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Miss Ada Quicksilver, a student of London’s Lovelace Academy for Promising Young Women, is spending her holiday in Ireland to pursue her anthropological study of fairies. She visits Dublin’s absinthe bars to investigate a supposed association between the bittersweet spirit and fairy sightings. One night a handsome Irishman approaches her, introducing himself as Edward Donoghue. Edward takes absinthe to relieve his sleepwalking, and she is eager to hear whether he has experience with fairies. Instead, she discovers that he’s the earl of Meath, and that he will soon visit a mysterious ruin at Newgrange on the orders of his cousin, the beautiful, half-mad Queen Isolde. On learning about Ada’s area of study, he invites her to accompany him. Ada is torn between a sensible fear of becoming entangled with the clearly troubled gentleman and her compelling desire to ease his suffering. Finally she accepts his invitation, and they arrive in time for the winter solstice. That night, the secret of Edward’s affliction is revealed: he is, in fact, a lord in two worlds and can no longer suppress his shadow self. Little does either of them realize that their blossoming friendship—and slowly kindling passion—will lead to discoveries that wrench open a door sealed for centuries, throwing them into a war that will change Ireland forever.
The complete historical fantasy romance trilogy by RWA RITA finalist and three-time Golden Heart finalist Sharon Lynn Fisher The Absinthe Earl Miss Ada Quicksilver meets a handsome and intriguing Irishman who takes absinthe regularly to relieve a mysterious affliction. She soon discovers that “Mr. Donoghue” is, in fact, a lord in two worlds and can no longer suppress his shadow self. Little does either of them realize that their blossoming friendship—and slowly kindling passion—will lead to discoveries that wrench open a door sealed for centuries, throwing them into a war that will change Ireland forever. The Raven Lady In the aftermath of Ireland’s battle with her ancient enemies, Queen Isolde orders her cousin, Duncan O’Malley, to assume the throne of fairy as King Finvara. When Finvara refuses to marry the enemy, Elven princess Koli, affronted by the king’s rejection—along with his decision to bring her to court as little more than a captive—vows vengeance. But Koli soon discovers that Finvara’s not the haughty lord she believed him to be. The Warrior Poet Portland book artist Neve Kelly is having weird visions—vivid daydreams of lovers on a battlefield that yank her out of reality. When Will Yeats finds Neve being sucked through a ghastly hole in her ceiling, he saves her by carrying her back to 1888 Ireland, where he learns that not only is she from more than a century in the future, but from a parallel world where fairies and Tuatha De Danaan heroes are no more than myth. Their dreams have brought them together ... but why?
Eve Mann arrives in Ideal, Georgia, in 1972 looking for answers about the mother who died giving her life. A mother named Mercy. A mother who for all of Eve’s twenty-two years has been a mystery and a quest. Eve’s search for her mother, and the father she never knew, is a mission to discover her identity, her name, her people, and her home. Eve’s questions and longing launch a multigenerational story that sprawls back to the turn of the twentieth century, settles into the soil of the South, the blood and souls of Black folk making love and life and fleeing in a Great Migration into the savage embrace of the North. Eve is a young woman coming of age in Chicago against the backdrop of the twin fires and fury of the civil rights and Black Power movements—a time when everything and everyone, it seems, longs to be made anew. At the core of this story are the various meanings of love—how we love and, most of all, whom we love. everyman is peopled by rebellious Black women straining against the yoke of convention and designated identities, explorers announcing their determination to be and to be free. There is Nelle, Eve’s best friend and heart, who claims her right both to love women and to always love Eve as a sister and friend. Brother Lee Roy, professor and mentor, gives Eve the tools for her genealogical search while turning away from his own bitter harvest of family secrets. Mama Ann, the aunt who has raised Eve and knows everything about Mercy, offers Eve a silence that she defines as protection and care. But it is James and Geneva, two strangers whom Eve meets in Ideal, who plumb the depths of their own hurt and reconciliations to finally give Eve the gift of her past, a reimagined present, and finally, her name.
They searched for each other in dreams. Then they traveled through time to save Ireland. Portland book artist Neve Kelly is having weird visions—vivid daydreams of lovers on a battlefield that yank her out of reality. A couple weeks before Halloween, a confused, strangely dressed man appears in her living room. He drops a slip of paper that describes a dream much like her own before disappearing without a trace. Will Yeats has had enough of heroics. With the peace between Ireland and its enemies restored, he plans to spend the next decade quietly writing his Irish fairy history. But suddenly he’s time traveling again. He briefly visits the home of an intriguing stranger, who appears to be American. The next time he’s drawn there, he finds her being sucked through a ghastly hole in her ceiling. Will saves Neve by carrying her back to 1888 Ireland, where he learns that not only is she from more than a century in the future but from a parallel world where fairies and Tuatha De Danaan heroes are no more than myth. Their dreams of ancient lovers have brought them together ... but why? Dark portents surround them—portents bearing the mark of the Morrigan’s meddling—and they soon discover it’s all part of a sinister scheme to seize the throne of Ireland. And the love story from their dreams has begun to manifest in the present moment. Will’s friends—Irish Queen Isolde and her allies—are depending on Will and Neve to connect with the past in order to save Ireland. But can anything save them from the violent end that their dreams have foreshadowed?
In the aftermath of Ireland’s battle with her ancient enemies, Queen Isolde orders her cousin, smuggler Duncan O’Malley, to assume the throne of fairy as King Finvara. He’s a fish out of water when it comes to nurturing the alliance between Ireland’s mortal and fairy peoples. And the queen wants him to wed the daughter of Ireland’s enemy, the king of Icelandic shadow elves, to help keep the peace. But the Irish think of the elves as goblins, and Finvara refuses. Elven princess Koli, affronted by the king’s rejection—along with his decision to bring her to court as little more than a captive—vows vengeance. Shortly after her arrival, she uncovers a plot that would bring swift satisfaction. A dark and powerful fairy lord, Far Dorocha, wants to take Finvara’s crown and lead both the fairy and elven people to war against the Irish. And he wants Koli to help him. It’s the perfect setup for revenge, but Koli soon discovers that Finvara’s not the haughty lord she believed him to be. And as she navigates treacherous waters inside the court, she gets glimpses of the magic and passion that have been slumbering inside her. She must choose a side in the new battle for Ireland—will it be the fearsome father she has served for nearly a century, or the fairy king who has helped awaken her to herself?
This beautifully illustrated volume tells the story of Cubism through twenty-two essays that explore the most significant private holding of Cubist art in the world today, the Leonard A. Lauder Collection, now a promised gift to The Metropolitan Museum of Art. The eighty works featured in this volume—by Georges Braque, Juan Gris, Fernand Léger, and Pablo Picasso‐are among the most important and visually arresting in the movement’s history. These masterpieces, critical to the development of Cubism, include such groundbreaking paintings as Braque’s Trees at L’Estaque, considered one of the very first Cubist pictures; Picasso’s Still Life with Fan: “L’Indépendant,” one of the first to introduce typography; Gris’s noirish, uncanny The Man at the Café, one of his most celebrated collages; and Léger’s uniquely ambitious Composition (The Typographer). Written by renowned experts on this subject, the essays trace the evolution of Cubism from its origins in the still lifes, portraits, and collages of Braque and Picasso through the precisely delineated compositions by Gris that prefigure the Synthetic Cubism of the war years to Léger’s distinctive intersections of spherical, cylindrical, and cubic forms that evoke the syncopated rhythms of modern life. Also included are a fascinating interview in which Leonard Lauder discusses his approach to collecting, an investigative essay on the information gleaned from the backs of the works themselves, and an authoritative catalogue that further establishes the lives of these magnificent objects. A publication to place alongside the great histories of Modernism, this comprehensive book will stand as the resource for understanding Cubism for many years to come. -
Visit some of Europe’s greatest museums and galleries in the company of a knowledgeable tour guide. "Who can resist an art critic with attitude?" – Former Supreme Court of Canada Justice, Ian Binnie "It was wonderful! Julian shared his enormous knowledge of the world’s best art with a panache that is irresistible." – Justice Stephen Goudge, Ontario Court of Appeal This essential companion to all the major European museums and galleries discusses some of the world’s greatest paintings from Giotto through to Picasso. Julian Porter’s passion for art began with the seven years he spent as a student tour guide in Europe. Since then, he has conducted countless tours of Europe’s famous galleries – The Louvre, The Prado, The Hermitage, The Rijksmuseum, the Sistine Chapel, and many others. In the usually pretentious arena of art connoisseurs, Porter’s voice stands out as fresh and original. He finds the best of the best, which he describes with entertaining irreverence, and spares you hours of sore feet and superfluous information.
The earl she loved to hate …until she stayed in his mansion! Sophie Gilbert has thwarted the standoffish new earl’s plans to sell his country estate and the quaint village that forms part of it. But when disaster strikes and he offers her refuge, she must reconsider everything about this vexing, determined man. After the heartbreak in her past, it’s a revelation to feel her pulse racing and her body yearning for his touch… From Harlequin Historical: Your romantic escape to the past. A Very Village Scandal Where love can be found at every turn Book 1: The Earl's Inconvenient Houseguest