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Reprint of the original, first published in 1882.
This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
The Actor's Art is a practical guide to stage declamation, public speaking, and deportment, written by Gustave García. The book is illustrated by a Forestier and covers various techniques that actors, students, and amateurs can use to improve their performances. The book also covers topics such as vocal training, physical movement, and the psychology of acting. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Catalogue

Liverpool (England). Public Libraries, Museums, and Art Gallery. Library

Published: 1884

Total Pages: 344


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This study argues that Dickens' villains embody the crucial fusion between the deviant and theatrical aspects of his writing.