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"It’s a delight to see Asha and Alex solve clues and help some clueless adults right a wrong. I can’t wait for the next book!” —Margaret Peterson Haddix, New York Times bestselling author of the Greystone Secrets series on The Fairfleet Affair How do you save a witch who’s been dead for centuries? Alex and Asha of the A&A Detective Agency are on the case! Summer is over, and Asha and Alex haven't had a decent case in months. But just as a chill begins to stir the air, and the autumn leaves start to turn, Dr. Wright from the Fairfleet Institute comes to them with a cryptic note, signed by “The Witch of Waverly College,” about Hannah Grimthorpe, the notorious witch from Northbrook’s colonial past. This is the perfect case to reinvigorate Alex and Asha's interest in keeping up the agency, but distractions come their way as school activities divide their attention. When more clues appear and Dr. Wright is forced out of the Institute, the two detectives decide they are going to need help from their classmates to solve the mystery. With sneaky adults out to thwart the kids' mission, shadows lurking in corn mazes and cemeteries, and a Halloween deadline looming to uncover the truth about Hannah Grimthorpe, it's a race against time and a lesson in who to trust for the young detectives of Northbrook. The A&A Detective Agency: The Grimthorpe Grave is the perfect autumnal read for kids ages 8 to 12.
A breakout new detective series, from the author of the spine-tingling SCARLET AND IVY series, beautifully illustrated by Hannah Peck. Violet Veil wants nothing more than to prove her worth and become her father's apprentice at Veil & Sons Undertakers. And one rain-soaked night she gets her chance when she meets a boy, Oliver, who is wandering around the graveyard. Only, the last time Violet saw Oliver, he was indoors and very much dead, waiting to be buried. Violet has just found her first case, and it doesn't get bigger than this: can she, with the help of her dog, Bones, help Oliver solve his own 'murder'?
The British country house has long been regarded as the jewel in the nation's heritage crown. But the country house is also an expression of wealth and power, and as scholars reconsider the nation's colonial past, new questions are being posed about these great houses and their links to Atlantic slavery.This book, authored by a range of academics and heritage professionals, grew out of a 2009 conference on 'Slavery and the British Country house: mapping the current research' organised by English Heritage in partnership with the University of the West of England, the National Trust and the Economic History Society. It asks what links might be established between the wealth derived from slavery and the British country house and what implications such links should have for the way such properties are represented to the public today.Lavishly illustrated and based on the latest scholarship, this wide-ranging and innovative volume provides in-depth examinations of individual houses, regional studies and critical reconsiderations of existing heritage sites, including two studies specially commissioned by English Heritage and one sponsored by the National Trust.
DigiCat Publishing presents to you this special edition of "Picturesque London" by Percy Fitzgerald. DigiCat Publishing considers every written word to be a legacy of humankind. Every DigiCat book has been carefully reproduced for republishing in a new modern format. The books are available in print, as well as ebooks. DigiCat hopes you will treat this work with the acknowledgment and passion it deserves as a classic of world literature.
Ecclesiastical Vestments: Their Development and History by Robert Alexander Stewart Macalister, first published in 1896, is a rare manuscript, the original residing in one of the great libraries of the world. This book is a reproduction of that original, which has been scanned and cleaned by state-of-the-art publishing tools for better readability and enhanced appreciation. Restoration Editors' mission is to bring long out of print manuscripts back to life. Some smudges, annotations or unclear text may still exist, due to permanent damage to the original work. We believe the literary significance of the text justifies offering this reproduction, allowing a new generation to appreciate it.