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The Caliphate has persevered as an important institution in Middle Eastern society through to the present day. During the span of Mamluk rule in Egypt and Syria (1261-1517), the sultans invested 17 men as Abbasid caliphs. This book uncovers their public and private lives and examines how they were viewed by various sectors of society.
This dissertation investigates the two-and-a-half century evolution of Islam's most prominent leadership institution, the Abbasid caliphate, after its restoration in Cairo following the Mongol destruction of Baghdad in 1258. Kept under the supervision of the Mamluk sultans of Egypt and Syria (1250-1517), modern scholars tend to conclude that this so-called Abbasid "shadow" caliphate merely legitimized Mamluk rulers and little else within their society. Despite having shed much of its original power by the Mamluk period, the Abbasid caliphate of Cairo retained a definite measure of religious authority and enjoyed the reverence of significant sectors of the Cairene population including religious scholars, chroniclers, chancery scribes, poets, travelers, and, it seems, enjoyed even wider resonance among the masses of the local Muslim citizenry. A dynastic study of the Cairo Abbasids combined with analysis of contemporary opinions of the caliphate and its Mamluk sponsors rendered from juristic writing, advice literature, historiography, bureaucratic literature, and administrative documents allows the present study to move toward a comprehensive delineation of the significance of the revived office to the society in which it functioned. Although the caliphs as individuals were largely disposable and powerless, the office they held retained importance throughout the Mamluk period and contributed to larger civilizational understandings of "Caliphate" that allowed the inclusion of the Mamluk regime and its various administrative subdivisions.
Mustafa Banister presents a thorough investigation of a forgotten dynasty: the Cairene descendants of the Abbasid family. He uncovers the public and private lives of the 18 men invested as caliphs during the period of 'Mamluk' rule in Egypt and Syria (1250-1517) and reveals a nuanced understanding of the Abbasid Caliphate according to elite members of Syro-Egyptian society. In doing so, he addresses the function of the caliph and his office amidst the breakdown and recreation of each new socio-political order of the sultanate.
Mamluk Cairo, a Crossroads for Embassies gathers twenty-eight essays that offer the most up-to-date insight into the diplomacy and diplomatics of the Mamluk sultanate with Muslim and non-Muslim powers.
This volume is a collection of research essays submitted by fellows of the Annemarie Schimmel Kolleg, an Advanced Center of Research in Mamluk Studies. It covers three themes, which correspond to the research agenda of the final three academic years of the Annemarie Schimmel Kolleg. These were: environmental history, material culture studies, and im/mobility. The aim of the contributions is to overcome the disciplinary boundaries of the field and to engage in scholarly debates in Ottoman Studies, European history, archae-ology and art history, and even the natural sciences.
Presents entries A to L of a two-volume encyclopedia discussing religion around the globe, including biographies, concepts and theories, places, social issues, movements, texts, and traditions.
The period of the Abbasid Caliphate (750–1258) has long been recognized as the formative period of Islamic civilization with its various achievements in the areas of science, literature, and culture. This history of the Abbasid Caliphate from its foundation in 750 and golden age under Harun al-Rashid to the conquest of Baghdad by the Mongols in 1258 examines the Caliphate as an empire and institution, and probes its influence over Islamic culture and society. Ranging widely to survey the entire five-century history of the Abbasid dynasty, Tayeb El-Hibri examines the resilience of the Caliphate as an institution, as a focal point of religious definitions, and as a source of legitimacy to various contemporary Islamic monarchies. The study revisits ideas of 'golden age' and 'decline' with a new reading, tries to separate Abbasid history from the myths of the Arabian Nights, and shows how the legacy of the caliphs continues to resonate in the modern world in direct and indirect ways.
This endlessly informative history brings the classical Islamic world to lifeIn this accessibly written history, Amira K. Bennison contradicts the common assumption that Islam somehow interrupted the smooth flow of Western civilization from its Graeco-Roman origins to its more recent European and American manifestations. Instead, she places Islamic civilization in the longer trajectory of Mediterranean civilizations and sees the ‘Abbasid Empire (750–1258 CE) as the inheritor and interpreter of Graeco-Roman traditions.At its zenith the ‘Abbasid caliphate stretched over the entire Middle East and part of North Africa, and influenced Islamic regimes as far west as Spain. Bennison’s examination of the politics, society, and culture of the ‘Abbasid period presents a picture of a society that nurtured many of the “civilized” values that Western civilization claims to represent, albeit in different premodern forms: from urban planning and international trade networks to religious pluralism and academic research. Bennison’s argument counters the common Western view of Muslim culture as alien and offers a new perspective on the relationship between Western and Islamic cultures.
The two-volume Companion to Islamic Art and Architecture bridges the gap between monograph and survey text by providing a new level of access and interpretation to Islamic art. The more than 50 newly commissioned essays revisit canonical topics, and include original approaches and scholarship on neglected aspects of the field. This two-volume Companion showcases more than 50 specially commissioned essays and an introduction that survey Islamic art and architecture in all its traditional grandeur Essays are organized according to a new chronological-geographical paradigm that remaps the unprecedented expansion of the field and reflects the nuances of major artistic and political developments during the 1400-year span The Companion represents recent developments in the field, and encourages future horizons by commissioning innovative essays that provide fresh perspectives on canonical subjects, such as early Islamic art, sacred spaces, palaces, urbanism, ornament, arts of the book, and the portable arts while introducing others that have been previously neglected, including unexplored geographies and periods, transregional connectivities, talismans and magic, consumption and networks of portability, museums and collecting, and contemporary art worlds; the essays entail strong comparative and historiographic dimensions The volumes are accompanied by a map, and each subsection is preceded by a brief outline of the main cultural and historical developments during the period in question The volumes include periods and regions typically excluded from survey books including modern and contemporary art-architecture; China, Indonesia, Sub-Saharan Africa, Sicily, the New World (Americas)