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The true story behind the 'Fatty Arbuckle' Scandal David Yallop is no stranger to controversy. The impact of his investigations in such bestsellers as In God's Name, Beyond Reasonable Doubt and To Encourage the Others has reverberated around the world. In The Day the Laughter Stopped, he uncovers the incredible true story behind the Roscoe 'Fatty' Arbuckle scandal of 1921, when the fat film comedian stood accused of the rape and murder of a pretty screen actress. Arbuckle's is the story of a man born in extreme poverty who was destined to rise to the heights of a multi-million dollar career, only to have it snatched from him by a wave of hysteria and bigotry that swept the globe. It is the story of Hollywood and what really happened in the corridors of power; the political corruption of San Francisco; the immorality of a president. How Charlie Chaplin's career was saved. How Buster Keaton's was begun. Both by Arbuckle. It is a life story that ranges from comic heights to tragic depths. The Day the Laughter Stopped confirms David Yallop's reputation as the world's greatest investigative author, combining exhaustive research with compulsive narrative.
After more than fifteen years, this initial volume of the American Film Institute Catalog series is again in print. The 1920s set covers the important filmmaking period when "movies" became "talkies," and the careers of many influential directors and actors were launched. Films such as Wings, The Phantom of the Opera, All Quiet on the Western Front, and The Jazz Singer are included in this volume.
Contributions by Vlad Dima, Laura Hatry, Alicia Kozma, Lynette Kuliyeva, Madhuja Mukherjee, Frank Percaccio, Gary D. Rhodes, Courtney Ruffner Grieneisen, Marlisa Santos, Michael L. Shuman, and Robert Singer Movie posters, regardless of their country of origin, have become indelibly linked with the films they represent, often assuming a status as visual encapsulations of films within collective memory. Long after their initial role in promotion is complete, these posters endure as iconic images, etched into film history and cultural consciousness. One can hardly hear mention of Steven Spielberg’s landmark production Jaws, for example, without immediately picturing the evocative poster art of Roger Kastel. Film by Design: The Art of the Movie Poster is a groundbreaking and comprehensive exploration of the international and Hollywood movie poster as a dynamic artistic and cultural formation. Drawing inspiration from such prominent genres as horror, science fiction, and noir, the twelve essays in this collection provide insightful analyses of the movie poster as a vital component of the cinematic landscape from the silent era to the contemporary period. Crucially, this anthology rejects the notion of movie posters as mere historical artifacts or advertising tools and instead examines them as integral parts of a broader aesthetic framework interwoven into their respective film narratives. Each chapter, whether focusing on controversies, close-ups, or Cuba, is accessible to scholars, students, and fans alike. Through its intervention in film studies, Film by Design reveals the movie poster to be an ever-evolving medium, firmly grounded in both theory and practice, while serving as an essential and enduring element within the realm of film art.