John Clevenger
Published: 2021-01-15
Total Pages: 180
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Prehistory's deepest secrets, at long last revealed... Flowing from Genesis Quest's groundbreaking global research, The Flood tells the wondrous but harrowing true story of Atlantis and the celestially caused disaster that laid it low. In The Flood 1: Escape from Atlantis, a beautiful but cheeky longhead Atlantean princess named Nena learns of impending global catastrophe. When her pleas to evacuate the island fall on deaf ears, she hatches an audacious plan to save civilization from the Flood. But then her Alban friend Nata is conscripted into Atlantis's vaunted military, inevitably to die in battle with savage man-eating giants or in the worldwide conflagration to follow. Will she face her deepest fear to save his life? In recreating lost chapters of human experience, this fantastic yet fact-based epic trilogy finally unveils the startling truth behind prehistory's deepest mysteries. Presented in Author's Asides dispersed throughout the storyline, our monumental scientific discoveries will shock the world. Learn the truth! Read the trilogy. Nonfictional sample, from Author's Aside #8: The unutterably horrific ramifications of this twofold theory concerning what happened to our planet during the multiphase disaster enshrined biblically as the Flood will dawn on you as this essentially true story plays out. For what has become clear to us, above all, is this:We do not live within a comforting Uniformitarian reality, an assumption that has undergirded most thinking in the natural sciences ever since Charles Lyell's Principles of Geology shaped these basic perceptions in 1830-33, despite what was even then a world of well-known contradictory evidence. Instead, we live in a Catastrophist reality, in which globally devastating events happen not just every several tens of millions of years, as posited by that theory, but rather every few thousand years. That is, such terrible occurrences not only can, but certainly will, happen again--and not necessarily in the distant future. And were a disaster like what's recreated in Books 2 and 3 to recur today, billions of people would die by tomorrow, and survivors would be left fighting for life in a new Stone Age. It is my firmly held conviction that the world needs to know this, if only so that we can collectively prepare for the next such event. Counterintuitively, the only way sufficiently to drive this point home, in making it "real" for millions of people worldwide, is by fictionally recreating these largely forgotten peoples and events not just in an epic novel, but also in a series of blockbuster 3D films. For it is only through vicariously living the journeys of its characters--including Nata and Nena, who were apparently real people--that audiences the world over can acquire the requisite frame of reference. In employing research-driven fiction to bring lost chapters of history so vividly to life, thereby revealing the latent but very real peril in which we all actually do live, with this work I may, in a sense, be forging a new genre of novelistic and filmic writing, one that transcends Science Fiction per se. Mindful that Jules Verne and H.G. Wells founded that proud genre through their cutting-edge late nineteenth-century novelistic forays into fantastic real-world subjects, the new one I may be said to be creating, in so intimately melding, in the early twenty-first century, these long-forgotten fantastic facts with fiction--in part by attempting to live my own fictional adventure, as told in my modern trilogy about finding Atlantis to follow this one, by forming a global research consortium dedicated to proving these things for real--might best be called Science Fact. Uncomfortably neologistical as this formulation might appear, it seems to me an apt appellation for what I and GQ are attempting to do.
