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This is the first English translation of The Adventures of the Ingenious Alfanhui, a picaresque novel in which the hero, a magical little boy, goes in search not of his fortune but of knowledge, growing both wiser and possibly sadder in the process. These are the adventures of a magical little boy which will appeal to both children and adults.
Some 750 alphabetically-arranged entries provide insights into the exciting cultural and political features of contemporary Spain. Including Catalonia, Galicia and the Basque country, coverage spans from 1939 to the present.
Praise for the print edition:"...a useful and engaging reference to the vast world of the novel in world literature."
This collection of essays looks at the most recent work of Juan Goytisolo from a variety of perspectives and critical stances. The contributors, all specialists in the work of the Spanish author, employ theories of intertextuality, postmodernist irony, queer ethics and even the esoteric science of Hurufism to uncover the complexities of Goytisolo's creative practice, in particular his radical blurring of the generic boundaries between fiction, autobiography and literary criticism. Such challenging of genre conventions is seen as both integral to the author's own questioning of his identity as an expression of his radical dissidence and essential to the response his work evokes in the reader. Life and writing, autobiography and fiction, constitute the interconnecting poles of Goytisolo's artistic universe. The essays included in this volume explore the varying patterns of confluence of these twin strands in the writer's later work as a whole, but particularly in novels such as Las semanas del jardín (1997) and Carajicomedia (2000). The essays are set in context by a contribution from Juan Goytisolo himself in which he sums up his philosophy of life and writing as a pursuit of 'non-profitable knowledge'.
INTERNATIONAL BESTSELLER • A novel of the Spanish Civil War, a modern classic, and a searing exploration of the unknowability of history, by the acclaimed author of Outlaws In the waning days of the Spanish Civil War, an unknown militiaman discovered a Nationalist prisoner who had fled a firing squad and taken refuge in the forest. But instead of killing him, the soldier simply turned and walked away. The prisoner, Rafael Sánchez Mazas—writer, fascist, and founder of the Spanish Falange—went on to become a national hero and ultimately a minister in Franco's first government. The soldier disappeared into history. Sixty years later, Javier Cercas—or at least, a character who shares his name—sifts through the evidence to establish what really happened that day. Who was the soldier? Why didn't he shoot? And who was the true hero in the story? Every answer yields another question in this powerful and elegantly constructed novel about truth, memory, and war.
Essays on a variety of Spanish authors who shaped the development of Spanish fiction in the twentieth century. Entries focus on the interconnections between life and writing and trace the writers' personal response to the cultural, intellectual and political concerns of the day, as well as to the traditions and literary styles that shaped their imagination. Provides a condensed assessment of the authors' aesthetic and personal preferences as shown through their writings.
Vols. 8-10 of the 1965-1984 master cumulation constitute a title index.
During the Spanish Civil War, the River Jarama was the scene of a bloody, month-long battle, which ended in a stalemate. The Republicans suffered about 25,000 casualties and the Nationalists 20,000. In the novel, set nearly twenty years later, the Jarama has become a favourite picnic spot for those wanting to escape the Madrid heat. The novel describes one boiling hot day in August. Various groups of people from Madrid - young and old, married and single - have gone down to the River Jarama to swim and to picnic. During the course of the day, they talk, flirt, get drunk, argue and, mostly, make their peace, and the novel carries the reader effortlessly from conversation to conversation, allowing us to eavesdrop on the characters' very ordinary and profoundly recognisable lives.
An invaluable source of information on the personalities and organizations of the literary world.