands to join his "Back to Africa" movement, aiming to create an independent homeland through Pan-African emigration--yet he was barred from the continent by colonial powers. This self-educated, poetry-writing aesthete was a shrewd promoter whose use of pageantry fired the imagination of his followers. At the pinnacle of his fame in the early 1920s, Garvey's Universal Negro Improvement Association boasted millions of members in more than forty countries, and he was an influential champion of the Harlem Renaissance. J. Edgar Hoover was so alarmed by Garvey that he labored for years to prosecute him, finally using dubious charges for which Garvey served several years in an Atlanta prison. This biography restores Garvey to his place as one of the founders of black nationalism and a key figure of the 20th century.--From publisher description.
1919, The Year of Racial Violence recounts African Americans' brave stand against a cascade of mob attacks in the United States after World War I. The emerging New Negro identity, which prized unflinching resistance to second-class citizenship, further inspired veterans and their fellow black citizens. In city after city - Washington, DC; Chicago; Charleston; and elsewhere - black men and women took up arms to repel mobs that used lynching, assaults, and other forms of violence to protect white supremacy; yet, authorities blamed blacks for the violence, leading to mass arrests and misleading news coverage. Refusing to yield, African Americans sought accuracy and fairness in the courts of public opinion and the law. This is the first account of this three-front fight - in the streets, in the press, and in the courts - against mob violence during one of the worst years of racial conflict in US history.