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The ten-month national mining lock-out of 1926 was one of the most important industrial disputes of the 20th century. This volume of specifically commissioned essays re-examines this key moment in British social history.
In The Women and Men of 1926 Sue Bruley recounts the social history of the mining communities in south Wales during the 1926 lockout. Relying on hitherto unpublished oral testimony as well as other archival material, Bruley investigates how households coped with the lockout and assesses the impact that it had on gender relations. Individual chapters consider topics such as school canteens, miners' lodges, recreational activities, picketing, and politics.
The miners' lockout of 1926 was a pivotal moment in British twentieth-century history. Investigating issues of collective identity and action, Hester Barron explores the way that the lockout was experienced by Durham's miners and their families, illuminating wider debates about solidarity and fragmentation within working-class communities.
The seven-month British national mining lockout of 1926 was one of the most important European industrial disputes of the twentieth century. It not only came to symbolize the defeat of the labor movement in the interwar years, but it also cast a long shadow over industrial relations in the mining industry and epitomized the predicament of British miners in the early decades of the century. Industrial Politics draws on new methodological perspectives that have emerged in recent labor studies in order to comprehensively survey this event at the national, local, and regional levels, and makes a significant contribution to the social and political history of the industrial working class.
Examines the reasons for the General Strike and its significance for British society, focusing on events such as "Black Friday" and on the constitutional issues raised. The book argues that the strike was inevitable but asserts that it was not the disaster that it is often presented as being.
No one personified the age of industry more than the miners. The Shadow of the Mine tells the story of King Coal in its heyday – and what happened to mining communities after the last pits closed. The Shadow of the Mine tells the story of King Coal in its heyday, the heroics and betrayals of the Miners’ Strike, and what happened to mining communities after the last pits closed. No one personified the age of industry more than the miners. Coal was central to the British economy, powering its factories and railways. It carried political weight, too. In the eighties the miners risked everything in a year-long strike against Thatcher’s shutdowns. Their defeat doomed a way of life. The lingering sense of abandonment in former mining communities would be difficult to overstate. Yet recent electoral politics has revolved around the coalfield constituencies in Labour’s Red Wall. Huw Beynon and Ray Hudson draw on decades of research to chronicle these momentous changes through the words of the people who lived through them. This edition includes a new postscript on why Thatcher’s war on the miners wasn’t good for green politics. ‘Excellent’ NEW STATESMAN ‘Brilliant’ TIMES LITERARY SUPPLEMENT ‘Enlightening’ GUARDIAN
The 1984–5 Miners’ Strike was one of the most important political events in British history. It was a bitter dispute that polarised public opinion, divided nation and families alike, and the results in terms of the destruction of centuries of industrial and cultural tradition are still keenly felt. The social and political consequences of this dispute, which have resonated for the past quarter century, have been subject to detailed analysis and reflection. The consequences for the arts and popular culture are less clearly mapped. This book attempts to begin to redress this imbalance and signal the importance of popular cultural activity both during and after the strike. The essays that appear in this book represent diverse and multidisciplinary responses to the questions raised by the strike and its relationships to a broad range of cultural forms which include literature, film, photography, music, theatre, television drama and documentary, painting, public art and heritage interventions. These responses are organised around four themes that map the interrelatedness between cultural representation, cultural intervention and historical memory. The first deals with the idea of mining culture and pre-strike representations in popular sentiment, film and literature. The second examines the role cultural forms played directly in the context of the strike, as a means of political commentary, activism and fund raising. The third looks at subsequent cultural renderings or reconstructions of the strike and the final section looks at the current process of memorialisation and commemoration. The book draws together a range of voices from academia, heritage, cultural and mining backgrounds, and offers both a historical perspective on the range of cultural activities in the course of the dispute and subsequent readings and re-readings. It aims both to provide a record of cultural intervention and stimulate new dialogues and perspectives.
Through the voices of ordinary people caught up in the struggle, The Angry Summer graphically illustrates the plight of the miners and their families during the six-month-long miners' strike of 1926 - 'the summer of soups and speeches'. Idris Davies himself left school at the age of fourteen to become a miner and it was the strike of 1926 that forced him to look elsewhere for work. He is perhaps the most authentic socialist poet of the inter-war years to write in English, because he speaks out of the experience of his own working-class community. This volume presents for the first time a properly annotated edition of the poem, an introduction by Tony Conran explaining the biographical, historical and literary background, and is also illustrated with photographs, newspaper cuttings and eyewitness accounts.