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A study of heroism in the myths of the world - an exploration of all the elements common to the great stories that have helped people make sense of their lives from the earliest times. It takes in Greek Apollo, Maori and Jewish rites, the Buddha, Wotan, and the bothers Grimm's Frog-King.
(Applause Books). A movement-based gudebook compendium, resource workbook, and practical manual for students, teachers, and theatre practitioners who are dedicated to the advancement of ensemble work. Using movement, text, sound, masks, and materials, these exercises are designed to instruct, provoke, and inspire participants to launch works that eventually transcend them.
For the first time, you can put conjecture aside and read definitive proof about the roles Chaney had behind the scenes as well as in front of the camera.
Because Alonzo King was born on Halloween, he has always loved monsters. But no one would ever guess that he lives in a haunted house with a graveyard out back, communicates with the dead, turns into a six-armed, slime-covered creature, or is a walking encyclopedia on horror films! However, when The Beast arrives, not even Alonzo can track it down. Will he be able to solve the mystery of the creature stalking his town and make his dream of becoming The Boy of a Thousand Faces come true? 01-02 TX Bluebonnet Award Masterlist 01-02 TX Bluebonnet Award Masterlist
"If you care at all about silent pictures, about Chaney, about bravura acting and about film makeup, the book is invaluable and perhaps definitive." --San Diego Union Tribune
In 1970, internationally renowned artist Bill Nelson created The Lon Chaney Portfolio, an exquisitely rendered series of black and white illustrations devoted to Hollywood¿s beloved ¿Man of a Thousand Faces.¿ Now, 40 years later, Nelson returns to his roots to revisit Chaney¿s make-up genius with this deluxe hardbound limited edition showcasing not only his original portfolio drawings, but also more than 50 brand new color and black & white illustrations, accompanied by Nelson¿s insightful personal commentary. Also included are introductions from 7-time Academy Award winning make-up artist Rick Baker and Ron Chaney, Lon Sr.¿s great grandson and owner of Chaney Enterprises. This lavish tribute is offered in a deluxe hardcover edition, 160 pages and measuring 10-1/2 x 14¿. It is issued in a strictly limited edition of 1,000 copies and will not be reprinted.
A stunning graphic debut: the life of the legendary silent-film actor Lon Chaney (the original Phantom of the Opera and Hunchback of Notre Dame), as imagined by an artist whose work recalls the style and skill of early-era New Yorker cartoonists. From the artist: "'No one will ever love me!' I believe it was this near-universal fear that makes Lon Chaney's characters continue to resonate with us today. On their surface, most of them are distinctly unlikeable: they are monsters, outcasts, criminals. But through his unique magic, Chaney makes them empathetic. He pioneered the craft of makeup artist long before that term ever existed, and he used his expertise to hide himself from public view--what if nobody loved him?" PART OF THE PANTHEON GRAPHIC LIBRARY
Actor Anthony James has played killers, psychopaths, and other twisted characters throughout his Hollywood career. In the summer of 1967, James made his motion picture debut as the murderer in the Academy Award-winning Best Picture, In the Heat of the Night. His role in the 1992 Academy Award-winning Best Picture, Unforgiven, culminated a unique, twenty-eight-year career. Behind his menacing and memorable face, however, is a thoughtful, gentle man, one who muses deeply on the nature of art and creativity and on the family ties that have sustained him. James's Acting My Face renders Hollywood through the eyes and experience of an established character actor. James appeared on screen with such legendary stars as Clint Eastwood, Bette Davis, Gene Hackman, and Sidney Poitier, and in such classic television shows as Gunsmoke, The Big Valley, Starsky and Hutch, Charlie's Angels, and The A-Team. Yet, it is his mother's heroic story that captures his imagination. In an odyssey which in 1940 took her and her newly wedded husband from Greece to a small southern town in America where she bore her only child, James's mother suffered the early death of her husband when James was only eight years old. In the blink of an eye, she went from grand hostess of her husband's lavish parties to hotel maid. But like the lioness she was, she fought with great ferocity and outrageous will in her relentless devotion to James's future. And so it was, that on an August morning in 1960, eighteen-year-old James and his mother took a train from South Carolina three thousand miles to Hollywood, California, to realize his dream of an acting career. They possessed only two hundred dollars, their courage, and an astonishing degree of naiveté. After his retirement in 1994, James and his mother moved to Arlington, Massachusetts, where he concentrated on his painting and poetry. His mother died in 2008 at the age of ninety-four, still a lioness protecting her beloved son. Acting My Face is an unusual memoir, one that explores the true nature of a working life in Hollywood and how aspirations and personal devotion are forged into a career.
A brief biography of actor, Lon Chaney, with a lists of films.
This is the first book on enduring Hollywood star Eleanor Parker, long underrated despite three best actress Academy Award nominations (Caged, 1950; Detective Story, 1951; Interrupted Melody, 1955). Parker was a beauty as well as a versatile actress, and her achievements approach those of more publicized colleagues Bette Davis and Katharine Hepburn. With Parker's blessing and her son Paul Clemens' cooperation, Doug McClelland has written one of the most thorough examinations of a film star's career. The book is valuable to librarians, academies, and film enthusiasts for its extensive documentation and analyses of all of Parker's work, for the bibliographies of her coverage in books and periodicals, for the portrait of a glamorous, creative era in filmmaking, and for the insights into the careers of Eleanor Parker's associates, many among the most heavily researched motion picture artists of cinema's "Golden Age." The book contains a forward by noted screenwriter William Ludwig, who won an Academy Award for Parker's Interrupted Melody, and afterword by Marjorie Lawrence, the opera singer whom Parker portrayed in Interrupted Melody, and photos of Eleanor Parker that show her in many of her "thousand faces."