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The seventies witnessed great changes not only in dress style but also in music. The psychedelia of the late sixties had mutated into glam rock by the early seventies, while the latter half of the decade is best remembered for the punk and disco explosions which gripped both Britain and America. The number-one singles of the decade are recalled in Every Chart Topper Tells a Story: The Seventies, from artists as diverse as Gary Glitter, David Bowie, Jimi Hendrix, Diana Ross, The Bee Gees, T-Rex, Commodores, Donny Osmond, The Three Degrees and Abba. It is the ideal volume both for those wanting a trip down memory lane and for serious music connoisseurs.
This text presents a comprehensive and up-to-date reference work on popular music, from the early 20th century to the present day.
FAMILY SECRETS ARE NEVER A GOOD THING – OR ARE THEY? A Story to Tell: A Secret to Keep is the compelling debut novel by Fiona Rich. This domestic noir is full of emotional depth, that slowly builds suspense leaving the reader hungry to delve deeper into the complex and challenging lives of Tim, Libby and Josh and learn more about the secrets that the family hold. It is a story full of intrigue and plot twists that will keep you guessing until the end. Each of the main characters have faced something traumatic in their lives, they all have their own dark secret that impacts on them psychologically; a secret that could damage the relationships of those closest to them. But will the choices that each of them make to resolve their personal crisis and overcome their psychological traumas release them from their inner turmoil, or lock them in an endless conflict of guilt and deception?
An essential reference book for sixties music lovers, this encyclopedic overview includes detailed chart statistics and biographical information for eighty songwriters and covers around two thousand songs, some of which are among the greatest ever written.
(Music Pro Guides). Today, musical composition for films is more popular than ever. In professional and academic spheres, media music study and practice are growing; undergraduate and postgraduate programs in media scoring are offered by dozens of major colleges and universities. And increasingly, pop and contemporary classical composers are expanding their reach into cinema and other forms of screen entertainment. Yet a search on Amazon reveals at least 50 titles under the category of film music, and, remarkably, only a meager few actually allow readers to see the music itself, while none of them examine landmark scores like Vertigo , To Kill a Mockingbird , Patton , The Untouchables , or The Matrix in the detail provided by Scoring the Screen: The Secret Language of Film Music . This is the first book since Roy M. Prendergast's 1977 benchmark, Film Music: A Neglected Art , to treat music for motion pictures as a compositional style worthy of serious study. Through extensive and unprecedented analyses of the original concert scores, it is the first to offer both aspiring composers and music educators with a view from the inside of the actual process of scoring-to-picture. The core thesis of Scoring the Screen is that music for motion pictures is indeed a language , developed by the masters of the craft out of a dramatic and commercial necessity to communicate ideas and emotions instantaneously to an audience. Like all languages, it exists primarily to convey meaning . To quote renowned orchestrator Conrad Pope (who has worked with John Williams, Howard Shore, and Alexandre Desplat, among others): "If you have any interest in what music 'means' in film, get this book. Andy Hill is among the handful of penetrating minds and ears engaged in film music today."
When Elbow won the Mercury Prize in 2008 for their fourth studio album - The Seldom Seen Kid - the accolade followed an organic 17 year long career marked by four classic albums and a cult following that cast them in the role of Manchester's best kept music secret. Elbow started out at a time when great songs and evocative lyrics were not generally recognised. Their music transcended genre, age and image, eventually finding its own distinctive global audience as Guy Garvey evolved into one of the most brilliant and intriguing lyricists of recent times. Reluctant Heroes charts Elbow's long journey from humble roots through modest success to international recognition. It features interviews with the band and those close to them to form the most complete band history to date.
The Bloomsbury Encyclopedia of Popular Music Volume 1 provides an overview of media, industry, and technology and its relationship to popular music. In 500 entries by 130 contributors from around the world, the volume explores the topic in two parts: Part I: Social and Cultural Dimensions, covers the social phenomena of relevance to the practice of popular music and Part II: The Industry, covers all aspects of the popular music industry, such as copyright, instrumental manufacture, management and marketing, record corporations, studios, companies, and labels. Entries include bibliographies, discographies and filmographies, and an extensive index is provided.
A TIME Magazine Best Paperback of 2017 One of Oprah Magazine's "Ten Best Books of 2017" "This singular poetry collection is a dynamic meditation on the experience of, and societal narratives surrounding, contemporary black womanhood. . . . These exquisite poems defy categorization." —The New Yorker The only thing more beautiful than Beyoncé is God, and God is a black woman sipping rosé and drawing a lavender bath, texting her mom, belly-laughing in the therapist’s office, feeling unloved, being on display, daring to survive. Morgan Parker stands at the intersections of vulnerability and performance, of desire and disgust, of tragedy and excellence. Unrelentingly feminist, tender, ruthless, and sequined, these poems are an altar to the complexities of black American womanhood in an age of non-indictments and deja vu, and a time of wars over bodies and power. These poems celebrate and mourn. They are a chorus chanting: You’re gonna give us the love we need.
In May 1958, one of the world's largest motor manufacturers unveiled a diminutive two-seater that would take the world by storm. Small in stature yet able to punch well above its weight, the Austin-Healey Sprite rapidly gained an enthusiastic following among keen drivers, as well as an impressive record in competition. Being neither expensive nor exotic, for many motorists the Sprite opened the door to sports car ownership and, in so doing, its commercial success was almost guaranteed. With over 250 photographs, this book includes: the genesis of the Sprite, from the Austin Seven and pre-war MG Midget, via Donald Healey's Riley- and Nash-engined models, to the Austin A30, A90 Atlantic and Healey Hundred. The development, launch and market reception is covered along with details of the evolution from Mk I to Mk IV, including the Frogeye and restyled ADO 41. Rallies, racing and record breaking details are given as well as information on modifications, special-bodied variants, replicas and finally, buying and restoring a Sprite today.
Positioned between the psychedelic and counter-cultural music of the late 1960s and the punk and new wave styles of the late 1970s, early 1970s British popular music is often overlooked in pop music studies of the late 20th century, but it was, in fact, highly diverse with many artists displaying an eclecticism and flair for musical experimentation. 'Progressive pop' artists such as Roxy Music, David Bowie, the early Queen, the Electric Light Orchestra, 10cc and Steve Harley & Cockney Rebel successfully straddled the album and singles markets, producing music that often drew on a variety of different musical styles and traditions. Similarly, such artists often set new benchmarks for songwriting and production, utilizing the full potential of the rapidly expanding studio technology of the era to produce albums of highly diverse material featuring, in some cases, special studio-crafted effects and soundscapes that remain unique to this day. This book considers the significance of British progressive pop in the early 1970s as a period during which the boundaries between pop and rock were periodically relaxed, providing a platform for musical creativity less confined by genre and branding.