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"The Absent-Minded Beggar" is an 1899 poem by Rudyard Kipling, set to music by Sir Arthur Sullivan. Sullivan was an English composer best known for his comic musical opera collaborations with the librettist W. S. Gilbert. His works also include 23 operas, 13 major orchestral works, eight choral works and oratorios, two ballets, incidental music to several plays, and numerous hymns and church pieces. Classic Music Collection constitutes an extensive library of the most well-known and universally-enjoyed works of music ever composed, reproduced from authoritative editions for the enjoyment of musicians and music students the world over.
In this poignant and deeply moving poem, Rudyard Kipling pays tribute to the soldiers and civilians who served and sacrificed in the Second Boer War. Written in 1899, it captures the spirit of patriotism, bravery, and sacrifice that defined the era. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Treasury of 44 poems recalls British character and attitudes at the height of the Empire. "Gunga Din," "Danny Deever," "If," "The White Man s Burden," many others, reprinted from standard texts. Notes."
This text is organized chronologically, beginning with Kipling's birth in India in 1865 and extending to movies, plays and new editions of his works that have appeared since his death in 1936. The selected items create a timeline of his life and popular works, including 'The Jungle Books' and 'The Just So Stories'.
This edition of the poetry of Rudyard Kipling contains all of his verse. His poetry uses many rhythms and popular forms of speech, ranging from dramatic monologues to extended ballads. Often mistakenly branded as a fascist, Kipling's attitudes changed over the years, revealing a darker side.
The Complete Works of Rudyard Kipling (Illustrated) is a comprehensive collection of the esteemed author's literary masterpieces, showcasing his renowned writing style that combines elements of realism, adventure, and colonial themes. Kipling's works are deeply rooted in the British imperial context of the late 19th and early 20th centuries, offering readers a unique insight into the complexities of that era. The collection includes classics such as 'The Jungle Book,' 'Kim,' and 'Just So Stories,' all beautifully illustrated to enhance the reading experience. Rudyard Kipling, a prolific writer and Nobel laureate, drew inspiration from his own experiences growing up in British India, which heavily influenced his portrayal of colonial society and exploration in his works. His keen observations of human nature and vivid storytelling captivated audiences worldwide, solidifying his legacy as a literary giant. Highly recommended for literature enthusiasts and those interested in exploring the intricate themes of imperialism, culture, and adventure, The Complete Works of Rudyard Kipling (Illustrated) is a must-read for anyone seeking to delve into the rich tapestry of Kipling's timeless tales.
Provides an in-depth history of the 1905 Aliens Act, from its late Victorian cultural origins to its early-twentieth-century aftermath.
Uniting Catholic Ireland and Protestant Ireland was a central idea of the "Irish Revival," a literary and cultural manifestation of Irish nationalism that began in the 1890s and continued into the early twentieth century. Yet many of the Revival's Protestant leaders, including W. B. Yeats, Lady Gregory, and John Synge, failed to address the profound cultural differences that made uniting the two Irelands so problematic, while Catholic leaders of the Revival, particularly the journalist D. P. Moran, turned the movement into a struggle for greater Catholic power. This book fully explores James Joyce's complex response to the Irish Revival and his extensive treatment of the relationship between the "two Irelands" in his letters, essays, book reviews, and fiction up to Finnegans Wake. Willard Potts skillfully demonstrates that, despite his pretense of being an aloof onlooker, Joyce was very much a part of the Revival. He shows how deeply Joyce was steeped in his whole Catholic culture and how, regardless of the harsh way he treats the Catholic characters in his works, he almost always portrays them as superior to any Protestants with whom they appear. This research recovers the historical and cultural roots of a writer who is too often studied in isolation from the Irish world that formed him.
How did Victorian travellers define and challenge the notion of Empire? How did the multiple forms of Victorian travel literature, such as fiction, travel accounts, newspapers, and poetry, shape perceptions of imperial and national spaces, in the British context and beyond? This collection examines how, in the Victorian era, space and empire were shaped around the notion of boundaries, by travel narratives and practices, and from a variety of methodological and critical perspectives. From the travel writings of artists and polymaths such as Carmen Sylva and Richard Burton, to a reassessment of Rudyard Kipling’s, H. G. Wells’s and Julia Pardoe’s cross-cultural and cross-gender travels, this collection assesses a broad range of canonical and lesser-studied Victorian travel texts and genres, and evaluates the representation of empires, nations, and individual identity in travel accounts covering Europe, Asia, Africa and Britain.