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Evaluating the built environment in a comprehensive manner is both challenging and topical. The environment influences us in a multitude of ways, simultaneously and personally. We feel, hear, see, smell, and even taste the environment that surrounds us. Care environments, in particular, are complicated and their effects on users difficult to estimate. However, the aesthetics of care environments carry huge potential to induce wellbeing, enhance quality of life and, thereby, affect the healing and rehabilitation of patients and residents. This book applies experimental Q methodology - a qualitative method for systematically analyzing human subjectivity - in search of a new way to evaluate care environments. The focus is on the role of aesthetics as experienced by the actual users and stakeholders of ten high-quality and award-winning care environments in Japan and the European countries of Finland, Sweden, the United Kingdom, France and Austria. A total of 45 participants, including architects, members of the administration, care staff, patients, residents, and their relatives give their subjective accounts on the aesthetic features of the care environment. Five aesthetic discourses and a set of shared aesthetic values are identified, which transcend building-type specific, contextual and professional boundaries. The aims are to increase our understanding of care environment aesthetics and architecture, and thus contribute to the design of future care buildings that fulfil the values and expectations of the users.
The Aesthetics of Natural Environments is a collection of essays investigating philosophical and aesthetics issues that arise in our appreciation of natural environments. The introduction gives an historical and conceptual overview of the rapidly developing field of study known as environmental aesthetics. The essays consist of classic pieces as well as new contributions by some of the most prominent individuals now working in the field and range from theoretical to applied approaches. The topics covered include the nature and value of natural beauty, the relationship between art appreciation and nature appreciation, the role of knowledge in the aesthetic appreciation of nature, the importance of environmental participation to the appreciation of environments, and the connections between the aesthetic appreciation of nature and our ethical obligations concerning its maintenance and preservation. This volume is for scholars and students focussed on nature, landscapes, and environments, individuals in areas such as aesthetics, environmental ethics, geography, environmental studies, landscape architecture, landscape ecology, and the planning and design disciplines. It is also for any reader interested in and concerned about the aesthetic quality of the world in which we live.
Everyday aesthetic experiences and concerns occupy a large part of our aesthetic life. However, because of their prevalence and mundane nature, we tend not to pay much attention to them, let alone examine their significance. Western aesthetic theories of the past few centuries also neglect everyday aesthetics because of their almost exclusive emphasis on art. In a ground-breaking new study, Yuriko Saito provides a detailed investigation into our everyday aesthetic experiences, and reveals how our everyday aesthetic tastes and judgments can exert a powerful influence on the state of the world and our quality of life. By analysing a wide range of examples from our aesthetic interactions with nature, the environment, everyday objects, and Japanese culture, Saito illustrates the complex nature of seemingly simple and innocuous aesthetic responses. She discusses the inadequacy of art-centered aesthetics, the aesthetic appreciation of the distinctive characters of objects or phenomena, responses to various manifestations of transience, and the aesthetic expression of moral values; and she examines the moral, political, existential, and environmental implications of these and other issues.
Drawing from a diverse range of interdisciplinary voices, this book explores how spaces of care shape our affective, material, and social forms, from the most intimate scale of the body to our planetary commons. Typical definitions of care center around the maintenance of a livable life, encompassing everything from shelter and welfare to health and safety. Architecture plays a fundamental role in these definitions, inscribed in institutional archetypes such as the home, the hospital, the school, and the nursery. However, these spaces often structure modes of care that prescribe gender roles, bodily norms, and labor practices. How can architecture instead engage with an expanded definition of care that questions such roles and norms, producing more hybrid entanglements between our bodies, our collective lives, and our environments? Chapters in this book explore issues ranging from disabled domesticities and nursing, unbuilding whiteness in the built environment, practices and pedagogies of environmental care, and the solidarity networks within ‘The Cloud’. Case studies include Floating University Berlin, commoning initiatives by the Black Panther party, and hospitals for the United Mine Workers of America, among many other sites and scales of care. Exploring architecture through the lenses of gender studies, labor theory, environmental justice, and the medical humanities, this book will engage students and academics from a wide range of disciplines.
This book deals with the aesthetic potentials of sustainable architecture and its practice. In contrast to the mechanistic model, the book attempts to open a new area of scholarship and debate on sustainability in the design and production of architecture. It traces and underscores how the consideration of environment and sustainability is directly connected to aesthetic propositions in architecture.
This book presents examples in design innovation for healthcare, as displayed in some 200 projects by 50 leading architecture and design firms. These projects offer numerous ideas for creating health care environments that can help improve patient outcomes, contain health care costs, and incorporate advances in medical science and technology.
This book is the outcome of a one year project that has scanned and synthesised key issues and trends across health care and design. It is widely accepted that the physical environment has the capacity to enhance the healing process for patients, and to support and improve staff morale. The design of health care environments for patient centred care has two elements: a set of principles guiding the planning and design of buildings; and a concept for the settings for future health care. The principles embrace a social model for health, patient centred approaches, quality of design, and sustainability. The settings of future health care are the home, health and social care, community care, and specialist care centres. This blueprint aims to stimulate creative dialogue and to foster exchange between clients and designers.
Thorough, abundantly illustrated treatment of a complex topic. Malkin corresponded with about 500 people involved with close to 1,000 projects; he formulated criteria for excellence and reviewed the projects, becoming increasingly sophisticated himself about the intricacies of design, well-being, and practicality in various contexts and for various special populations--the elderly (especially those with dementia), children, neonates, critical care patients, cancer patients, psychiatric patients, the chemically dependent, and others. He has selected the best and presents them here with extensive commentary on a broad sweep of topics connected with architecture, aesthetics, and health. Annotation copyrighted by Book News, Inc., Portland, OR
It is now widely recognized that the physical environment has an impact on the physiology, psychology, and sociology of those who experience it. When designing a critical care unit, the demands on the architect or designer working together with the interdisciplinary team of clinicians are highly specialized. Good design can have a hugely positive impact in terms of the recovery of patients and their hospital experience as a whole. Good design can also contribute to productivity and quality of the work experience for the staff. 'Design for Critical Care' presents a thorough and insightful guide to the very best practice in intensive care design, focusing on design that has been successful and benefi cial to both hospital staff and hospital patients. By making the connection between research evidence and design practice, Hamilton and Shepley present an holistic approach that outlines the future for successful design for critical care settings.