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Set during and after World War II, Curtis Anderson, is frequently joined by his three friends from Roosevelt School in suspenseful adventures in Michigan’s Upper Peninsula. Encumbered with wearing heavy thick lensed glasses, and carrying a negative reputation with his classmates, his challenge is to prove that leadership and integrity are built by positive experiences. Beginning with a solo ninety-mile bicycle trip as a twelve year old, he is joined in the following years by his friends rafting and ski jumping. Another solo trip in a home made canoe takes him into a forest fire in Canada. In his sophomore year in high school, the four boys find themselves trapped in an iron mine tunnel. Finally, entering their senior year in high school, they meet an Amish family and are confronted with a different way of life. Rebuilding an old Peogeot Bicycle together with Luke Miller, and the big Mt. Zion Road Race brings the five boys to a fork in the road. Mr. Miller tells the boys, “We hold to the belief of humility. Competition has a way of promoting pride.” Luke will not ride his bike in the race. Will the only ten speed bicycle in northern Michigan enter the race? Is sports competition the glory of self? Curtis Anderson encounters

Among Walter Anderson's best-loved books, An Alphabet and Robinson: The Pleasant History of an Unusual Cat are much admired by children and parents, and have long been given as special gifts emblazoned with Anderson's unique art. In that vein and long in demand is this revived edition of Anderson’s Alice, which carries the renowned artist's visual translation of Lewis Carroll's classic story, Alice’s Adventures in Wonderland. Anderson's Alice, though, is no Victorian doll as she is in the famous illustrations by Sir John Tenniel, Arthur Rackham, and elsewhere. Instead, Anderson represents Alice as an adventurer, capturing her spirit and her energy in bold lines. In Anderson's Alice: Walter Anderson Illustrates “Alice’s Adventures in Wonderland,” ninety-two pen-and-ink drawings accompany the complete text of Lewis Carroll's original narrative. Anderson (1903–1965) drew them alone late at night as he recovered from an illness, and he considered them to be translations of words into visual images rather than illustrations. The story of Alice brought him comfort and inspiration, and he placed her wonderland close to his own homeland by localizing Alice's environment with backgrounds featuring the kinds of wildflowers and crabs that are native to the Gulf Coast. Walter Anderson, often intensely private within his community of Ocean Springs, Mississippi, observed and wrote about nature and produced thousands of drawings and watercolors of the plant and animal life on the Mississippi Coast. These show his strangely beautiful style and a rich and unchecked imagination. With these artistic gifts, Anderson infuses new life into Lewis Carroll's well-loved characters, who have delighted generations of children and adults.
He was imposing, even in his pensiveness. There was no denying the fact that he was an important personage in Tinkletown, and to the residents of Tinkletown that meant a great deal, for was not their village a perpetual monument to the American Revolution? Even the most generalising of historians were compelled to devote at least a paragraph to the battle of Tinkletown, while some of the more enlightened gave a whole page and a picture of the conflict that brought glory to the sleepy inhabitants whose ancestors were enterprising enough to annihilate a whole company of British redcoats, once on a time. Notwithstanding all this, a particularly disagreeable visitor from the city once remarked, in the presence of half a dozen descendants (after waiting twenty minutes at the post-office for a dime's worth of stamps), that Tinkletown was indeed a monument, but he could not understand why the dead had been left unburied. There was excellent cause for resentment, but the young man and his stamps were far away before the full force of the slander penetrated the brains of the listeners. Anderson Crow was as imposing and as rugged as the tallest shaft of marble in the little cemetery on the edge of the town. No one questioned his power and authority, no one misjudged his altitude, and no one overlooked his dignity. For twenty-eight years he had served Tinkletown and himself in the triple capacity of town marshal, fire chief and street commissioner. He had a system of government peculiarly his own; and no one possessed the heart or temerity to upset it, no matter what may have been the political inducements. It would have been like trying to improve the laws of nature to put a new man in his place. He had become a fixture that only dissolution could remove. Be it said, however, that dissolution did not have its common and accepted meaning when applied to Anderson Crow. For instance, in discoursing upon the obnoxious habits of the town's most dissolute rake—Alf Reesling—Anderson had more than once ventured the opinion that "he was carrying his dissolution entirely too far." And had not Anderson Crow risen to more than local distinction? Had not his fame gone abroad throughout the land? Not only was he the Marshal of Tinkletown at a salary of $200 a year, but he was president of the County Horse-thief Detectives' Association and also a life-long delegate to the State Convention of the Sons of the Revolution. Along that line, let it be added, every parent in Tinkletown bemoaned the birth of a daughter, because that simple circumstance of origin robbed the society's roster of a new name.
A Study Guide for M.T. Anderson's "The Astonishing Life of Octavian Nothing, Traitor to the Nation, Volume I: The Pox Party", excerpted from Gale's acclaimed Novels for Students. This concise study guide includes plot summary; character analysis; author biography; study questions; historical context; suggestions for further reading; and much more. For any literature project, trust Novels for Studentsfor all of your research needs.
In 1754 the British adventurer, compiler, and novelist Edward Kimber published The History of the Life and Adventures of Mr. Anderson. Rooted in a tale Kimber heard while exploring the Atlantic seaboard, Mr. Anderson is the novelist’s transatlantic tale of slavery, Indian relations, and frontier life. Having been kidnapped in England, transported across the Middle Passage, and sold to a brutal Maryland planter as a white slave, Tom Anderson gains his freedom and in rapid succession becomes a successful trader, a war hero, and a friend to slave, Indian, Quebecois, and Englishman alike. Still engaging 250 years after its original publication, Mr. Anderson offers a rich and varied portrayal of the mid-eighteenth-century Atlantic world. This Broadview edition features an introduction by both a literary scholar and a historian, elaborating on significant themes in the novel. The appendices include an extensive selection of documents—some unpublished elsewhere—further contextualizing many of those themes, including slavery, British representations of colonial America, and eighteenth-century British literature’s emphasis on sensibility and the “cult of feeling.”