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Russian meddling in the affairs of western governments is nothing new. Over a century ago, George Arliss starred in a play that told the story of British prime minister Benjamin Disraeli's efforts to purchase the Suez Canal for his country. But his plan was almost thwarted by Russia. The play ran for five years, then Arliss starred in a silent film version, later followed by a sound film version that won him an Academy Award. This graphic novel faithfully recreates the 1921 silent film DISRAELI that today is considered lost.
THE MIRACLE MAN was Lon ChaneyÕs breakout film after years of appearing in supporting roles. Here he steals the show from the stars, Thomas Meighan and Betty Compson, as ÒFrogÓ Ð a charlatan who can twist his body into appearing as a hopeless cripple to beg for money. The gang of grifters gets more than they bargain for when they decide to make ÒThe Miracle ManÓ their next mark. A huge hit in its day, this film built on the earlier successes of the novel and play. Despite its stature Ð audiences who saw the film in 1919 never forgot the ÒHealingÓ Scene - the film has been lost for decades and we are left with only a tantalizing two minutes of film to recall its glory. This graphic novel is an effort to make the impact of the legendary film once more available albeit in another form for all to rediscover by adapting many vintage images and following printed accounts of the story and film reviews.
Both in life and death, Queen Victoria is among the most popular monarchs to be committed to film. Her reign was characterized by an explosion in media coverage that began to rely on images rather than words to tell her story. Even though Victoria has been labeled the "first media monarch," the sheer magnitude of her screen presence has been neither chronicled nor fully appreciated until now. This book examines the growth and evolution of Queen Victoria's on-screen image. From the satirical cartoons and silent films of the 19th century to the television shows, video games, and webcomics of the 21st, it demonstrates how the protean Victoria character has evolved, ultimately meaning many different things to many different people in many different ways. Each chapter looks at a facet of her character and includes analysis of how these media present Queen Victoria as a real person and shape her as a character acting within a narrative. The book includes a comprehensive and international filmography.
Winner of the Elizabeth Longford Prize for Historical Biography 2016 Frederick Hamiton-Temple-Blackwood, 1st Marquess of Dufferin and Ava, enjoyed a glittering career which few could equal. As Viceroy of India and Governor-General of Canada, he held the two most exalted positions available under the Crown, but prior to this his achievements as a British ambassador included restoring order to sectarian conflict in Syria, helping to keep Canada British, paving the way for the annexation of Egypt and preventing war from breaking out on India's North-West Frontier. Dufferin was much more than a diplomat and politician, however: he was a leading Irish landlord, an adventurer and a travel writer whose Letters from High Latitudes proved a publishing sensation. He also became a celebrity of the time, and in his attempts to sustain his reputation he became trapped by his own inventions, thereafter living his public life in fear of exposure. Ingenuity, ability and charm usually saved the day, yet in the end catastrophe struck in the form of the greatest City scandal for forty years and the death of his heir in the Boer War. With unique access to the family archive at Clandeboye, Andrew Gailey presents a full biography of the figure once referred to as the 'most popular man in Europe'.
Napoleon wasn't always an Emperor or even a General. In 1792 he was a lowly Corporal who couldn't even pay his laundry bill. But the laundress they nicknamed "Madame Sans-Gene" took pity on him and washed his clothing for free. The Revolution dramatically changed their lives and Years later when he had forgotten her they would meet again. By then she was a Duchess and she alone could stop Napoleon from condemning an innocent man to death. But would he listen to her?
This book traces the often sharply differing perspectives historians have formed with regard to the key incidents in the careers of the two foremost politicians of the Victorian age – Gladstone and Disraeli. Following the parallel careers of both men, it focuses upon a series of contentious questions, ranging from why Disraeli opposed Corn Law repeal in 1846 and Gladstone abandoned his High Tory politics for Peelism, to whether Disraeli was ever an Imperialist and why Gladstone took up the cause of Irish Home Rule. By juxtaposing the contrasting interpretations advocated by historians, it brings home to students how history is a continually evolving subject in which every generation poses new questions, or reformulates answers to old ones – encouraging those studying the subject to realise that history is an ongoing dialogue to which they are called upon to contribute.
A comprehensive examination of Churchill s complex political, diplomatic, and intellectual response to Zionism"
By any reasonable expectation, George Arliss should not have succeeded as a star, either on stage or in film. Yet he achieved a career enjoyed by very few in the performing arts. An actor, author, playwright, and filmmaker, George Arliss won acclaim for his work first on the stage and then later, most improbably, as a Hollywood movie star. His films achieved the rare distinction of being both artistic and financial successes. Though he was neither young nor handsome, Arliss found popular acclaim for his many historical characterizations such as Voltaire, Nathan Rothschild, Cardinal Richelieu, and Benjamin Disraeli. Robert Fells traces Arliss's life and times through his film work, providing a thoroughly researched and entertaining view of one of the most important, yet neglected figures in film history. The book also reviews the actor's uneasy relationship with screenwriters, his clashes with British film producer Michael Balcon, his championing of young unknowns such as Bette Davis and James Cagney, and his prosecution by the British Government during World War II. It also includes a complete filmography and a selected stageography of Arliss's work. Includes 20 photos.
During the Silent Era, when most films dealt with dramatic or comedic takes on the "boy meets girl, boy loses girl" theme, other motion pictures dared to tackle such topics as rejuvenation, revivication, mesmerism, the supernatural and the grotesque. A Daughter of the Gods (1916), The Phantom of the Opera (1925), The Magician (1926) and Seven Footprints to Satan (1929) were among the unusual and startling films containing story elements that went far beyond the realm of "highly unlikely." Using surviving documentation and their combined expertise, the authors catalog and discuss these departures from the norm in this encyclopedic guide to American horror, science fiction and fantasy in the years from 1913 through 1929.