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THE ACTOR AS STORYTELLER: AN INTRODUCTION TO ACTING
Mastery of craft depends on repetition: the more opportunities student actors have to be guided through analyzing scripts, the more likely they are to develop a reliable process for making choices when the time comes to work independently. That's why Acting on the Script contains eight short plays, which can be used independently or as parts of one full-length play, giving aspiring actors the practice they need to tell the story of the play and of their characters clearly, believably, and compellingly. With each new scene, readers are given the opportunity to think through the analysis and synthesis process independently, then they are guided clearly through that process. The first section reintroduces the basic elements of acting craft. The book then lays out how these elements relate to a script in general and then more specifically – by using a short play to illustrate the basic principles. The second section focuses on specific analysis and synthesis problems using original scenes especially composed to help students develop their analysis and choice-making skills and to address individual acting issues. The plays, already tested in classes and two productions (one professional and one college), are filled with the kinds of acting problems that beginning actors often have trouble with and need to learn to solve. In addition, specific problems that actors might have with certain types of material are addressed as well.
This introductory acting text emphasizes the actor's responsibility to tell the story of the play. Through an engaging presentation of anecdotes and techniques, including more than 100 exercises, this text teaches beginning actors their craft as it casts them in the role of storytellers in service of the script. A complete play, Rules of Love, by Joe Pintauro, is included.
An actor's script is both a gold mine, and the map to discovering it: if properly read, a script will reveal its riches to you. Unfortunately, most actors never learn to efficiently read the map, or master how to convert what they find in a script into playable gold. Why? Because this aspect of the acting process is seldom taught in a simple and tangible way in the classroom or studio. Acting can – and should – be more than guesswork and instinct. Actor's Alchemy: Finding the Gold in Your Script examines the relationship between the script and what an actor ultimately does on the stage or on screen. Here is a straightforward guide filled with useful information to help actors learn to use their scripts in a specific and analytical way to solve the problems of the scene and bring their elusive characters to life. In learning how to decipher the script, actors will be equipped to make the choices that lead to delivering a gold performance.
(Book). The Actor as Storyteller is intended for serious beginning actors. It opens with an overview, explaining the differences between theater and its hybrid mediums, the part an actor plays in each of those mediums. It moves on to the acting craft itself, with a special emphasis on analysis and choice-making, introducing the concept of the actor as storyteller, then presents the specific tools an actor works with. Next, it details the process an actor can use to prepare for scene work and rehearsals, complete with a working plan for using the tools discussed. The book concludes with a discussion of mental preparation, suggestions for auditioning, a process for rehearsing a play, and an overview of the realities of show business. Included in this updated edition are: A detailed examination of script analysis of the overall play and of individual scenes; A sample of an actor's script, filled with useful script notations; Two new short plays, one written especially for this text; Updated references, lists of plays, and recommended further reading
"Long a favorite of those teachers and students who prefer a clear, uncluttered, straightforward, and non-dogmatic approach to beginning acting, this text is aimed at the neophyte acting student or the general education/liberal arts student who may only take one class in this subject. Its flexible organization allows the teacher to assign the chapters as they appear in the text or in any sequence the individual instructor prefers. Laced with photographs, drawings, theatrical anecdotes, trivia, and quotations that make the material come alive with particular verve, this volume offers not only solid, practical advice but also provides a number of short scenes from important plays and exercises through which the students can practice their craft" -- Publisher's description.
A brilliant new handbook, full of insider information on the realities of attending drama school and pursuing an acting career.
A collection of new essays on the philosophy of theatre and the philosophy of drama, combining historical perspectives and new directions.
Offers actors tips, techniques, and strategies designed to help them improve their presentation of narrative speeches.