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At age twelve, grave robber Thomas Marsden discovers a boy who looks just like him in an unmarked grave and begins a journey of discovery as he learns of faeries trapped in London and their hope that he can return them to their realm.
A girl must stop the Boogeyman living in her home from stealing her family’s warmest memories in this “eerie and enchanting story” (Publishers Weekly) from the author of Flights and Chimes and Mysterious Times and The Accidental Afterlife of Thomas Marsden. When her distant aunt and uncle die, Amelia Howling is forced to move into their home when they leave her parents in charge of their children. Her parents assure her that it will be like having a grand adventure with three new siblings, but Amelia is not convinced. Luckily, the house is large, filled with nooks and crannies perfect for hiding from her cousins. But even with all the nooks and crannies, the rumbling and crumbling rooms are more sinister than they seem. The house was built years ago by a creature named Horatio, and he’s been waiting for the perfect human inhabitant: Amelia. Horatio has the power to travel through time and memories, and lures Amelia into his world. The memories of children, he told her, were the best, and Amelia agreed—her cousins were full of good memories. Until she noticed that once she and Horatio visited a memory, it was gone forever. And she had been stealing the good memories of her cousins and their parents without even noticing! Horrified and scared, Amelia lets her cousins in on her secret, and asks them for help. Together, they must race through time to recover their minds and break the perfect clockwork of the evil Calendar House.
No one will tell Oli why he and his mother are staying with relatives in the country without his father, but when he finds a secret of his own, that lurking in the attic is Eren, a creature hungry for stories, Oli begins to make sense of what is happening with his family and faces the choice of learning the truth or abandoning himself to Eren's world forever.
A young girl finds herself entrenched in a dark mystery after the deaths of her parents in this “beautifully written” (School Library Journal) fantastical novel from the author of The House of Months and Years. When a man walks into her grandfather’s curiosity shop and asks about a black orchid, Spindrift turns him away. She’s never seen such a thing. Until one night it appears. Spindrift, an orphan, has one keepsake from her parents…a clear glass orb. Except it’s not quite clear anymore. She watches as a black orchid forms inside the crystal. Then the flower blooms into a towering woman in a dress of midnight silk and air, a woman with the power to grant wishes. It’s fun, at first. But having everything you want is hard to hide. And soon, Spindrift—and her orchid—are being hunted. Left running for her life, Spindrift must ask herself who her parents really were, and whether a wish is really just a curse in disguise.
A boy discovers a mysterious mechanical world he may never escape in this steampunk fantasy that’s “a thrill a minute” (Kirkus Reviews), set in nineteenth-century England. Ten-year-old Jack Foster has stepped through a doorway and into quite a different London. Londinium is a smoky, dark, and dangerous place, home to mischievous metal fairies and fearsome clockwork dragons that breathe scalding steam. The people wear goggles to protect their eyes, brass grill insets in their nostrils to filter air, or mechanical limbs to replace missing ones. Over it all rules the Lady, and the Lady has demanded a new son—a perfect flesh-and-blood child. She has chosen Jack. His only hope of escape lies with a legendary clockwork bird. The Gearwing grants wishes—or it did, before it was broken—before it was killed. But some things don’t stay dead forever. Fans of books like Splendors and Glooms and Doll Bones will find Flights and Chimes and Mysterious Times irresistible!
“Last Day on Mars is thrillingly ambitious and imaginative. Like a lovechild of Gravity and The Martian, it's a rousing space opera for any age, meticulously researched and relentlessly paced, that balances action, science, humor, and most importantly, two compelling main characters in Liam and Phoebe. A fantastic start to an epic new series.” —Soman Chainani, New York Times bestselling author of the School for Good and Evil series “Emerson's writing explodes off the page in this irresistible space adventure, filled with startling plot twists, diabolical aliens, and (my favorite!) courageous young heroes faced with an impossible task.” —Lisa McMann, New York Times bestselling author of the Unwanteds series It is Earth year 2213—but, of course, there is no Earth anymore. Not since it was burned to a cinder by the sun, which has mysteriously begun the process of going supernova. The human race has fled to Mars, but this was only a temporary solution while we have prepared for a second trip: a one-hundred-fifty-year journey to a distant star, our best guess at where we might find a new home. Liam Saunders-Chang is one of the last humans left on Mars. The son of two scientists who have been racing against time to create technology vital to humanity’s survival, Liam, along with his friend Phoebe, will be on the last starliner to depart before Mars, like Earth before it, is destroyed. Or so he thinks. Because before this day is over, Liam and Phoebe will make a series of profound discoveries about the nature of time and space and find out that the human race is just one of many in our universe locked in a dangerous struggle for survival.
Revolution sings in the air when a teenage boy plays illegal, underground music in a dystopian, Corp-controlled world.
In 1875 Ohio, twelve-year-old Cap Cooper is an aspiring inventor—and a reluctant graverobber—enlisted by his father to help pay for his mother's medical expenses. When one of the dead returns to life at his touch, Cap unearths a world of dark secrets that someone at the local medical school wants to keep buried. On the brink of discovery, he'll have to use every ounce of cunning he has to protect those he loves most and save his own skin. The Grave Digger is an eerie mystery set in the aftermath of the Civil War, filled with action, friendship, and a hint of the paranormal, perfect for those who enjoy reading late into the night and long after the lights go out.
Fearless and incorruptible, Andrew Trevayne is a self-made millionaire, former undersecretary of state, and current head of one of the nation’s most prestigious foundations. Now, at the express wish of the president, Trevayne undertakes an investigation into the “secret government”—and is soon swept up in a tidal wave of intrigue and danger. Beyond the corridors of official power he discovers a nightmare maze where billionaires mingle with Mafia dons, where sinister forces are poised to enact a chilling conspiracy, where Congress and even the presidency itself can be bought and sold, where survival hinges on a hair trigger. In this world, a man like Trevayne can easily become a pawn, an enemy—or a king. Praise for Robert Ludlum and Trevayne “A taut novel that spares no one.”—The New York Times “Brilliant . . . a story of power, intrigue, ambition, greed, corruption, and horror.”—King Features Syndicate “Don’t ever begin a Ludlum novel if you have work the next day.”—Chicago Tribune “A fascinating, meaty spine tingler.”—Library Journal BONUS: This edition includes an excerpt from Robert Ludlum’s The Bourne Identity.
“If there were a Guinness Book of World Records entry for ‘amount of times having prayed the sinner’s prayer,’ I’m pretty sure I’d be a top contender,” says pastor and author J. D. Greear. He struggled for many years to gain an assurance of salvation and eventually learned he was not alone. “Lack of assurance” is epidemic among evangelical Christians. In Stop Asking Jesus Into Your Heart, J. D. shows that faulty ways of present- ing the gospel are a leading source of the confusion. Our presentations may not be heretical, but they are sometimes misleading. The idea of “asking Jesus into your heart” or “giving your life to Jesus” often gives false assurance to those who are not saved—and keeps those who genuinely are saved from fully embracing that reality. Greear unpacks the doctrine of assurance, showing that salvation is a posture we take to the promise of God in Christ, a posture that begins at a certain point and is maintained for the rest of our lives. He also answers the tough questions about assurance: What exactly is faith? What is repentance? Why are there so many warnings that seem to imply we can lose our salvation? Such issues are handled with respect to the theological rigors they require, but Greear never loses his pastoral sensitivity or a communication technique that makes this message teachable to a wide audience from teens to adults.