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Hal Blaine, legendary drummer and member of the Rock and Roll Hall of Fame, said "This is the most unique book I have ever seen...It is a must-have for any researcher and record fan!" The 60s Music Compendium is THE resource for every 60s music fan, DJ, cover band, and music educator. You'll find over 150 lists, charts, and illustrations inside. Gary Puckett (of Gary Puckett & The Union Gap) said: "The 60s Music Compendium is not only very informative but the reader will find many of their fondest memories hidden within these pages. Truly fun and entertaining!" Cover bands will love the lists of songs that feature certain instruments, like the organ, sitar, and harmonica. DJs will love the ability to organize playlists by instruments and genres like novelty songs, car songs, and instrumental songs. Music educators and students will appreciate the music theory section that lists songs that share a common musical element, such as an unusual time signature, a countermelody, or an ostinato. Anyone who enjoys 60s music will like the quirky lists, such as: songs with whistling, songs with deaths, and songs with mistakes.
"The 80s Music Compendium is not only an entertaining book for 80s music lovers, but it is informative for music geeks everywhere." -Nina Blackwood: Original MTV VJ and SiriusXM Radio Host The 80s Music Compendium is the ultimate resource for every 80s music fan, deejay, cover band, and music educator. After listening to all 4,172 songs that made Billboard's Hot 100 chart during the 80s, the author has compiled 113 lists that include over 3600 songs. "If you like 80s music, The 80s Music Compendium is a must have." -www.liketotally80s.com 80s Music Fans will love the lists that organize their old favorite songs and help them discover lost 80s gems they may have missed. "This is the perfect companion for 80s fanatics! Love it!" -Clive Farrington, When in Rome Music Trivia Buffs will love the countless numbers of 80s music trivia, facts, and tidbits. For example, which artist had the most hits with a saxophone solo? The answer is on page 152. Deejays will love the ready-made playlists this book gives them- Want to make a playlist with songs with piano solos, country-pop crossover hits, 80s rap songs, or 70s remakes? The research is already done for you. Cover Bands will love the ease with which they can find songs with certain instruments- Need a popular song with a mandolin? What about that guy in your band who's always begging to show off his skills on the accordion, violin, or banjo? Find songs for those instruments quickly and easily! What about Music Teachers? There are lists of songs with countermelodies, syncopation, ostinatos, foreign languages, etc. Music from the 80s has never been organized like this!
The 70s Music Compendium is THE resource for every 70s music fan, DJ, cover band, and music educator. To compile the info for this book, the author listened to all 5,344 hits of the 70s. Hundreds of pages are filled with tons of info and trivia. You'll find over 100 lists, charts, quotes, and illustrations inside.Cover bands will love the lists of songs that feature certain instruments, like the banjo, sitar, and slide guitar. DJs will love the ability to organize playlists by instruments and genres like country-pop crossover songs, Christmas songs, and covers of hits from the 70s. Music educators and students will appreciate the music theory section that lists songs that share a common musical element, such as an unusual time signature, a countermelody, or an ostinato. Anyone who enjoys 70s music will like the quirky lists, such as: songs with mistakes, songs with a talkbox, and songs with false endings. Elton John, Carpenters, Led Zeppelin, Chicago, Stevie Wonder, Paul McCartney and more!
The popularity of cartoon music, from Carl Stalling's work for Warner Bros. to Disney sound tracks and "The Simpsons"' song parodies, has never been greater. This lively and fascinating look at cartoon music's past and present collects contributions from well-known music critics and cartoonists, and interviews with the principal cartoon composers. Here Mark Mothersbaugh talks about his music for "Rugrats," Alf Clausen about composing for "The Simpsons," Carl Stalling about his work for Walt Disney and Warner Bros., Irwin Chusid about Raymond Scott's work, Will Friedwald about "Casper the Friendly Ghost," Richard Stone about his music for "Animaniacs," Joseph Lanza about "Ren and Stimpy," and much, much more.
First ever book on The Incredible String Band a key inspiration for Led Zeppelin.
In the form of a richly illustrated compendium, Tape Leaders is an indispensable reference guide for anyone interested in electronic sound and its origins in the UK. For the first time, a book sets out information on practically everyone active with experimental electronics and tape recording across the country to reveal the untold stories and hidden history of early British electronic music. With an individual entry for each composer, it covers everyone from famous names like William Burroughs, Brian Eno and Joe Meek to the ultra-obscure such as Roy Cooper, Donald Henshilwood and Edgar Vetter. There are sections for EMS and the BBC Radiophonic Workshop and amateurs, groups and ensembles that experimented with electronics, including The Beatles, Hawkwind and White Noise. Author Ian Helliwell draws on his experience and extensive research into electronic music. After six years and dozens of interviews, he has amassed information never before brought to light in this fascinating subject. An essential book for anyone interested in electronic music history during the 1950s and 60s.
Yé-Yé means Yeah Yeah! and is best known as a style of '60s pop music heard in France and Québec.
The 1960s continue to be the subject of passionate debate and political controversy, a touchstone in struggles over the meaning of the American past and the direction of the American future. Amid the polemics and the myths, making sense of the Sixties and its legacies presents a challenge. This book is for all those who want to take it on. Because there are so many facets to this unique and transformative era, this volume offers multiple approaches and perspectives. The first section gives a lively narrative overview of the decade's major policies, events, and cultural changes. The second presents ten original interpretative essays from prominent historians about significant and controversial issues from the Vietnam War to the sexual revolution, followed by a concise encyclopedia articles organized alphabetically. This section could stand as a reference work in itself and serves to supplement the narrative. Subsequent sections include short topical essays, special subjects, a brief chronology, and finally an extensive annotated bibliography with ample information on books, films, and electronic resources for further exploration. With interesting facts, statistics, and comparisons presented in almanac style as well as the expertise of prominent scholars, The Columbia Guide to America in the 1960s is the most complete guide to an enduringly fascinating era.
Endearingly, the differences between Rick Davies and Roger Hodgson were key ingredients in what would become the musical and writing chemistry of Supertramp - a band that made a fascinating and diverse contribution to music. From their first commercial breakthrough in 1974 with Crime Of The Century, they exceeded their own expectations with the colossal success of Breakfast In America in 1979. But it was never a smooth journey. With ups and downs financially, commercially and in terms of their working relationship, Supertramp lived the highs and lows of the music business. From local gigs to many highly demanding tours, this book documents it all. As Roger Hodgson once said, "The music always came pretty easily. Both the music and the lyrics come from the same place. For me, composing is literally losing myself in the music. I let the inspiration just come naturally. It is a very magical process. When I start hearing melodies, then I just start singing and the words start coming. The words will have something to do with what I am going through in my life, or what's in my heart at the time. I will have an idea of what the song's about and then work with the melody."
A “fascinating, intimate” oral history of the golden age of the rock concert based on nearly 100 interviews with musicians, fans, and others (Publishers Weekly). Decades after the rise of rock music in the 1950s, the rock concert retains its power as a unifying experience—and as a multi-billion-dollar industry. In Rock Concert, acclaimed music writer Marc Myers delves into the history of this cultural phenomenon, weaving together ground-breaking accounts from the people who were there. Myers combines the tales of icons like Joan Baez, Ian Anderson, Alice Cooper, Steve Miller, Roger Waters, and Angus Young with the disc jockeys, audio engineers, and music journalists, and promoters who organized it all, like Michael Lang, co-founder of Woodstock, to create a rounded and vivid account of live rock’s stratospheric rise. Rock Concert offers a backstage view of rock ‘n’ roll as it evolved through live performance—from the rise of R&B in the 1950s, to the hippie gatherings of the ‘60s, and the growing arena tours of the ‘70s and ‘80s. Elvis Presley’s gyrating hips, the “British Invasion” of the Beatles, the Grateful Dead’s free flowing jams, and Pink Floyd’s The Wall are just a few of the defining musical acts that drive this rich narrative.