Download Free The 10 Rules Of Rock And Roll Book in PDF and EPUB Free Download. You can read online The 10 Rules Of Rock And Roll and write the review.

In his first book The 10 Rules of Rock and Roll Australian singer-songwriter Robert Forster takes readers on an idiosyncratic journey through the past and present of popular music from Bob Dylan to Cat Power from AC/DC to Nana Mouskouri from The Saints to Franz Ferdinand. With thirty-years experience as a recording artist/performer and an undimmed love of popular music Forster's observations about his fellow artists balance the enthusiasm of a fan with an insider's authority. He is that rare thing a musician who can write about music and he brings to this collection of critical essays the erudition wit and craft of his songwriting.
'Sometimes I play a game in my head: name the five best American rock bands of the '60s. My list goes: The Velvet Underground, The Byrds, The Beach Boys, The Doors, and then I stall on the fifth. Creedence? The Band — although they're mostly Canadian. Simon and Garfunkel? Jefferson Airplane? The Lovin' Spoonful? But I plump for The Monkees.' Robert Forster In The 10 Rules of Rock and Roll, Robert Forster takes readers on an exhilarating trip through the past and present of popular music – from Bob Dylan, AC/DC and Nana Mouskouri through to Cat Power, Franz Ferdinand and ... Delta Goodrem. To accompany Forster's acclaimed writing for The Monthly, there are some stunning new pieces – 'The 10 Rules' and 'The 10 Bands I Wish I'd Been In' and an appreciation of Guy Clark – as well as a reflection on The Velvet Underground, a short story about Normie Rowe and a moving tribute to fellow Go-Between Grant McLennan. Funny and illuminating, The 10 Rules of Rock and Roll shows a great critic at work.
In his first book, Australian singer-songwriter Robert Forster takes readers on an idiosyncratic journey through the past and present of popular music: from Bob Dylan to Cat Power, from AC/DC to Nana Mouskouri, from The Saints to Franz Ferdinand. With 30 years experience as a recording artist and performer and an undimmed love of popular music, Forster's observations about his fellow artists balance the enthusiasm of a fan with an insider's authority. He is that rare thing, a musician who can write about music, and he brings to this collection of critical essays the erudition, wit and craft of his songwriting. Originally published in Australia in 2009, The 10 Rules of Rock and Roll was praised for its "fresh insights by a genuine master" (Courier Mail) and for providing an "assured guide to recent pop music from the perspective of a songwriter who has willingly kept up" (Weekend Australian). This revised and updated edition features new material not included in the original book, as well as short fiction and two moving tributes to Forster's fellow Go-Between, Grant McLennan.
'Entertaining, affectionate and righteous' Guardian 'Says so much about being a woman' Cosey Fanni Tutti In 1983, backstage at the Lyceum in London, Tracey Thorn and Lindy Morrison first met. Tracey’s music career was just beginning, while Lindy, drummer for The Go-Betweens, was ten years her senior. They became confidantes, comrades and best friends, a relationship cemented by gossip and feminism, books and gigs and rock ’n’ roll love affairs. Thorn takes stock of thirty-seven years of friendship, teasing out the details of connection and affection between two women who seem to be either complete opposites or mirror images of each other. She asks what people see, who does the looking, and ultimately who writes women out of – and back into – history.
Dave Marsh has been an editor and columnist at Creem and Rolling Stone. His books include Born to Run, Behind Blue Eyes: The Story of the Who, Glory Days, and Louie Louie. This virtual Methusaleh of rock critics currently serves as a music critic at Playboy and as editor of Rock and Rap Confidential.
Ten Rules Of The Road I Learned At My First Concert is one ordinary guy's saga of 160 concerts over the last 44 years: "From scalping tickets to catch Captain Fantastic at the height of his success to missing the opportunity to see Sir Paul close down Shea Stadium; from meeting one band in the middle of 43rd street to watching another play in a parking lot; from seeing a crowd throw objects at an amateur lead-in band to hearing two legends, Macca and Bruce, play "I Saw Her Standing There" - twice; from never seeing Van Morrison play "Someone Like You" to having him surprise us all with a rendition of "Send In The Clowns"; from attending a concert that never started to being at a show that we wouldn't let end; the "Ten Rules Of The Road" have marked the moments of my journey from August 15, 1976 right through today."
The legendary critic and author of Mystery Train “ingeniously retells the tale of rock and roll” (Publishers Weekly, starred review). Unlike previous versions of rock ’n’ roll history, this book omits almost every iconic performer and ignores the storied events and turning points everyone knows. Instead, in a daring stroke, Greil Marcus selects ten songs and dramatizes how each embodies rock ’n’ roll as a thing in itself, in the story it tells, inhabits, and acts out—a new language, something new under the sun. “Transmission” by Joy Division. “All I Could Do Was Cry” by Etta James and then Beyoncé. “To Know Him Is to Love Him,” first by the Teddy Bears and almost half a century later by Amy Winehouse. In Marcus’s hands these and other songs tell the story of the music, which is, at bottom, the story of the desire for freedom in all its unruly and liberating glory. Slipping the constraints of chronology, Marcus braids together past and present, holding up to the light the ways that these striking songs fall through time and circumstance, gaining momentum and meaning, astonishing us by upending our presumptions and prejudices. This book, by a founder of contemporary rock criticism—and its most gifted and incisive practitioner—is destined to become an enduring classic. “One of the epic figures in rock writing.”—The New York Times Book Review “Marcus is our greatest cultural critic, not only because of what he says but also, as with rock-and-roll itself, how he says it.”—The Washington Post Winner of the Deems Taylor Virgil Thomson Award in Music Criticism, given by the American Society of Composers, Authors & Publishers