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It all starts in the capital: to be closer to his subjects, the Tsar of Russia, dressed in peasant clothes, strolls through the streets of St. Petersburg. Disaster strikes! The Tsar is captured by a group of conspirators wishing to use his uncanny "resemblance" to the Tsar (himself) for sinister ends. What fate awaits the true Tsar, now a simple peasant, in the hands of his enemies? And most importantly, what do they have in store for him next? A 146-page collection of three short stories that will see our protagonist resist a coup d'état, compete in feats of strength to decide the next Khan of the Caucasus, and run in his country's very first election. A parody about the misadventures of a fictional Tsar of Russia, based on Peter the Great and other Tsars and historical figures of the Russian Empire. Written by Tarek Ben Yakhlef, a Tunisian-French historian and street artist.
The Russian Empire once extended deep into America: in 1818 Russia's furthest outposts were in California and Hawaii. The dreamer behind this great Imperial vision was Nikolai Rezanov ? diplomat, adventurer, courtier, millionaire and gambler. His quest to plant Russian colonies from Siberia to California led him to San Francisco, where he was captivated by Conchita, the fifteen-year-old daughter of the Spanish Governor, who embodied his dreams of both love and empire. From the glittering court of Catherine the Great to the wilds of the New World, Matthews conjures a brilliantly original portrait of one of Russia's most eccentric Empire-builders.
Russian Tales of Demonic Possession: Translations of Savva Grudtsyn and Solomonia is a translation from the Russian of two stories of demonic possession, of innocence lost and regained. The original versions of both tales date back to the seventeenth century, but the feats of suffering and triumph described in them are timeless. Aleksei Remizov, one of Russia’s premiere modernists, recognized the relevance of the late-medieval material for his own mid-twentieth-century readers and rewrote both tales, publishing them in 1951 under the title The Demoniacs. The volumeoffers a new translation of the original Tale of Savva Grudtsyn as well as first-ever translations of The Tale of The Demoniac Solomonia and Remizov’s Demoniacs. Russian Tales of Demonic Possession opens with an introduction that interprets and contextualizes both the late-medieval and the twentieth-century tales. By providing new critical interpretations of all four tales as well as a short discussion of the history of demons in Russia, this introduction makes an eerily exotic world accessible to today’s English-speaking audiences. Savva Grudtsyn and Solomonia, the protagonists of the two tales, are young people poised on the threshold of adulthood. When demons suddenly appear to confront and overmaster them, each of them teeters on the brink of despair in a world filled with chaos and temptation. The Tale of Savva Grudtsyn and The Tale of the Demoniac Solomonia propel us forcibly into the realm of good and evil and pose hard questions: Why does evil afflict us? How does it manifest itself? How can it be overcome? Aleksey Remizov’s modernist re-castings of the two stories offer compelling evidence that these same questions are very much with us today and are still in need of answers.
In the history of the modern world, there have been few characters more sinister, sadistic, and deeply demented than Baron Ungern-Sternberg. An anti-Semitic fanatic whose penchant for Eastern mysticism and hatred of communists foreshadowed the Nazi scourge that would soon overtake Europe, Ungern- Sternberg conquered Mongolia in 1919 with a ragtag force of White Russians, Siberians, Japanese, and native Mongolians. In the Bloody White Baron, historian and travel writer James Palmer vividly re-creates Ungern-Sternberg's spiral into ever-darker obsessions, while also providing a rare look at the religion and culture of the unfortunate Mongolians he briefly ruled.
Although Lenin and his fellow revolutionaries never called themselves Utopians—believing strictly in a science of revolution, they considered Utopians to be merely dreamers—they were enormously inspired by the grand humanitarian aims of the French Revolution of 1789. Taking up this French revolutionary agenda and reinforcing it with German philosophy, Russians formed a beautiful vision in which an imaginary theology blended with a premier role for art. Arc of Utopia offers a fresh look at these German philosophical origins of the Russian Revolution. In the book, Lesley Chamberlain explains how influential German philosophers like Kant, Schiller, and Hegel were dazzled by contemporary events in Paris, and how this led a century later to an explosion of art and philosophy in the Russian streets, with a long-repressed people reinventing liberty, equality, and fraternity in their own cultural image. Chamberlain examines how some of the greatest Russian names of the nineteenth-century—from Alexander Herzen to Mikhail Bakunin, Ivan Turgenev to Fyodor Dostoevsky—defined their visions for Russia in relationship to their views on German enthusiasm for revolutionary France. With the centenary of the Russian Revolution approaching, Arc of Utopia is an important and timely revisioning of this tumultuous moment in history.
Recounts the extraordinary and thrilling story of the British spies in revolutionary Russia, led by Mansfield Cumming, who would one day pioneer the field of covert action and become MI6, and their mission to foil Lenin's plot for global revolution. 40,000 first printing.
Here is the second of the "lost" diaries of young Arthur Conan Doyle, written in 1881 while he was a twenty-two-year-old student at the University of Edinburgh Medical School. In this rollicking story of high adventure, Arthur Conan Doyle serves as a British spy along with the legendary Doctor Joseph Bell - who became the real-life inspiration for the world's most famous literary detective, Sherlock Holmes. This diary details how Doyle and Dr. Bell journey to Russia on a secret forensic mission to save Europe from war. Peopled with Doyle's real-life contemporaries - including Dostoyesky and Rasputin, it is an exciting mix of murder, mystery, literary history, and humour sure to please Sherlock Holmes fans everywhere!
Based on new sources—the definitive biography of Rasputin, with revelations about his life, death, and involvement with the Romanovs A century after his death, Grigory Rasputin remains fascinating: the Russian peasant with hypnotic eyes who befriended Tsar Nicholas II and helped destroy the Russian Empire, but the truth about his strange life has never fully been told. Written by the world's leading authority on Rasputin, this new biography draws on previously closed Soviet archives to offer new information on Rasputin's relationship with Empress Alexandra, sensational revelations about his sexual conquests, a re-examination of his murder, and more. Based on long-closed Soviet archives and the author's decades of research, encompassing sources ranging from baptismal records and forgotten police reports to notes written by Rasputin and personal letters Reveals new information on Rasputin's family history and strange early life, religious beliefs, and multitudinous sexual adventures as well as his relationship with Empress Alexandra, ability to heal the haemophiliac tsarevich, and more Includes many previously unpublished photos, including contemporary studio photographs of Rasputin and samples of his handwriting Written by historian Joesph T. Fuhrmann, a Rasputin expert whose 1990 biography Rasputin: A Life was widely praised as the best on the subject Synthesizing archival sources with published documents, memoirs, and other studies of Rasputin into a single, comprehensive work, Rasputin: The Untold Story will correct a century's worth of misconception and error about the life and death of the famous Siberian mystic and healer and the decline and fall of Imperial Russia.
In view of the extended interest now felt in Russian opera, drama and ballet, it has been thought worthwhile to offer to the public this outline of the development of a genuine national opera, from the history of which we have much to learn in this country, both as regards the things to be attempted and those to be shunned. Too much technical analysis has been intentionally avoided in this volume. The musician can supply this deficiency by the study of the scores mentioned in the book, which, dating from Glinka's time, have nearly all been published and are therefore accessible to the student; the average opera-goer will be glad to gain a general view of the subject, unencumbered by the monotonous terminology of musical analysis.
56 selections which cover 2300 years of eyewitness history of Russia.