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The Advent Lyrics, a group of Old English religious antiphons (formerly called Christ I) dating from about the 9th century, are presented in this edition as an independent group of poems disengaged, for the first time, from Cynewulf's Christ. Professor Campbell’s study focuses on the significance of the antiphons as lyrics rather than as philological documents. The book includes a full critical introduction, a new text and modern English translation (on facing pages), critical notes, and a glossary. Originally published in 1959. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
Dr Garde questions modern interpretations of the nature and purpose of Old English religious poetry.
Old English Verse (1972) covers the whole range of Old English poetry: the heroic poems, notably Beowulf and Malden; the ‘elegies’, such as The Wanderer and The Seafarer; the Bible stories and the lives of the saints which mark the end of pagan influence and the beginning of Christian inspiration; the Junius Manuscript; and finally King Alfred. All the many quotations are translated.
A preface is best written last, after a book is done and its author may look back to survey what he hopes he has accomplished and what he must admit he has not. In hindsight virginity by itself has seemed a very large field to till, but with that reflection also comes a sense of the awareness that a really comprehensive treatment of misgiving, that subject would somehow have to encompass an enormous ter rain, the whole length and breadth of Christianity's attitude toward sexuality from the earliest times down to the high Middle Ages. It could be argued that no small book could cover so much ground, and I would be the first to agree. As its subtitle is meant to suggest, the present work is, in at least two senses of the word, an essay: both an initial and tentative effort to get at the meaning of an extremely important but as yet unprobed medieval belief in the perfective value of the virginal life; and an interpretive study of a complex subject from a limited point of view, specifically, that in which the virgin appears in devotional literature as the bride of Christ.
Creation, Migration, and Conquest analyses how the Anglo-Saxons' spatial imaginaire shapes perceptions and representations of geographical space. Exploring spatial representations found in both historical documents and verse, it highlights the links between place, identity, and collective destiny.
Mary, the mother of Jesus, is one of the most powerful, influential and complex of all religious figures. The focus for women, the inspiration of faith, the subject of innumerable paintings, sculptures, pieces of music and churches, Mary is so entangled in our world that it is impossible to conceive of the history of Western culture and religion without her. Miri Rubin's Mother of God is a major work of cultural imagination. Mary's role in the Gospels is a relatively minor one, and yet in the centuries during which Christianity established itself she emerged as a powerful, strange and ungovernable force, endlessly remade and reimagined by wave after wave of devotees, ultimately becoming 'a sort of God', in ways that have always made some Christians uneasy. Whether talking about the vast public festivals celebrating Mary that sweep up entire communities or the intense private agony of individual devotion, Rubin's book is a triumph of sympathy and intelligence. Throughout Christianity's journey from mysterious origins to global religion, the Mother of God has been a profound presence in countless lives - Mother of God is the story of that presence and a book that raises profound questions about the human experience.
This timely introduction to Old English literature focuses on the production and reception of Old English texts, and on their relation to Anglo-Saxon history and culture. Introduces Old English texts and considers their relation to Anglo-Saxon culture. Responds to renewed emphasis on historical and cultural contexts in the field of medieval studies. Treats virtually the entire range of textual types preserved in Old English. Considers the production, reception and uses of Old English texts. Integrates the Anglo-Latin backgrounds crucial to understanding Old English literature. Offers very extensive bibliographical guidance. Demonstrates that Anglo-Saxon studies is uniquely placed to contribute to current literary debates.
A fresh and invigorating survey of the sea as it appears in medieval English literature, from romance to chronicle, hagiography to autobiography. As the first cultural history of the sea in medieval English literature, this book traces premodern myths of insularity from their Old English beginnings to Shakespeare's Tempest. Beginning with a discussion of biblical, classical and pre-Conquest treatments of the sea, it investigates how such works as the Anglo-Norman Voyage of St Brendan, the Tristan romances, the chronicles of Matthew Paris, King Horn, Patience, The Book of Margery Kempe and The Libelle of Englyshe Polycye shape insular ideologies of Englishness. Whether it is Britain's privileged place in the geography of salvation or the political fiction of the idyllic island fortress, medieval English writers' myths of the sea betray their anxieties about their own insular identity; their texts call on maritime motifs to define England geographically and culturally against the presence of the sea. New insights from a range of fields, including jurisprudence, theology, the history of cartography and anthropology, are used to provide fresh readings of a wide range of both insular and continental writings.