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The story of the 1916 Easter Rising and its aftermath from a new persepectiveThe Abbey Theatre played a leading role in the politicisation of the revolutionary generation that won Irish freedom, but comparatively little is known about the men and women who formed the lifeblood of the institution: those whose radical politics drove them to fight in the 1916 Rising.Drawing on a huge range of previously unpublished material, The Abbey Rebels of 1916 explores the experiences, hopes and dreams of these remarkable but largely forgotten individuals: Máire Nic Shiubhlaigh, the Abbey's first leading lady; Peadar Kearney, author of the national anthem; feminist Helena Molony, the first female political prisoner of her generation; Seán Connolly, the first rebel to die in the Rising; carpenter Barney Murphy; usherette Ellen Bushell; and Hollywood star Arthur Shields.Invigorating and provocative, this is the story of how, in the years following the Easter Rising, the radical ideals that inspired their revolution were gradually supplanted by a conservative vision of the nation Ireland would become. Lavishly illustrated with 200 documents and images, it provides a fresh and compelling account of the Rising and its aftermath.
The story of Easter 1916 from the perspective of those who made it, focusing on the experiences of rank and file revolutionaries. Fearghal McGarry makes use of a unique source that has only recently seen the light of day - a collection of over 1,700 eye-witness statements detailing the political activities of members of Sinn Féin and militant groups such as the Irish Republican Brotherhood. This collection represents one of the richest and mostcomprehensive oral history archives devoted to any modern revolution, providing new insights on almost every aspect of this seminal period.
The story of the Easter Rising from the perspective of those who made it, focusing on the experiences of rank-and-file revolutionaries and exploiting a unique and recently released collection of over 1,700 eye-witness statements.
A pioneering analysis of how the Easter Rising and the Battle of the Somme have been remembered in Ireland since 1916.
When the rebellion of 1916 had ended, more than 400 people were dead and over 2,000 wounded. More than half of these were civilians, but even for those civilians who were not direct casualties, the rising was one of the most momentous experiences of their lives. The accounts that Mick O'Farrell has collected come from letters, diaries, extracts from otherwise unrelated biographies, and contemporary magazine and newspaper articles. Some common themes are present in the accounts. For instance, a fear of going hungry, which resulted in constant, and dangerous, attempts to stock up with supplies. There was also a grim realisation (despite two years of World War) that war had arrived on their doorstep: 'We know a bit what War is like now'. For some, there was even an undeniable element of excitement – one witness writes that 'now that it's over, none of us would've missed it for the world'. After watching a woman shot in the street, another witness notes that he 'saw a man rush out and take a snapshot'. Elsewhere, there are 'crowds looking on as if at a sham battle'. For most, however, it was the kind of excitement they could do without: Complementing the many historical accounts of the rising and statements from the participants, this book gives a real flavour of what it was like to live through history in the making.
"Easter Dawn charts the story of the 1916 Rising, from the landing of the guns at Howth for the Irish Volunteers in 1914 to the arrests and executions that followed it. The battlegrounds that erupted across Dublin city and elsewhere in Ireland form the stage upon which a remarkable cast assembled." -- Book jacket
Collects together for the first time, plays written by the well-known Irish nationalists Patrick Pearse, Thomas MacDonagh, James Connolly, and Terence MacSwiney. In the months before 1916 MacDonagh staged When the Dawn is Come, and Pearse staged The Master, both works were designed to persuade the Dublin populace to support the advanced nationalist cause. At the same time, MacSwiney staged his play The Revolutionist in order to win the support of Redmondite nationalists in Cork. At Liberty Hall, only three weeks before taking part in the armed revolt of 1916, Connolly staged Under Which Flag? to persuade socialists to join the rebellion. The plays offer important insights into the rebels' political and military thinking. The introduction explains exactly how the plays influenced the Irish revolution between 1916 and 1921 and explores the theatrical influences that affected the rebels. The context of the plays original staging and subsequent influence both inside and outside the playhouse is also covered. The epilogue outlines the varying afterlives that the plays enjoyed once their authors were dead.
This book approaches Ulster Protestantism through its theatrical and cultural intersection with politics, re-establishing a forgotten history and engaging with contemporary debates. Anchored by the perspectives of ten writers - some of whom have been notably active in political life - it uniquely examines tensions going on within. Through its exploration of class division and drama from the early twentieth century to the present, the book restores the progressive and Labour credentials of the community's recent past along with its literary repercussions, both of which appear in recent decades to have diminished. Drawing on over sixty interviews, unpublished scripts, as well as rarely-consulted archival material, it shows - contrary to a good deal of clichéd polemic and safe scholarly assessment - that Ulster Protestants have historically and continually demonstrated a vigorous creative pulse as well as a tendency towards Left wing and class politics. St. John Ervine, Thomas Carnduff, John Hewitt, Sam Thompson, Stewart Parker, Graham Reid, Ron Hutchinson, Marie Jones, Christina Reid, and Gary Mitchell profoundly challenge as well as reflect their communities. Illuminating a diverse and conflicted culture stretching beyond Orange Order parades, the weaving together of the lives and work of each of the writers highlights mutual themes and insights on their identity, as if part of some grander tapestry of alternative twentieth-century Protestant culture. Ulster Protestantism's consistent delivery of such dissenting voices counters its monolithic and reactionary reputation.
'But I, being poor, have only my dreams; / I have spread my dreams under your feet...' By turns joyful and despairing, some of the twentieth century's greatest verse on fleeting youth, fervent hopes and futile sacrifice.
In the long and epic fight for Irish independence, few events match the drama and tragedy of the Easter Rising of 1916. Inspired by the legends of old and sharing the dream of an independent Ireland, an extraordinary alliance of men and women sought to overthrow British rule in Ireland. 'Easter Dawn' charts the story of the Rising from the landing of the guns at Howth in 1914, to the arrests and executions that followed it. The fate of those involved - rebel and loyalist alike - is told through eyewitness accounts and media reports. Intricately researched and emotively written, the narrative is woven around contemporary photographs, many rare and unseen, providing a fresh look at the people and places involved. As the centenary of 1916 approaches, this book is ideally suited for anyone seeking an accessible, impartial and dramatic view of that immense week.