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“To the novel—everyone’s novel—Sorrentino brings honor, tradition, and relentless passion.”—Don DeLillo “Sorrentino [is] a writer like no other. He’s learned, companionable, ribald, brave, mathematical, at once virtuosic and somehow without ego. Sorrentino’s books break free of the routine that inevitably accompanies traditional narrative and through a passionate renunciation shine with an unforgiving, yet cleansing, light.”—Jeffrey Eugenides “For a compelling, hilarious, and ultimately compassionate rendering of life in mid-20th-century America, forget the conscientious subjectors and take Gilbert Sorrentino at his golden Word.”—Harry Mathews “One of [Brooklyn]’s most intriguing and authentic homegrown talents, Sorrentino’s Bay Ridge deserves to be appreciated alongside Malamud’s Crown Heights, Arthur Miller’s Coney Island, Henry Miller’s and Betty Smith’s Williamsburg, Hamill’s and Auster’s Park Slope, and Lethem’s Boerum Hill.”—Bookforum Titled after a line from Henry James, Gilbert Sorrentino’s final novel consists of fifty narrative set pieces full of savage humor and cathartic passion—an elegiac paean to the bleak world he so brilliantly captured in his long and storied career. Mirroring the inexplicable coincidences, encounters, and hallmarks of modern life, this novel revisits familiar characters—the aging artists, miserable couples, crackerjack salesmen, and drunken soldiers of previous books, placing them in familiar landscapes lost in time between the Depression era and some fraudulent bohemia of the present . A luminary of American literature, Gilbert Sorrentino was a boyhood friend of Hubert Selby, Jr., a confidant of William Carlos Williams, a two-time PEN/Faulkner Award finalist, and the recipient of a Lannan Literary Lifetime Achievement Award. He taught at Stanford for many years before returning to his native Brooklyn and published over thirty books before his death in 2006.
In The Oxford Book of American Short Stories, Joyce Carol Oates offers a sweeping survey of American short fiction, in a collection of nearly sixty tales that combines classic works with many "different, unexpected" gems, and that invites readers to explore a wealth of important pieces by women and minority writers. Some selections simply can't be improved on, Oates admits, and she happily includes such time-honored works as Irving's "Rip Van Winkle" and Poe's "The Tell-Tale Heart." But alongside these often-anthologized tales, Oates introduces such little-known stories as Mark Twain's "Cannibalism in the Cars," a work that reveals a darker side to his humor. From Melville come the juxtaposed tales "The Paradise of Bachelors and the Tartarus of Maids," of which Oates says, "only Melville could have fashioned out of 'real' events...such harrowing and dreamlike allegorical fiction." The reader will also delight in the range of authors found here, from Charles W. Chesnutt, Jean Toomer, and Sarah Orne Jewett, to William Carlos Williams, Kate Chopin, and Langston Hughes, to Ray Bradbury, H.P. Lovecraft, and Stephen King. For the second edition, Oates has introduced a wide range of new stories from writers who represent the state of American literature today. These new works include Lorrie Moore's "How to Become a Writer," Richard Ford's "Under the Radar," Junot Diaz's "Edison, New Jersey," David Foster Wallace's "Good People," Philip Roth's "Defender of the Faith," and Amy Hempel's "Today Will Be a Quiet Day." As in the original volume, Oates provides fascinating introductions to each writer, blending biographical information with her own trenchant observations about their work. In addition, she has written a new preface that contemplates our shifting literary culture, and has revised her introductory essay to the first edition, in which she offers the fruit of years of reflection on a genre in which she herself is a master.
A ragtag crew with forbidden magic must pull off an elaborate heist and stop a civil war in An Illusion of Thieves, a fantasy adventure from Cate Glass. In Cantagna, being a sorcerer is a death sentence. Romy escapes her hardscrabble upbringing when she becomes courtesan to the Shadow Lord, a revolutionary noble who brings laws and comforts once reserved for the wealthy to all. When her brother, Neri, is caught thieving with the aid of magic, Romy's aristocratic influence is the only thing that can spare his life—and the price is her banishment. Now back in Beggar’s Ring, she has just her wits and her own long-hidden sorcery to help her and Neri survive. But when a plot to overthrow the Shadow Lord and incite civil war is uncovered, only Romy knows how to stop it. To do so, she’ll have to rely on newfound allies—a swordmaster, a silversmith, and her own thieving brother. And they'll need the very thing that could condemn them all: magic. At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.
A full-color, illustrated introduction to computer special affects in the popular media. In non-technical terms it uncovers the mystery behind computer-generated illusion in film and TV, describing techniques such as 3-D modeling, motion blur, morphing, digital matte painting, human motion capture, and more. Examples are taken from popular movies, TV shows, music videos and commercials.
In this superb novel composed of fragments of memory, Gilbert Sorrentino captures the unconventional nuances of a conventional world. A masterful collage of events is evocatively chained together by secrets and hidden truths that are almost accidentally revealed. Each episode, affectingly textured with penetrating detail, ferrets out the gristle and unconventional beauty found in the voices of the working-class inhabitants from an irretrievable, golden age Brooklyn.
This meticulously edited Henry James collection includes his complete novels and short stories, as well as literary essays, plays, travel sketches and reports of the great author. The life of Henry James is revealed in different biographies, and in his three autobiographical books._x000D_ Content:_x000D_ Novels:_x000D_ Watch and Ward_x000D_ Roderick Hudson_x000D_ The American_x000D_ The Europeans_x000D_ Confidence_x000D_ Washington Square_x000D_ The Portrait of a Lady_x000D_ The Bostonians_x000D_ The Princess Casamassima_x000D_ The Reverberator_x000D_ The Tragic Muse _x000D_ The Other House_x000D_ The Spoils of Poynton_x000D_ What Maisie Knew_x000D_ The Awkward Age_x000D_ The Sacred Fount_x000D_ The Wings of the Dove_x000D_ The Ambassadors_x000D_ The Golden Bowl_x000D_ The Outcry_x000D_ The Ivory Tower_x000D_ The Sense of the Past_x000D_ Short Stories_x000D_ A Passionate Pilgrim_x000D_ The Last of the Valerii_x000D_ Eugene Pickering_x000D_ The Madonna of the Future_x000D_ The Romance of Certain Old Clothes_x000D_ Madame de Mauves_x000D_ Tales of Three Cities_x000D_ The Impressions of a Cousin_x000D_ Lady Barberina_x000D_ A New England Winter_x000D_ Stories Revived_x000D_ The Author of 'Beltraffio'_x000D_ Pandora_x000D_ The Path of Duty_x000D_ A Light Man_x000D_ A Day of Days_x000D_ Georgina's Reasons_x000D_ A Landscape-Painter_x000D_ Théodolinde _x000D_ Poor Richard_x000D_ Master Eustace_x000D_ A Most Extraordinary Case_x000D_ A London Life_x000D_ The Patagonia_x000D_ The Liar_x000D_ Mrs. Temperly_x000D_ The Real Thing _x000D_ Sir Dominick Ferrand_x000D_ Nona Vincent_x000D_ The Chaperon_x000D_ Greville Fane_x000D_ The Siege of London_x000D_ An International Episode_x000D_ The Pension Beaurepas_x000D_ A Bundle of Letters_x000D_ The Point of View_x000D_ Terminations_x000D_ Embarrassments_x000D_ The Two Magics_x000D_ The Soft Side_x000D_ The Finer Grain_x000D_ Other Stories_x000D_ Plays:_x000D_ Daisy Miller_x000D_ Pyramus and Thisbe_x000D_ Still Waters_x000D_ A Change of Heart_x000D_ The Album_x000D_ Disengaged_x000D_ Tenants_x000D_ The Reprobate_x000D_ Guy Domville_x000D_ The Outcry_x000D_ The High Bid_x000D_ Summersoft_x000D_ Travel Writings:_x000D_ A Little Tour in France_x000D_ English Hours_x000D_ Italian Hours_x000D_ The American Scene_x000D_ Transatlantic Sketches_x000D_ Portraits of Places_x000D_ Essays:_x000D_ Notes on Novelists_x000D_ Views and Reviews_x000D_ Within the Rim and Other Essays_x000D_ French Poets and Novelists_x000D_ Partial Portraits_x000D_ Essays in London and Elsewhere_x000D_ Notes and Reviews_x000D_ Picture and Text_x000D_ Biographies:_x000D_ Hawthorne_x000D_ William Wetmore Story and His Friends_x000D_ Rupert Brooke_x000D_ Autobiographies:_x000D_ A Small Boy and Others_x000D_ Notes of a Son and Brother_x000D_ The Middle Years
A passionate meditation on the consolations and disappointments of religion and poetry
The Oscar-shortlisted documentary Command and Control, directed by Robert Kenner, finds its origins in Eric Schlosser's book and continues to explore the little-known history of the management and safety concerns of America's nuclear aresenal. “A devastatingly lucid and detailed new history of nuclear weapons in the U.S. Fascinating.” —Lev Grossman, TIME Magazine “Perilous and gripping . . . Schlosser skillfully weaves together an engrossing account of both the science and the politics of nuclear weapons safety.” —San Francisco Chronicle A myth-shattering exposé of America’s nuclear weapons Famed investigative journalist Eric Schlosser digs deep to uncover secrets about the management of America’s nuclear arsenal. A groundbreaking account of accidents, near misses, extraordinary heroism, and technological breakthroughs, Command and Control explores the dilemma that has existed since the dawn of the nuclear age: How do you deploy weapons of mass destruction without being destroyed by them? That question has never been resolved—and Schlosser reveals how the combination of human fallibility and technological complexity still poses a grave risk to mankind. While the harms of global warming increasingly dominate the news, the equally dangerous yet more immediate threat of nuclear weapons has been largely forgotten. Written with the vibrancy of a first-rate thriller, Command and Control interweaves the minute-by-minute story of an accident at a nuclear missile silo in rural Arkansas with a historical narrative that spans more than fifty years. It depicts the urgent effort by American scientists, policy makers, and military officers to ensure that nuclear weapons can’t be stolen, sabotaged, used without permission, or detonated inadvertently. Schlosser also looks at the Cold War from a new perspective, offering history from the ground up, telling the stories of bomber pilots, missile commanders, maintenance crews, and other ordinary servicemen who risked their lives to avert a nuclear holocaust. At the heart of the book lies the struggle, amid the rolling hills and small farms of Damascus, Arkansas, to prevent the explosion of a ballistic missile carrying the most powerful nuclear warhead ever built by the United States. Drawing on recently declassified documents and interviews with people who designed and routinely handled nuclear weapons, Command and Control takes readers into a terrifying but fascinating world that, until now, has been largely hidden from view. Through the details of a single accident, Schlosser illustrates how an unlikely event can become unavoidable, how small risks can have terrible consequences, and how the most brilliant minds in the nation can only provide us with an illusion of control. Audacious, gripping, and unforgettable, Command and Control is a tour de force of investigative journalism, an eye-opening look at the dangers of America’s nuclear age.