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The Adventures of Snicklefritz By: Margaret Beck The Adventures of Snicklefritz tells some of the adventures of a unique cat who lived on a boat and sailed across the Pacific Ocean. He was a smart, loving, friendly feline who gave his family much joy and pleasure. Margaret Beck, his eighty-eight-year-old grand-mistress, got to know him when she visited her daughter and her husband in Vancouver, Canada, and lived on the boat for a week. She later visited them on the Island of Saipan. These are Snickelfritz’s stories, and Margaret’s first attempt of having a book published, which was a great project while being confined because of Covid-19.
This is the third adventure for Snicklefritz. In this adventure, she meets the trail guide and the hiker. Snicklefritz learns a little about nature and a lot about patience.
This is the first of many adventures for Snicklefritz. In this adventure, she meets Buster the horse and the cowboy who cares for him. Snicklefritz learns a little about horses and a lot about friendship.
Within that period between adolescence and old age dwells different types of people all gathered together in one body, one brain, and one soul. No, that does not imply that we are all suffering from multiple personalities. The book is about the kinds of experiences that a person might have according to that person’s age, geopolitical place in time, and interests, which also change with time. Lewis Carroll alluded to the phenomenon. Consider Chapter V, “Advice from a Caterpillar,” of Alice’s Adventures in Wonderland wherein it says this: “Who are you?” said the Caterpillar. Alice replied, rather shyly, “I—I hardly know, Sir, just at present—at least I know who I was when I got up this morning, but I think I must have been changed several times since then.” Do you know what kind of person you were when you woke up this morning? Are you that same person now?
Snicklefritz is a wild and zany boy, full of life and energy. What adventure will he have today? No matter what scrapes and pickles he lands in, no matter what kind of day he has had, his mother will always love him. She will be there for him, forever and always, no matter what. That's what moms do. That's Why I Love you, Snicklefritz!
"Winifred Elizabeth (Manning) Allbeck--"Snicklefritz" as her papa nicknamed her--began her life in the dead of winter when the world was being torn apart by The Great War and devastated by the Spanish Flu, the worst pandemic in recorded history. Nearly 100 years later, she and her daughter, Ellen (Allbeck) Maurer, sat down to tell her intimate story--interwoven with grand changes taking place in American rural life. From kerosene lamps and one-room schools to the Great Depression, times changed-- and so did her life. School years were followed by long-distance loves--captured through letters presented within the book--and her world expanded to include a happy forty-four-year marriage to Frank, whose tale blends into hers. The secluded life of the farm girl of the early 1900s eventually blossomed into adventures in more than two dozen countries on three continents." page 4 of cover
A young German boy's journey to manhood during his travels and adventures through history. This story is to familiarize readers with the customs of German folk, and to take them on an informational walk through history.
This is the second of many adventures for Sniklefritz. In this adventure, she meets Dexter the dog and the trainer who cares for him. Sniklefritz learns a little about dogs and a lot about responsibility.
The great director John Ford (1894-1973) is best known for classic westerns, but his body of work encompasses much more than this single genre. Jeffrey Richards develops and broadens our understanding of Ford's film-making oeuvre by studying his non-Western films through the lens of Ford's life and abiding preoccupations. Ford's other cinematic worlds included Ireland, the Family, Catholicism, War and the Sea, which share with his westerns the recurrent themes of memory and loss, the plight of outsiders and the tragedy of family breakup. Richards' revisionist study both provides new insights into familiar films such as The Fugitive (1947); The Quiet Man (1952), Gideon's Way and The Informer (1935) and reclaims neglected masterpieces, among them Wee Willie Winkie (1937) and the extraordinary The Long Voyage Home. (1940).