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Spanning 25 years of serious writing on hip-hop by noted scholars and mainstream journalists, this comprehensive anthology includes observations and critiques on groundbreaking hip-hop recordings.
"Marvelous, terrifying fun, especially if you've ever suspected that the world is an unreal construct built solely to keep you from knowing who you really are. Which it is, of course."--"Rolling Stone" Ragle Gumm has a unique job: every day he wins a newspaper contest. And when he isn't consulting his charts and tables, he enjoys his life in a small town in 1959. At least, that's what he thinks. But then strange things start happening. He finds a phone book where all the numbers have been disconnected, and a magazine article about a famous starlet he's never heard of named Marilyn Monroe. Plus, everyday objects are beginning to disappear and are replaced by strips of paper with words written on them like "bowl of flowers" and "soft drink stand." When Ragle skips town to try to find the cause of these bizarre occurrences, his discovery could make him question everything he has ever known.
Once again she's back! Keisha Ervin, that is, with her spellbinding tale of love, family, money, and scandal. In this sizzling new story, Keisha introduces you to Mina Matthews. She is not your typical around-the-way girl; her dreams of making a life for herself outside the hood are now a reality. At the age of 25, she has her own full service salon, Mina's Joint, drives a CLK55, and is engaged to Andrew, the son of the mayor of St. Louis. To most, she has it all, but everything that glitters ain't gold. Mina's life is turned upside down when the man of her dreams and childhood sweetheart, Victor Gonzalez, re-enters her life. Suddenly everything that she thought was true turns out to be a lie. Will her loyalty to Andrew overshadow her love for Victor, or will the pasts of these two men bring her life to an end?
In this spectacular album of full-color photographs Birney Imes reveals a previously unexplored domain: the black juke joints of the Mississippi Delta. Imes transforms this phenomenon of Delta cultural life into something rich and strange. Introduced by Richard Ford.
"The war in Vietnam was not lost in the field, nor was it lost on the front pages of the New York Times or the college campuses. It was lost in Washington, D.C." —H. R. McMaster (from the Conclusion) Dereliction Of Duty is a stunning analysis of how and why the United States became involved in an all-out and disastrous war in Southeast Asia. Fully and convincingly researched, based on transcripts and personal accounts of crucial meetings, confrontations and decisions, it is the only book that fully re-creates what happened and why. McMaster pinpoints the policies and decisions that got the United States into the morass and reveals who made these decisions and the motives behind them, disproving the published theories of other historians and excuses of the participants. A page-turning narrative, Dereliction Of Duty focuses on a fascinating cast of characters: President Lyndon Johnson, Robert McNamara, General Maxwell Taylor, McGeorge Bundy and other top aides who deliberately deceived the Joint Chiefs of Staff, the U.S. Congress and the American public. McMaster’s only book, Dereliction of Duty is an explosive and authoritative new look at the controversy concerning the United States involvement in Vietnam.
Is, as Hamlet once complained, time out joint? Have the ways we understand the past and the future—and their relationship to the present—been reordered? The past, it seems, has returned with a vengeance: as aggressive nostalgia, as traumatic memory, or as atavistic origin narratives rooted in nation, race, or tribe. The future, meanwhile, has lost its utopian glamor, with the belief in progress and hope for a better future eroded by fears of ecological collapse. In this provocative book, Aleida Assmann argues that the apparently solid moorings of our temporal orientation have collapsed within the span of a generation. To understand this profound cultural crisis, she reconstructs the rise and fall of what she calls "time regime of modernity" that underpins notions of modernization and progress, a shared understanding that is now under threat. Is Time Out of Joint? assesses the deep change in the temporality of modern Western culture as it relates to our historical experience, historical theory, and our life-world of shared experience, explaining what we have both gained and lost during this profound transformation.
The Joint Book features illustrated instructions for over 70 joints—providing easy-to-follow step-by-step directions for creating edge and scarf joints, lapped and housed joints, mortise and tenon joints, miters and bevels, dovetails, dowels and biscuits, and detailed descriptions of fasteners, hardware, and knockdown joints. This book is the perfect companion for any woodworker interested in improving their joint-making skills. This hardcover book with internal spiral binding is 6.5" × 8", the perfect size for carpenters and woodworkers to keep near their workbench or toolbox for quick access.The design of this book allows it to lay open flat for easy and frequent reference. The interior photographs, illustrations, and diagrams make the learning process simple and fun for beginners, while advanced readers will gain insight from the book's useful tips. Within, you'll find: Step-by-step illustrated instructions for making all the basic joints in every joint family—mortise and tenon, dovetails, miters, and more—and their variations. Both hand tool methods and power tool techniques, plus a variety of easy-to-build jigs. How the nature of wood and its properties affect joinery, glue, and furniture design. The Joint Book is the ultimate workshop reference, providing woodworkers with the knowledge to choose the right joint for the job.
To most people the Western Ghats is a range of hills on the west coast of India covered with monsoon forests, a repository of minerals, a UNESCO world heritage site and a biodiversity hotspot. In this studio, however, the Western Ghats is a splice: a joint of two things that does not call attention to itself so much as to the new 'singularity' that it creates. To say the Western Ghats is a splice is to see a coast that calls attention to a land-sea gradient.an escarpment that unites the ground beneath the Arabian Sea and the Deccan Plateau along a N-S shear that reveals layers of basalt toward the north and a surface of laterite to the south.a threshold that allows the SW monsoon to come through, a moisture-laden wind that drops large amounts of rain between June and September on its way to the Himalayasa 'wild' belt that generates networks of roadways, railways and airways to draw people from the urban centers on the Arabian Sea and the Deccan Plateau - people looking for 'nature', vacations, recreation, adventure and research.a ground that reveals veins, strata and ore of coveted minerals.a catchment of rain that inspires conduits of water and hydropower to cities on the Arabian Sea and the Deccan Plateau.a biodiversity hotspot that calls attention to an endangered planet.The singularity initiated by the Western Ghats in each of these cases has a beginning but no end, direction but no destination, trajectory but no enclosure. With this in mind, the studio initiated the design of splices that transformed the contested terrain of the Western Ghats on the ground and in the imagination.