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Johannesburg is severely underrated as a tourist destination. This could be because it has no beaches, no snow-capped mountains, and no ancient buildings. But Johannesburg has something else - it is a cultural and industrial centre, with an enormous array of entertainment events running day and night. Johannesburg is also the scene of the fall of the abominable Apartheid system. So Johannesburg is not only a cultural centre, but it is also politically one of the most significant cities in Africa, and the most economically powerful. Furthermore, the human race evolved in the Johannesburg area. So there are many reasons to visit. This book gives an introduction to South Africa and Johannesburg in particular. It covers all the things to see and visit in Johannesburg and its surrounds. It provides addresses, phone numbers and GPS coordinates of each tourist attraction, so that you can find them easily. This edition contains a black-and-white interior to make the book affordable.
Johannesburg is severely underrated as a tourist destination. This could be because it has no beaches, no snow-capped mountains, and no ancient buildings. But Johannesburg has something else - it is a cultural and industrial centre, with an enormous array of entertainment events running day and night. Johannesburg is also the scene of the fall of the abominable Apartheid system. So Johannesburg is not only a cultural centre, but it is also politically one of the most significant cities in Africa, and the most economically powerful. Furthermore, the human race evolved in the Johannesburg area. So there are many reasons to visit. This book gives an introduction to South Africa and Johannesburg in particular. It covers all the things to see and visit in Johannesburg and its surrounds. It provides addresses, phone numbers and GPS coordinates of each tourist attraction, so that you can find them easily.
- In 2003, four mining shares rose over four times in price, with one gaining ten times.- In just the first two months of 2004, 26 mining shares increased more than 20%, with five shares doubling.- Merrill Lynch's World Mining Trust is the UK's best performing fund over the past three years, having risen by over 200 per cent.But is the mining boom about to end?Not according to this book, by Michael Coulson, Chairman of the Association of Mining Analysts. Coulson argues that, if anything, we are still in the early stages of prolonged strength in mining stocks and despite what some commentators are saying, the boom is far from over.FROM THE BACK COVERThe prospect of instant riches gives the mining sector an obvious glamour. And when the mining sector begins to run it can be an awesome sight and the excitement generated can be every bit as seductive and heady as that which enveloped markets during the internet boom. But due to the counter-cyclical nature of many mining stocks, they can also offer a valuable refuge when stock markets turn down. In this book, Michael Coulson gives a masterly overview of the sector, explains both the rewards and the pitfalls of investing in mining shares and argues convincingly that mining should once again form a core sector for all investors. The book is for anyone interested in mining, and particularly mining as an investment. Whilst it contains material which will be useful to even experienced followers of the sector, its main target is those who are interested in mining but perhaps not particularly familiar with the sector, and would like to know more. All the subjects are covered that are fundamental to acquiring sufficient knowledge about the miningsector to invest in it with confidence.While the mining s
Booth Moore, visionary fashion editor at The Hollywood Reporter, brings together her A-list rolodex, insider knowledge, and industry access to create the definitive guide to shopping around the world. As an international authority on fashion and style, she interviews top celebrity stylists, bloggers, fashion designers, and other tastemakers to give readers the ultimate guide to the best boutiques, brands, websites, and bargains that every fashionista should know.
Behind the scenes of the many artists and innovators flourishing beyond the bounds of intellectual property laws Intellectual property law, or IP law, is based on certain assumptions about creative behavior. The case for regulation assumes that creators have a fundamental legal right to prevent copying, and without this right they will under-invest in new work. But this premise fails to fully capture the reality of creative production. It ignores the range of powerful non-economic motivations that compel creativity, and it overlooks the capacity of creative industries for self-governance and innovative social and market responses to appropriation. This book reveals the on-the-ground practices of a range of creators and innovators. In doing so, it challenges intellectual property orthodoxy by showing that incentives for creative production often exist in the absence of, or in disregard for, formal legal protections. Instead, these communities rely on evolving social norms and market responses—sensitive to their particular cultural, competitive, and technological circumstances—to ensure creative incentives. From tattoo artists to medical researchers, Nigerian filmmakers to roller derby players, the communities illustrated in this book demonstrate that creativity can thrive without legal incentives, and perhaps more strikingly, that some creative communities prefer, and thrive, in environments defined by self-regulation rather than legal rules. Beyond their value as descriptions of specific industries and communities, the accounts collected here help to ground debates over IP policy in the empirical realities of the creative process. Their parallels and divergences also highlight the value of rules that are sensitive to the unique mix of conditions and motivations of particular industries and communities, rather than the monoculture of uniform regulation of the current IP system.
South Africa's Weapons of Mass Destruction offers an in-depth view of the secret development and voluntary disarmament of South Africa's nuclear, biological, and chemical weapons program, Project Coast. Helen E. Purkitt and Stephen F. Burgess explore how systems used for nuclear, biological, and chemical weapons in South Africa were acquired and established beyond the gaze of international and domestic political actors. On the basis of archival evidence from Project Coast and their own extensive interviews with military and political officials, Purkitt and Burgess consider what motivates countries to acquire and build such powerful weaponry and examine when and how decisions are made to dismantle a military arsenal voluntarily. Questions such as how to destroy weapons safely and keep them from reappearing on international markets are considered along with comparative strategies for successful disarmament in other nation-states.
Chris Gore reveals to filmmakers how to successfully market and sell their films at over 700 film festivals worldwide, how get a film accepted and what to do after acceptance. Completely updated and revised. Photos.