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The 1960s witnessed a sustained period of economic growth, consumer spending and stable employment. This hitherto unknown prosperity enabled a market growth in levels of owner occupation and a subsequent boom in the sale of household furnishings and luxury goods. The 1960s Home looks at the styles and fashions in domestic housing and interiors between 1960 and 1970. Although this period has received increasing attention in recent years, much of it has been concentrated on progressive and exclusive design rather than on the furniture and furnishing of the 'average' home.
The colourful and unique MoDA Style Guides offer a fascinating insight into 20the-Century home decoration and furnishings, and are an excellent resource for the enthusiast. Beautifully illustrated and expertly researched, the guides draw from the extensive MoDA collections and other original sources including retail and trade catalogues, domestic magazines and household manuals.
From Pop art to Op art, plastic furniture to bubble-gum paint colours, the Sixties saw a new wave of interior design that was closely linked to popular culture and fashion, becoming increasingly youth-oriented and playful to appeal to the new generation of baby-boomers. In Sixties House, mid-century modern enthusiast Catriona Gray has drawn on the magazine's peerless archive, curating the best illustrations and photographs to show how the use of colour, pattern, homewares and furniture evolved through the decade. The homes of key tastemakers are featured including Bridget Riley, Mary Quant, David Mlinaric, Barbara Hulanicki of Biba and David Bailey. The second title in the new Decades of Design series, House & Garden Sixties House is required reading for mid-century modern enthusiasts, collectors and decorators in search of inspiration from the most influential homes of the past.
Picker House is a remarkable late 1960s modernist home specifically designed to accommodate a significant international collection of modern and contemporary painting and sculpture. This book brings together leading researchers in their respective fields who examine in depth every aspect of this unique place.
The 1940s marked a period of transition in interior design: the quarrel between ancient and modern was outdated, the combination of function and art was essential, and interior designers were more focused on new creations rather than on post-war reconstruction. The style of this period exhibits all the contradictions that arise from a society that was in a general state of shock, unsure of what the future would hold. Exemplary cabinet making marks the period, featuring famous names like T.H. Robsjohn-Gibbing and George Nelson from the United States. In France, Adnet, Arbus, Dominique, Kohlmann, Jallot, and Leleu produced sumptuous ensembles, with beautiful detailing. "Furniture and Interiors of the 1940s" features the work of numerous designers in 300 archival images and recent color photographs that shed new light on this transitional period in design, as it evolved both in Europe and in the United States.
Subtitle in pre-publication: A home inspector's tips and tricks for finding your perfect home.
From 1967 to 1973, a period that culminated in the socialist project of Salvador Allende, nearly 400,000 low-income Chileans illegally seized parcels of land on the outskirts of Santiago. Remarkably, today almost all of these individuals live in homes with property titles. As Edward Murphy shows, this transformation came at a steep price, through an often-violent political and social struggle that continues to this day. In analyzing the causes and consequences of this struggle, Murphy reveals a crucial connection between homeownership and understandings of proper behavior and governance. This link between property and propriety has been at the root of a powerful, contested urban politics central to both social activism and urban development projects. Through projects of reform, revolution, and reaction, a right to housing and homeownership has been a significant symbol of governmental benevolence and poverty reduction. Under Pinochet's neoliberalism, subsidized housing and slum eradication programs displaced many squatters, while awarding them homes of their own. This process, in addition to ongoing forms of activism, has permitted the vast majority of squatters to live in homes with property titles, a momentous change of the past half-century. This triumph is tempered by the fact that today the urban poor struggle with high levels of unemployment and underemployment, significant debt, and a profoundly segregated and hostile urban landscape. They also find it more difficult to mobilize than in the past, and as homeowners they can no longer rally around the cause of housing rights. Citing cultural theorists from Marx to Foucault, Murphy directly links the importance of home ownership and property rights among Santiago's urban poor to definitions of Chilean citizenship and propriety. He explores how the deeply embedded liberal belief system of individual property ownership has shaped political, social, and physical landscapes in the city. His approach sheds light on the role that social movements and the gendered contours of home life have played in the making of citizenship. It also illuminates processes through which squatters have received legally sanctioned homes of their own, a phenomenon of critical importance in cities throughout much of Latin America and the Global South.
Beautiful, idea-filled room interiors seen in American popular magazines in the 1960s are shown in over 200 color photos with detailed identification. Readers adapted these designs from Armstrong Cork Company's advertising for their own homes. 1960s room interiors provided solutions from which people today can draw useful ideas.
Fulfills the standards: "Culture," "Individuals, Groups, and Institutions," "Power, Authority, and Governance," and "Science, Technology, and Society" from the National Council for the Social Studies Curriculum Standards for High School.Fulfills the standards: "Chronological Thinking," "Historical Comprehension," "Historical Analysis and Interpretation," and "Historical Research Capabilities" from the National History Education Standards for American History, Grades 5-12.
Nearly every baseball-related board or table game produced from the 1860s to the 1960s is illustrated here with accurate captions that describe each one individually. The relationship between the board games and the professional game of baseball is described with tips to help date each and rate their condition.