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This book, published in two volumes, contains transcripts of four documents associated with the career of Sir Anthony Denny, Keeper of the Palace of Whitehall. The first, the 1542 Inventory itself (PRO E315/160) contains over 4,100 entries, many containing a wealth of detail bringing to life the lavish surroundings of Whitehall. Particular detail is given in relation to fabrics and furnishings. The other transcriptions are of the declarations of Sir Anthony Denny of 1547 and 1548 (PRO E101/472/2 & BL Lansdowne Roll 14) and the declaration of his widow, Dame Joan Denny of 1551 (BL Lansdowne Roll 15). In addition to these, the volume contains a lengthy consideration of Denny's career and life, and sets the compilation of the 1542 inventory against the background of Tudor court life. The book is designed to accompany the post mortem 1547 Inventory of King Henry VIII (Harvey Miller Publishers, 1998) edited by Dr David Starkey. To enable easy comparison of the 1542 and 1547 inventories, a concordance is given enabling the reader of the 1547 Inventory to access the greater detail of the 1542. Also included are brief biographies of over 100 individuals mentioned in the transcripts, a bibliography and full Indexes.
This book, based on a wide variety of contemporary sources, re-examines the little-studied late war between Henry VIII and Francis I in order to assess its impact on both countries and its influence on strategies and tactics for waging war and making peace in the 1540s.
The aim of this book is to explore the neglected subject of the final war between France and England at the end of Henry VIII’s and Francis I’s reigns. The relationship between these two monarchs has long fascinated historians and serious work has been done in the last generation, especially on the earlier period. Rather less has been done on the end of their reigns. The perspective is a dual one, from both that of England and France, with equal weight given to the reasons for conflict and the effects of war on both (on land and sea, in France and Scotland). For England, the military effort of the period proved to be extremely damaging and long-lasting, while France found itself at war on two fronts for the first time since the early 1520s. The book therefore asks why Henry VIII opted for the imperial alliance in 1542, thus committing himself to war in the long term, and why Francis I and his advisers did not do more to win over the English alliance. The Anglo-French war needs to be placed firmly in the context of the great Habsburg-Valois dual. The Anglo-French wars of this period have not received any serious modern analysis and the study of diplomacy in the period needs to be updated. Maps and plans are included and some illustrations.
Authored by a unique combination of university academics and heritage professionals, this book offers new perspectives on journeys made by Henry VIII and other monarchs, their political and social impact and the logistics required in undertaking such trips. It explores the performance of kingship and queenship by itinerant monarchs, investigating how, by a variety of means, they engaged and interacted with their subjects, and the practical and symbolic functions associated with these activities. Moving beyond the purely English experience, it provides a European dimension by comparing progresses in England and France. Royal marriage and the royal progress share common features which are considered through an analysis of the trans-European journeys made by future spouses, notably Anne of Cleves. Also, the book reveals the significance of the art and architecture of houses and palaces, and how the celebrated meeting of English and French kings at the Field of Cloth of Gold in 1520 was part of a wider diplomatic performance full of symbolism including the exchange of gifts and socialising between the two royal courts. Drawing on contemporary art, material culture and surviving buildings, the book will be of interest to all who enjoy the intrigue and splendour of sixteenth-century courts.
Henry VIII used his wardrobe, and that of his family and household, as a way of expressing his wealth and magnificence. This book encompasses the first detailed study of male and female dress worn at the court of Henry VIII (1509-47) and covers the dress of the king and his immediate family, the royal household and the broader court circle. Henry VIII's wardrobe is set in context by a study of Henry VII's clothes, court and household. ~ ~ As none of Henry VIII's clothes survive, evidence is drawn primarily from the great wardrobe accounts, wardrobe warrants, and inventories, and is interpreted using evidence from narrative sources, paintings, drawings and a small selection of contemporary garments, mainly from European collections. ~ ~ Key areas for consideration include the king's personal wardrobe, how Henry VIII's queens used their clothes to define their status, the textiles provided for the pattern of royal coronations, marriages and funerals and the role of the great wardrobe, wardrobe of the robes and laundry. In addition there is information on the cut and construction of garments, materials and colours, dr given as gifts, the function of livery and the hierarchy of dress within the royal household, and the network of craftsmen working for the court. The text is accompanied by full transcripts of James Worsley's wardrobe books of 1516 and 1521 which provide a brief glimpse of the king's clothes.
'The complete history of Whitehall Palace, the official seat of the English monarchy for almost 160 years
"Campbell sheds light on Tudor political and artistic culture and the court's response to Renaissance aesthetic ideals. He challenges the predominantly text-driven histories of the period and offers a fresh perspective on the life of Henry VIII"--OCLC
English dress in the second half of the sixteenth century has been studied in depth, yet remarkably little has been written on the earlier years, or indeed on male clothing for the whole century. The few studies that do cover these neglected areas have tended to be quite general, focusing upon garments rather than the wearers. As such this present volume fills an important gap by providing a detailed analysis of not only what people wore in Henry's reign, but why. The book describes and analyses dress in England through a variety of documents, including warrants and accounts from Henry's Great Wardrobe and the royal household, contemporary narrative sources, legislation enacted by Parliament, guild regulations, inventories and wills, supported with evidence and observations derived from visual sources and surviving garments. Whilst all these sources are utilised, the main focus of the study is built around the sumptuary legislation, or the four 'Acts of Apparel' passed by Henry between 1509 and 1547. English sumptuary legislation was concerned primarily with male dress, and starting at the top of society with the king and his immediate family, it worked its way down through the social hierarchy, but stopped short of the poor who did not have sufficient disposable income to afford the items under consideration. Certain groups - such as women and the clergy - who were specifically excluded from the legislation, are examined in the second half of the book. Combining the consideration of such primary sources with modern scholarly analysis, this book is invaluable for anyone with an interest in the history of fashion, clothing, and consumption in Tudor society.