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This is a little story about Finney the Leprechaun and his Friend, Michaelin. Sometimes a leprechaun will make friends with a special human being. Michaelin is a lovely, little girl that has become Finneys most special Friend, because she is always truthful, and, she is kind to him, and would never try to hurt him. Finney trusts Michaelin. Trust is the most important part of friendship. In this story, Finney must try hard to find a way to hide his pot o gold so its glow doesn't let everyone know where it is. A leprechaun never wants anyone to find his pot o gold. So, with Michaelin to help him, Finney finds a way to hide his pot o gold. But there is a secret, that leprechauns know, that helps Finney. You will be so surprised when you find out what that secret is! And not only that, but you will also see that Finney and Michaelin know well, how we all need to say, Please and Thank you! Finney Hides the Pot O Gold is the first of a series of childrens stories about a leprechaun named Finney. The stories are written with rhyme and a uniform metreespecially fun for reading out loud. This book presents a story for all ages which employs a trinity of reading Reading to Reading along with and . Reading just by yourself. Taking these three aspects of reading into consideration, this book would fall into the age category that would include newborns to 9 years old ... and then some!
This book offers an ethnological study on the Druids and their religion.
Provides a new account of the emergence of Irish gothic fiction in mid-eighteenth century This book provides a robustly theorised and thoroughly historicised account of the 'beginnings' of Irish gothic fiction, maps the theoretical terrain covered by other critics, and puts forward a new history of the emergence of the genre in Ireland. The main argument the book makes is that the Irish gothic should be read in the context of the split in Irish Anglican public opinion that opened in the 1750s, and seen as a fictional instrument of liberal Anglican opinion in a changing political landscape. By providing a fully historicized account of the beginnings of the genre in Ireland, the book also addresses the theoretical controversies that have bedevilled discussion of the Irish gothic in the 1980s, 1990s and 2000s. The book gives ample space to the critical debate, and rigorously defends a reading of the Irish gothic as an Anglican, Patriot tradition. This reading demonstrates the connections between little-known Irish gothic fictions of the mid-eighteenth century (The Adventures of Miss Sophia Berkley and Longsword), and the Irish gothic tradition more generally, and also the gothic as a genre of global significance.
This is the first academic monograph to focus exclusively on issues of race, ethnicity, whiteness and multiculture at the English seaside. The book calls for acknowledgement of the racialised nature of this environment, and proposes that its distinctive spaces, places, traditions and narratives should be included within broader analyses of race in contemporary Britain. Introducing the concept of ‘coastal liquidity’ to explain shifting ethno-racial demographics, migratory politics and spatial dynamics at the edge of the sea, along with the relative im/mobilities of the minority ethnic communities who move and reside there, the author provides a relational exploration of seaside experiences: both as a locus of racialised categorisation, exclusion and subjugation, and one of resistance, conviviality and intercultural exchange. Combining theoretical insight and empirical fieldwork, the book disrupts dominant thinking that fixes ontologically minority ethnic bodies to urban spaces, and overcomes their erasure and silencing from the seaside landscapes of the popular imagination.
Kevin O'Doherty (1823-1905) and his wife, Eva Kelly (1830-1910) were of Irish Catholic heritage. As an Irish nationalist poet, Eva became known as "Eva of the Nation" after the Irish paper, "Nation." Kevin was charged with treason after the Irish uprising of 1848 and exiled to Van Diemen's Land (Tasmania). In 1855 he secretly returned to Ireland to marry Eva Kelly. In 1856 he received a full pardon from the British government and he graduated in medicine a year later. In 1860 the O'Dohertys migrated to Australia where they played a prominent roll in civic and political affairs. Their descendents still reside in Australia.
Known affectionately as "the Queen of Gaelic Storytellers," Peig Sayers here offers reminiscences of the daily events that made up her life (such as seal catching, collecting turf for roofs, preparing for a funeral wake) alongside the tragedies of drownings at sea, pilgrimages, and the news of the 1916 revolution in Dublin City. It is a unique record of an essential part of the oral Gaelic tradition.
This is a climbing guidebook for those interested in the huge variety of cliffs that are scattered up the western side of the Peak District and the Pennines.