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Young readers can now delight in Chesterton's wit and storytelling in these adaptations of 4 popular Father Brown stories: "The Blue Cross," "The Strange Feet," "The Flying Stars," and "The Absence of Mr. Glass." In each story Chesterton includes a delightful twist and the clever sleuthing of Father Brown.
A Father Brown Mystery taken from The Wisdom of Father Brown. This version is great way to introduce someone to G. K. Chesterton's great amateur detective.
Stranger Things meets The Stand in this haunting coming-of-age novel about a plague that brings the world to a halt -- and the boy who believes that his town's missing sparrows can save his family. In the small town of Griever's Mill, eleven-year-old Ben Cameron is expecting to finish off his summer of relaxing and bird-watching without a hitch. But everything goes wrong when dark clouds roll in. Old Man Crandall is the first to change -- human one minute and a glass statue the next. Soon it's happening across the world. Dark clouds fill the sky and, at random, people are turned into frozen versions of themselves. There's nowhere to run, nowhere to hide, and no one knows how to stop it. With his mom on the verge of a breakdown, and his brother intent on following the dubious plans put forth by a nameless voice on the radio, Ben must hold out hope that his town's missing sparrows will return with everyone's souls before the glass plague takes them away forever.
A masterpiece of linguistics scholarship, at once erudite and entertaining, confronts the thorny question of how—and whether—culture shapes language and language, culture Linguistics has long shied away from claiming any link between a language and the culture of its speakers: too much simplistic (even bigoted) chatter about the romance of Italian and the goose-stepping orderliness of German has made serious thinkers wary of the entire subject. But now, acclaimed linguist Guy Deutscher has dared to reopen the issue. Can culture influence language—and vice versa? Can different languages lead their speakers to different thoughts? Could our experience of the world depend on whether our language has a word for "blue"? Challenging the consensus that the fundaments of language are hard-wired in our genes and thus universal, Deutscher argues that the answer to all these questions is—yes. In thrilling fashion, he takes us from Homer to Darwin, from Yale to the Amazon, from how to name the rainbow to why Russian water—a "she"—becomes a "he" once you dip a tea bag into her, demonstrating that language does in fact reflect culture in ways that are anything but trivial. Audacious, delightful, and field-changing, Through the Language Glass is a classic of intellectual discovery.
Father Brown is a fictional detective created by G. K. Chesterton. To be exact, he is called Father J. Brown, though we are never told what the initial stands for, and is originally presented as the parish priest of Cobhole in Essex, though he is found in parishes as far afield as Italy and South America. In appearance he is undistinguished, small and dumpy, short-sighted and not particularly intelligent; dressed in shabby clerical black, and carrying an umbrella as dumpy and shabby as himself.The Father Brown mysteries generally appeared first as independent short stories in various magazines; (most of) the stories were eventually collected in a series of five books:The Innocence of Father Brown (1911)The Wisdom of Father Brown (1914)The Incredulity of Father Brown (1926)The Secret of Father Brown (1927), andThe Scandal of Father Brown (1935).Three stories, "The Donnington Affair" (1914) (GKC writing the solution of a mystery set up by Max Pemberton), "The Vampire of the Village" (1936), and "The Mask of Midas" (1936), were published separately, though the second of these was later included in editions of Scandal.
A Father Brown Mystery taken from The Wisdom of Father Brown. This version is great way to introduce someone to G. K. Chesterton's great amateur detective.
This stunning New York Times Bestseller introduces the kind, nature-loving Miss Maple, who celebrates the miracle in each seed—perfect for fans of Miss Rumphius! What happens to seeds that don't sprout? Fortunately, they have Miss Maple to look after them. Every year, she rescues orphan seeds, taking them to her cozy maple tree house. All winter long, she nurtures them and teaches them the ways of seeds and the paths by which they might find their new homes. And come spring, she sends them off to take root out in the wide world and to sprout into the wonderful plants she knows they'll become. Celebrate every season with Miss Maple, from Earth Day to graduations to harvest festivals. Downloadable Activity Sheets available at: wheelerstudio.com/2013/04/03/miss-maples-seeds-activity-sheets/ "Completely enchanting . . . Filled with broad vistas, warm breezes, woodland creatures, and other whimsical imagery . . . With its positive message about the value of nurturing even the tiniest bit of the natural world, this book is simply wonderful."—School Library Journal
Chesterton portrays Father Brown as a short, stumpy Roman Catholic priest, with shapeless clothes, a large umbrella, and an uncanny insight into human evil. In "The Head of Caesar" he is "formerly priest of Cobhole in Essex, and now working in London." He makes his first appearance in the story "The Blue Cross" published in 1910 and continues to appear throughout forty-eight short stories in five volumes, with two more stories discovered and published posthumously, often assisted in his crime-solving by the reformed criminal M. Hercule Flambeau. Brown's abilities are also considerably shaped by his experience as a priest and confessor. In "The Blue Cross," when asked by Flambeau, who has been masquerading as a priest, how he knew of all sorts of criminal "horrors," Father Brown responds: "Has it never struck you that a man who does next to nothing but hear men's real sins is not likely to be wholly unaware of human evil?" He also states how he knew Flambeau was not really a priest: "You attacked reason. It's bad theology." The stories normally contain a rational explanation of who the murderer was and how Brown worked it out. He always emphasises rationality; some stories, such as "The Miracle of Moon Crescent," "The Oracle of the Dog," "The Blast of the Book" and "The Dagger with Wings," poke fun at initially sceptical characters who become convinced of a supernatural explanation for some strange occurrence, but Father Brown easily sees the perfectly ordinary, natural explanation. In fact, he seems to represent an ideal of a devout but considerably educated and "civilised" clergyman. That can be traced to the influence of Roman Catholic thought on Chesterton. Father Brown is characteristically humble and is usually rather quiet, except to say something profound. Although he tends to handle crimes with a steady, realistic approach, he believes in the supernatural as the greatest reason of all.