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A play of fantasy involving Death at a carnival.
"Count from one to ten as the circus acts reveal their acrobatic feats of skill and strength on the pages of this pop-up book."--
A Kirkus Reviews Best Nonfiction Book of the Year When Duncan Wall visited his first nouveau cirque as a college student in Paris, everything about it—the monochromatic costumes, the acrobats singing Simon and Garfunkel, the juggler reciting Proust—hooked him. Soon he was attending circuses two or three nights a week, and soon after that, he entered the intensively competitive training program at France’s École Nationale des Arts du Cirque. The Ordinary Acrobat is a magical, funny, sometimes scary story of what happens when one average American joins a host of gifted—and flexible—international students in a rigorous regimen of tumbling, trapeze, juggling, and clowning. Brimming with surprises, outsized personalities, and plenty of charm, this personal history of how the circus evolved into the thrilling experience it is today delivers all the excitement and pleasure of the circus ring itself.
Courageous and compelling, an invaluable resource for actors, directors, and teachers that can open a pathway to inner creativity. "The actor will do, in public, what is considered impossible." When the renowned Polish director Jerzy Grotowski began his 1967 American workshop with these words, his students were stunned. But within four weeks they themselves had experienced the "impossible." In An Acrobat of the Heart, teacher-director-playwright Stephen Wangh draws on Grotowski's insights and on the work of Stanislavski, Uta Hagen, and others to bridge the gap between rigorous physical training and practical scene and character technique. Wangh's students give candid descriptions of their struggles and breakthroughs, demonstrating how to transform these remarkable lessons into a personal journey of artistic growth.
A talented acrobat, a hard-working farmer, a love-lorn youth and a distraught mother all have something in common. Their lives are affected by Gautam Buddha. He comes to each one of them when the time is right and touches their hearts and minds in such a way that their troubles cease to exist and they are completely at peace.
These poems address the universal experiences of death and loss, putting the complicated feelings of grief into words. Uncertain Acrobats evokes the feeling of unraveling. The central concern of this narrative is the death of a parent and the fumbling for balance a dying father and his adult daughter share. Rebecca Hart Olander's intimate collection doesn't shy away from darkness, but it also strives for light, which resides in music and open-hearted humanity. These poems arc across the terrain of divorce, family, childhood, coming of age, mortality, and deep, abiding love, always landing with a foothold in the genuine. A manifestation of what endures after grief has unraveled our closest bonds, Uncertain Acrobats reaches beyond the author's personal experience of grief. This collection speaks to all whose lives have been upended by terminal illness or the loss of a beloved person.
Arthur Barnes--"The 100 Somersault Man"--was the world's greatest acrobat, a legend of the circus. He toured for 23 years with the biggest companies in Britain, Europe and the United States, performing for all the crowned heads, as well as for Abraham Lincoln. This book traces his story as a bright thread of triumphs and tragedies running through the tapestry of the mid-Victorian era, a tapestry made rich by extraordinary events of the day and by the eccentric characters attracted to such a profession as the circus. We follow Barnes as he escapes the doom of the iron foundry by bounding out of the desperate slums of the East End of London at the age of 14 to become the "champion vaulter of all the world."
THE STORIES: ACROBATS. Two acrobats go valiantly through the complexities of their routine, smiling toothily, bowing on cue, and, all the while, conducting a sotto voce but lacerating marital spat. He threatens to drop her, she vows to leave him--bu
A century ago, daily life ground to a halt when the circus rolled into town. Across America, banks closed, schools canceled classes, farmers left their fields, and factories shut down so that everyone could go to the show. In this entertaining and provocative book, Janet Davis links the flowering of the early-twentieth-century American railroad circus to such broader historical developments as the rise of big business, the breakdown of separate spheres for men and women, and the genesis of the United States' overseas empire. In the process, she casts the circus as a powerful force in consolidating the nation's identity as a modern industrial society and world power. Davis explores the multiple "shows" that took place under the big top, from scripted performances to exhibitions of laborers assembling and tearing down tents to impromptu spectacles of audiences brawling, acrobats falling, and animals rampaging. Turning Victorian notions of gender, race, and nationhood topsy-turvy, the circus brought its vision of a rapidly changing world to spectators--rural as well as urban--across the nation. Even today, Davis contends, the influence of the circus continues to resonate in popular representations of gender, race, and the wider world.