Download Free The Affair Of The Veiled Murderess Book in PDF and EPUB Free Download. You can read online The Affair Of The Veiled Murderess and write the review.

Troy, New York, 1853. Two Irish immigrants—a man and a woman—die shortly after drinking beer poured by a neighbor. Was it poisoned? And if so, was their slayer the beautiful mistress of an important Democratic politician? Many Trojans soon answer yes to both questions, but others question the guilt of the glamorous accused. Rumored to be the once-respectable Miss Charlotte Wood, a former student at Emma Willard's elite Troy Female Seminary and the runaway wife of a British lord, her identity remains in doubt, and the air of mystery is only heightened by her decision to remain hidden behind a veil during her trial, which earns her the nickname "The Veiled Murderess." As the affair widens to include the antebellum social and political worlds of Troy and Albany, the blossoming scandal threatens important people on both sides of the Atlantic. Drawing on newspapers, court documents, and other records of the time, Jeanne Winston Adler attempts to come to an understanding of the truth behind the strange affair of the veiled murderess. In the process, she addresses a number of topics important to our understanding of nineteenth-century life in New York State, including the changing roles of women, the marginal position of the Irish, and the contentious political firmament of the time.
The nineteenth century was, we have been told, the “century of the poisoner,” when Britain and the United States trembled under an onslaught of unruly women who poisoned husbands with gleeful abandon. That story, however, is only half true. While British authorities did indeed round up and execute a number of impoverished women with minimal evidence and fomented media hysteria, American juries refused to convict suspected women and newspapers laughed at men who feared them. This difference in outcome doesn’t mean that poisonous women didn’t preoccupy Americans. In the decades following Andrew Jackson’s first presidential bid, Americans buzzed over women who used poison to kill men. They produced and devoured reams of ephemeral newsprint, cheap trial transcripts, and sensational “true” pamphlets, as well as novels, plays, and poems. Female poisoners served as crucial elements in the literary manifestos of writers from Nathaniel Hawthorne and Edgar Allan Poe to George Lippard and the cheap pamphleteer E. E. Barclay, but these characters were given a strangely positive spin, appearing as innocent victims, avenging heroes, or engaging humbugs. The reason for this poison predilection lies in the political logic of metaphor. Nineteenth-century Britain strove to rein in democratic and populist movements by labeling popular print “poison” and its providers “poisoners,” drawing on centuries of established metaphor that negatively associated poison, women, and popular speech or writing. Jacksonian America, by contrast, was ideologically committed to the popular—although what and who counted as such was up for serious debate. The literary gadfly John Neal called on his fellow Jacksonian writers to defy British critical standards, saying, “Let us have poison.” Poisonous Muse investigates how they answered, how they deployed the figure of the female poisoner to theorize popular authorship, to validate or undermine it, and to fight over its limits, particularly its political, gendered, and racial boundaries. Poisonous Muse tracks the progress of this debate from approximately 1820 to 1845. Uncovering forgotten writers and restoring forgotten context to well-remembered authors, it seeks to understand Jacksonian print culture from the inside out, through its own poisonous language.
Female criminals are often portrayed as caricatures: Black Widows, Queenpins, Mob Molls, or Femme Fatales. But the real stories are much more fascinating and complex.In Pretty Evil New York author Elizabeth Kerri Mahon takes you on a journey through a rogue’s gallery of some of New York’s most notable female criminals. Drawing on newspaper coverage and other primary sources, this collection of historical true crime stories chronicles eleven women who were media sensations in their day, making headlines across the country decades before radio, television, or social media. Roxalana Druse, the last woman to be hanged in New York; Ruth Snyder, immortalized in James M. Cain’s novella Double Indemnity; serial killer Lizzie Halliday, nicknamed the Worst Woman in the World, who became a Hudson Valley legend; Celia Cooney, the Bobbed Hair Bandit; and Stephanie St. Clair, who rose to the top of the numbers game and then made Harlem cheer when she stood up to mobster Dutch Schultz. Alongside them are some forgotten felons, whose stories, though less well-known, are just as fascinating. Spurred by passion, profit, paranoia, or just plain perverse pleasure, these ladies span one hundred years of murder, mayhem, and madness in the Empire State.
Born in the mid-nineteenth century, Sophie Lyons was a master thief, con artist, blackmailer and smuggler. Much of her success as a criminal was due to the fact that she was fearless, reckless, sharp and cunning--everything a woman of her time was not supposed to be. As a young child, Sophie's parents forced her to steal when she showed a talent for pickpocketing. Strong-willed and smart, she blossomed into a beautiful teenager who caught the eye of many men in the underworld of New York City. By the time Sophie reached her late teens she was married to her second husband--a notorious bank burglar named Ned Lyons--and was a professional criminal in her own right. Despite her prominent place in crime history, Sophie Lyons has never been the subject of a full-length biography. This book chronicles Sophie's fascinating and tragic life, from her beginnings as a criminal prodigy, through her ingenious escape from Sing Sing prison and her lifelong struggle with mental illness.
Victorian Murderesses investigates the politics of female violence in Thomas Hardy’s Tess of the D’Urbervilles (1891), George Eliot’s Adam Bede (1859), Mary Braddon’s Lady Audley’s Secret (1862), and Florence Marryat’s The Blood of the Vampire (1897). The controversial figure of the murderess in these four novels challenges the assumption that women are essentially nurturing and passive and that violence and aggression are exclusively male traits. By focusing on the representations of murder committed by women, this book demonstrates how legal and even medical discourses endorsed Victorian domestic ideology, as female criminals were often locked up in asylums and publicly executed without substantial evidence. While paying close attention to the social, economic, judicial, and political dynamics of Victorian England, this interdisciplinary study also tackles the question of female agency, as the novels simultaneously portray women as perpetrators of murder and excuse their socially unacceptable traits of anger and violence by invoking heredity and madness. Although the four novels tend to undercut female power and attribute violence to adulterous women, they are revolutionary enough to deploy female characters who rebel against male sovereignty and their domestic roles by stabbing their rapists and even killing their newborns. Victorian studies on gender and violence focus primarily on female victims of sexual harassment, and real and fictional male killers like Dracula and Jack the Ripper. Victorian Murderesses contributes to the field by investigating how literary representations of female violence counter the idealisation of women as angelic housewives.
From the New York Times: "The astonishing stories in Shipwrecked ... [offer] a fresh perspective on the mess of pitched emotions and politics in a nation at war over slavery." Historian Jonathan W. White tells the riveting story of Appleton Oaksmith, a swashbuckling sea captain whose life intersected with some of the most important moments, movements, and individuals of the mid-19th century, from the California Gold Rush, filibustering schemes in Nicaragua, Cuban liberation, and the Civil War and Reconstruction. Most importantly, the book depicts the extraordinary lengths the Lincoln Administration went to destroy the illegal trans-Atlantic slave trade. Using Oaksmith’s case as a lens, White takes readers into the murky underworld of New York City, where federal marshals plied the docks in lower Manhattan in search of evidence of slave trading. Once they suspected Oaksmith, federal authorities had him arrested and convicted, but in 1862 he escaped from jail and became a Confederate blockade-runner in Havana. The Lincoln Administration tried to have him kidnapped in violation of international law, but the attempt was foiled. Always claiming innocence, Oaksmith spent the next decade in exile until he received a presidential pardon from U.S. Grant, at which point he moved to North Carolina and became an anti-Klan politician. Through a remarkable, fast-paced story, this book will give readers a new perspective on slavery and shifting political alliances during the turbulent Civil War Era.
"The history of Henrietta Robinson, known as 'The Veiled Murderess,' who apparently was born in Quebec City in 1827. In 1854, she was tried and convicted in Troy, New York, of poisoning her neighbour and his sister-in-law with arsenic and she was sentenced to life imprisonment by reason of insanity. The greater portion of the text deals with her true identity, which has never been reliably established, and recounts her trial in detail."--David Ewens Books description.
The interplay between crime fact and crime fiction can be detected back to literature's earliest beginnings. True crime has long been the basis of many plots of memorable literature - from Nathaniel Hawthorne's The Scarlet Letter to Jean Genet's play The Maids, there has often been blood on the page.
The debut novel of a pioneering author of French crime thrillers. Mean, arrogant, naive, sadistic on occasion, the young Henri Butron records his life story on tape just before death catches up with him: a death passed off as a suicide by his killers, French secret service agents who need to hush up their role—and Butron’s—in the kidnapping, torture, and murder of a prominent opposition leader from a third-world African nation in the throes of a postcolonial civil war. The N’Gustro Affair is a thinly veiled retelling of the 1965 abduction and killing of Mehdi Ben Barka, a radical opponent of King Hassan II of Morocco. But this is merely the backdrop to Jean-Patrick Manchette’s first-person portrait (with shades of Jim Thompson’s The Killer Inside Me) of a man who lacks the insight to see himself for what he is: a wannabe nihilist too weak to be even a full-bore fascist.
For the first time in his spectacular career, Spike Tracy, ace detective, was baffled. A woman-Lina Lee-had been shot through the head by an old army revolver in the office of Felix Penton, playboy-publisher. Here, it seemed, was the "perfect crime." There was no lack of evidence. There were too many suspects, too many clues. Not one of those involved had an alibi. And before Spike could even begin to establish a case, there were any number of separate mysteries to be solved, none of which seemed to make sense. What was the meaning of the purple onion in Lina Lee's luxurious apartment? Why were the account books of the Penton Press taken from the safe, and what did the auditor's check-up reveal? Who was the veiled woman appearing so mysteriously at certain crises in Penton's life? And, most important of all, what did a certain newspaper photograph, yellowed with age, have to do with the case? These are only a few of the posers which Spike Tracy encounters as he pursues his investigations. "Murder on Friday" calls for his most brilliant deductive powers. And he comes pretty close to failure when he runs up against the blind devotion which Felix Penton inspires in women....