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Children's story from the award-winning author of Butcher Boy
A swirling, psychedelic, bleakly funny fugue by the Booker-shortlisted author of The Butcher Boy and Breakfast on Pluto. Una Fogarty, suffering from dementia in a seaside nursing home, would be all alone without her brother Dan, whose epic free-verse monologue tells their family story. Exile from Ireland and immigrant life in England. Their mother’s trials as a call girl. Young Una’s search for love in a seemingly haunted hippie squat, and the two-timing Scottish stoner poet she’ll never get over. Now she sits outside in the sun as her memories unspool from Dan’s mouth and his own role in the tale grows ever stranger— and more sinister. A swirling, psychedelic, bleakly funny fugue, Patrick McCabe’s epic reinvention of the verse novel combines Modernist fragmentation and Beat spontaneity with Irish folklore, then douses it in whiskey and sets it on fire. Drinking song and punk libretto, ancient as myth and wholly original, Poguemahone is the devastating telling of one family’s history—and the forces, seen and unseen, that make their fate.
A novel describing an Irish boy who lives with his abusive parents.
An epic family drama, shot through with dark humour, The Last Days of a Reluctant Tyrant tells the tragic story of a family disintegrating, having lost its moral values. Arina is an ambitious woman. As a servant girl she marries into the degenerative family she works for; her ruthless energy saves it from bankruptcy and she expands the family estate into an 'empire'. As matriarch she rules with an iron hand, her avarice insatiable, until she questions what it is all for. She slackens her hold and loses her power to the hypocrisy and relentless grasping of her 'chosen son'. Inspired by The Golovlyov Family by Mikhail Saltykov-Shchedrin, The Last Days of a Reluctant Tyrant is a haunting new work from leading Irish dramatist Tom Murphy, who has worked closely with the Abbey Theatre throughout his career. The play premiered at the Abbey Theatre, Ireland, on 3 June 2009.
Hold tight as you are thrown into New York City's deep and dark underworld, in this exciting new play on the Abbey stage. Man has just set foot on the moon. The streets of Brooklyn are tense. The Irish Mafia is desperately trying to hold on to their power and more importantly their identity. After all, THEY built these streets. In this edgy new story, relationships between family, friends and enemies are ultimately challenged.
Now entering his sixty-seventh year, Chris McCool can confidently call himself a member of the Happy Club: he has an attractive and exceedingly accommodating Croatian girlfriend and has been told he bears more than a passing resemblance to Roger Moore. As he looks back on the glory days of his youth, he recalls the swinging sixties of rural Ireland: a decade in which the cool cats sang along to Lulu and drove around in Ford Cortinas, when swinging meant wearing velvet trousers and shirts with frills, and where Dolores McCausland - Dolly Mixtures to those who knew her best - danced on the tops of tables and set the pulses of every man in small-town Cullymore racing. Chris McCool had it all back then. He had the moves, he had the car, and he had Dolly, a woman who purred suggestive songs and tugged gently at her skin-tight dresses, a Protestant femme fatale who was glamorous, transgressive and who called him her very own 'Mr Wonderful'. She was, in short, the answer to this bastard son of a Catholic farmer's prayers. Except that there was another Mr Wonderful in town, a certain Marcus Otoyo - a young Nigerian with glossy curls and a dazzling devoutness that was all but irresistible. Although Chris, of course, was interested in Marcus only because of their shared religious fervour and mutual appreciation of the finer things. That was all. Besides, Mr McCool was always a hopeless romantic - some even described him as excessively so - but is there anything wrong with that? Spiked with macabre humour and disquieting revelations, The Holy City is a brilliant, disturbing and compelling novel from one of Ireland's most original contemporary writers.
This Encyclopedia offers an indispensable reference guide to twentieth-century fiction in the English-language. With nearly 500 contributors and over one million words, it is the most comprehensive and authoritative reference guide to twentieth-century fiction in the English language. Contains over 500 entries of 1000-3000 words written in lucid, jargon-free prose, by an international cast of leading scholars Arranged in three volumes covering British and Irish Fiction, American Fiction, and World Fiction, with each volume edited by a leading scholar in the field Entries cover major writers (such as Saul Bellow, Raymond Chandler, John Steinbeck, Virginia Woolf, A.S. Byatt, Samual Beckett, D.H. Lawrence, Zadie Smith, Salman Rushdie, V.S. Naipaul, Nadine Gordimer, Alice Munro, Chinua Achebe, J.M. Coetzee, and Ngûgî Wa Thiong’o) and their key works Examines the genres and sub-genres of fiction in English across the twentieth century (including crime fiction, Sci-Fi, chick lit, the noir novel, and the avant-garde novel) as well as the major movements, debates, and rubrics within the field, such as censorship, globalization, modernist fiction, fiction and the film industry, and the fiction of migration, diaspora, and exile
Patrick McCabe has long been recognized as a writer of rare talent and unique voice, whose vision of the world is so distinctive that "McCabesque" has become an adjective with multiple meanings, including "exquisitely, beautifully, mad in the head!" He was a Booker Prize finalist for The Butcher Boy, which won the Irish Times Aer Lingus/Irish Literature Prize for Fiction and was made into a motion picture directed by Neil Jordan and cowritten by McCabe and Jordan. He was again a Booker Prize finalist for Breakfast on Pluto, which won the Spirit of Life Arts/Sunday Independent Irish Literature Award and was a number one international bestseller. McCabe has been described as "the lodestone of new Irish fiction" (Wall Street Journal), "a dark. genius of incongruity and the grotesque" (Sunday Observer) and "one of Ireland's finest living writers" (New York Times Book Review). The Minneapolis Star-Tribune commented on McCabe's "remarkable...ability to induce compassion for the unlikeliest people," and in Mondo Desperado: A Serial Novel, that ability and the full range of his "grotesque genius" (Marie Claire) combine to produce a brilliant, macabre' dementedly funny and surreally imagined fiction of intertwined narratives set in a small Irish town. McCabe himself has described Mondo Desperado as being "like Sherwood Anderson's Winesburg, Ohio -- on drugs." In his mondo tales of the insular town of Barntrosna, McCabe assembles a distinctly Irish crew of odd and unusual inhabitants who live on and regularly cross, often unconsciously, the border between fantasy and reality. In "Hot Nights at the Go-Go Lounge," Larry Bunyan is certain his demure wife is secretly out at night with deadbeat swingers, shooting drugs and having wild sex, while in "I Ordained the Devil," the Bishop of Barntrosna confesses that his ordination of Father Packie Cooley was really an ordination of His Satanic Majesty. Another Barntrosna resident, Dr. John Joe Parkes, discovers "The Valley of the Flying Jennets," the secret place in the mountains created by his Dr. Frankenstein -- type medical ancestor where his horrible, mutated genetic failures live. In the concluding "Forbidden Love of Noreen Tiernan," Noreen escapes Barntrosna, goes to London for nursing school, finds a lesbian lover, and teams up with her to rob and terrorize London until her mother, boyfriend and parish priest bring Noreen back home. With sly wit, characteristic, brilliant blending of sadness and humor and macabre genius, Mondo Desperado is a wonderfully imagined work of fiction -- McCabe's most dazzling yet -- rom a truly original literary talent.
Intended To Serve The Academic Needs Of The Students Of English Literature, The Companion Is An Ultimate Literary Reference Source, Providing An Up-To-Date, Comprehensive And Authoritative Biographies Of Novelists, Poets, Playwrights, Essayists, Journalists And Critics Ranging From Literary Giants Of The Past To Contemporary Writers Like Peter Burnes (1931-2004), Anthony Powell (1905-2000), Patrick O Brian (1914-2000), Iris Murdoch (1919-1999), Grace Nicholas (1950- ) And Douglas Adams (1952-2001). Over The Last Few Decades English Literary Canon Has Become Relatively More Extensive And Diverse. In Recognition Of The Significance Of The New Literatures In English, Special Emphasis Has Been Given On The Writers Of These Literatures. In Addition, The Indian Writers Writing In English Have Been Given A Prominent Place In The Book, Thereby Making It Particularly Useful For The Students Of Indian English Literature. The Companion Is Unique Of Its Kind As It Gives A Broad Outline Of The Story And Not Merely A Brief Account Of The Plot Structure Of A Literary Work So As To Enable The Students To Have A Fairly Good Idea Of The Story. Likewise, Before Getting Down To The Writings Of An Author, The Companion Provides An Invaluable And Authoritative Biographical Note Believing That An Author S Biography Facilitates Proper Understanding Of His/Her Contributions.On Account Of Its Clear And Reliable Plot Summaries And Descriptive Entries Of Major Works And Literary Journals And Authentic Biographical Details, The Companion Is A Work Of Permanent Value. It Is Undoubtedly An Indispensable And Path-Breaking Handy Reference Guide For All Those Interested In Literatures In English Produced In The United Kingdom, The United States, Canada, Australia, Africa, The Caribbean, India And Other Countries.